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The Williamsburg Avant-Garde: Experimental

Music and Sound on the Brooklyn Waterfront

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Brooklyn Waterfront [R.A.R]

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Description

In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground

music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the

early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and

other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building

on the neighborhood’s punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and

noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts,

Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in

clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made

Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act

devastated the community as gentrification displaced its participants farther afield in Brooklyn and

in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital

music of the late twentieth and early twenty-first centuries; he helps readers better understand the

formation, vibrancy, and life span of experimental music and art scenes everywhere.

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