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35th Annual Annapolis Opera Vocal Competition

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THE ANNAPOLIS OPERA CELEBRATES OUR<br />

GOLDEN eason<br />

SUNDAY | APRIL 16, 2023 AT 3 PM<br />

MARYLAND HALL


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Timeless. The voices you will be hearing<br />

over this weekend will be astonishing,<br />

dramatic and powerful. We begin with, as<br />

the Los Angeles Times noted, “one of the<br />

finest countertenors of his generation,”<br />

John Holiday. Holiday’s unique voice and<br />

powerful story have been the subject of<br />

numerous profiles across the country.<br />

An acclaimed opera singer, Holiday has<br />

performed at world-renowned venues<br />

around the globe and is also acclaimed for his work in jazz,<br />

gospel, and pop music. He will be accompanied on the stage<br />

by celebrated pianist Jonathan King. Make sure to read their<br />

biographies in our Playbill. Truly outstanding artists!<br />

Our <strong>35th</strong> <strong>Annual</strong> <strong>Vocal</strong> <strong>Competition</strong> finals keeps the excitement<br />

going with some of the rising stars in the classical vocal world.<br />

Mr. Holiday and YOU will be among the judges at this free event.<br />

Be prepared to be amazed by the talent on the stage.<br />

<strong>Annapolis</strong> <strong>Opera</strong> wishes to thank and recognize our staff, Board<br />

of Trustees, volunteers, artists, donors, and patrons. Special<br />

thanks and appreciation go to our Ruby Society members and<br />

corporate sponsors. Your support, hard work, and dedication<br />

to keeping opera alive in <strong>Annapolis</strong> make programs like this<br />

possible.<br />

As the curtain closes on our 50th Anniversary, we look forward<br />

to having you join us this fall for exciting performances and<br />

events as we begin our 51st Season.<br />

Thank you for being with us!<br />

Cary Melnyk<br />

President<br />

a message from<br />

THE PRESIDENT<br />

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a message from<br />

THE MAESTRO<br />

It is my pleasure to welcome you to this<br />

weekend, featuring two exciting events<br />

as we conclude <strong>Annapolis</strong> <strong>Opera</strong>’s 50th<br />

Anniversary Season! Saturday evening,<br />

we welcome John Holiday, countertenor,<br />

and Jonathan King, pianist. This artist<br />

series, Voices of our Time, reflects our<br />

commitment to bringing established<br />

artists to our stage who use their<br />

voices to illuminate the relevance and<br />

importance of this beloved art form.<br />

We’re thrilled to witness first-hand the<br />

many ways both these artists embody these qualities as they<br />

offer a marvelously diverse program!<br />

This recital is also part of our <strong>Annual</strong> <strong>Vocal</strong> <strong>Competition</strong> weekend.<br />

For 35 years, <strong>Annapolis</strong> <strong>Opera</strong> has supported emerging artists<br />

through this competition which has cultivated generations<br />

of young talent, connecting them to audiences and industry<br />

professionals while also providing crucial financial support.<br />

We heard approximately 300 singers in the first round, 30<br />

singers in the semi-finalist round—both of which were virtual—<br />

and this weekend, look forward to welcoming the 8 finalists<br />

to <strong>Annapolis</strong>. John Holiday and Elizabeth Futral, soprano, join<br />

me to adjudicate and share feedback with the finalists as they<br />

continue their well-deserved ascent in the profession.<br />

Enjoy this weekend’s recital and the final round of the <strong>Annual</strong><br />

<strong>Vocal</strong> <strong>Competition</strong>!<br />

Craig Kier<br />

Artistic and Music Director<br />

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BOARD OF TRUSTEES<br />

Cary Melnyk, President<br />

Kathryn Dahl, Vice President<br />

Michael Lehr, Interim Treasurer<br />

Paula Abernethy, Secretary<br />

Rev. Dr. Carletta Allen<br />

Betty Austin<br />

Melvin Bender<br />

Barbara Bohl-Watkins<br />

Joy Chambers<br />

Georgianna Crosby<br />

Richard Hack<br />

Richard Krimm<br />

Andrew Noel<br />

Melissa Osmond<br />

Kimberly Ross Page<br />

Leah Solat<br />

Lyn Songy<br />

William Tham<br />

HONORARY TRUSTEES<br />

Hon. Westley Moore, Governor of Maryland<br />

Hon. Steuart Pittman, Anne Arundel County Executive<br />

Hon. Gavin Buckley, Mayor, City of <strong>Annapolis</strong><br />

Dr. Dawn Lindsay, President, Anne Arundel Community College<br />

Nora V. Demleitner, President, St. John’s College, <strong>Annapolis</strong><br />

ADVISORY TRUSTEES<br />

Thomas DeKornfeld Patrick Lee, Jr.<br />

Anna E. Greenberg David Stern<br />

Catherine Hollerbach<br />

LIFT EVERY VOICE TRUSTEES<br />

Rev. Dr. Carletta Allen<br />

Betty Austin<br />

Patsy Blackshear<br />

Terry Eberhardt<br />

STAFF<br />

Craig Kier, Artistic and Music Director<br />

Kathy Swekel, General Director<br />

Jane Weaver, Director of Development<br />

Victoria Mangum, Artistic Programs Manager<br />

Maura Dullea, <strong>Opera</strong>tions and Marketing Associate<br />

Steve Mangum, Stage Manager<br />

Rachel Buxton, Graphic Design<br />

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ANNAPOLIS AREA ATTORNEYS<br />

GREENBELT OFFICE<br />

6411 Ivy Lane, Suite 200<br />

Greenbelt, Maryland 20770<br />

(301) 441-2420<br />

(301) 982-9450 (fax)<br />

ANNAPOLIS OFFICE<br />

888 Bestgate Road, Suite 402<br />

<strong>Annapolis</strong>, Maryland 21401<br />

(410) 266-9909<br />

(410) 266-8425 (fax)<br />

VIRGINA OFFICE<br />

950 N. Washington Street,<br />

Suite 210<br />

Alexandria, VA 22314<br />

(703) 270-9600<br />

www.mhlawyers.com<br />

Brent M. Ahalt<br />

Jennifer M. Alexander<br />

Garth E. Beall<br />

Michael L. Brown<br />

C. Ryan Cohill<br />

Danielle M. Cruttenden<br />

Lindsey K. Erdmann<br />

Justin P. Fasano<br />

Justin M. Ginsburg<br />

Steven L. Goldberg<br />

Christopher L. Hamlin<br />

Charles H. Henderson<br />

Gregory R. Hislop<br />

Milton D. Jernigan, II<br />

Robert J. Kim<br />

Kelly S. Kylis<br />

Daniel F. Lynch, III<br />

John P. Lynch<br />

Erin B. McAuliffe<br />

Aaron D. Neal<br />

Janet M. Nesse<br />

Craig M. Palik<br />

Doan T. Phan<br />

Mark W. Schweitzer<br />

Esther A. Streete<br />

Matthew C. Tedesco<br />

Alishia F. Tidwell<br />

Kevin M. Tracy<br />

James C. Tuomey<br />

Alexander P.R. Ward<br />

Business • Banking & Finance • Litigation<br />

Estates & Trusts • Bankruptcy • Real Estate<br />

Land Use & Zoning • Construction<br />

Employment • Tax • Family • Criminal Defense<br />

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Helping your wealth plan perform a curtain call<br />

Every great performance depends on planning, preparation and commitment.<br />

The same is true when managing your finances. RBC Wealth Management can<br />

provide guidance to help your wealth plan deliver a memorable performance.<br />

Call today for a complimentary consultation.<br />

The <strong>Annapolis</strong> Office of RBC Wealth Management<br />

1906 Towne Centre Boulevard, Suite 375<br />

<strong>Annapolis</strong>, MD 21401<br />

(410) 573-6700<br />

us.rbcwm.com/annapolis<br />

© 2022 RBC Wealth Management, a division of RBC Capital Markets, LLC, registered investment adviser and<br />

Member NYSE/FINRA/SIPC. 22-AO-02049 (08/22)<br />

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THE ENCORE SOCIETY<br />

The Encore Society acknowledges the generosity of those who have made<br />

an important commitment to leave a lasting legacy of live opera in <strong>Annapolis</strong><br />

through their estate. Planned gifts are a powerful way to make an ongoing<br />

impact on the cultural life of <strong>Annapolis</strong> and Anne Arundel County, and the<br />

<strong>Annapolis</strong> <strong>Opera</strong> is grateful for the many donors who have chosen to include<br />

us in their estate plans.<br />

Not only do members enjoy access to exclusive events, but these gifts have<br />

the potential to provide valuable tax and income benefits now and in the<br />

future.*<br />

Contact Kathy Swekel: 410.267.8135 | kswekel@annapolisopera.org<br />

*Please consult with your financial or legal advisor to determine which type<br />

of gift is best for you.<br />

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IT’S WHAT MAKES US WANT TO GIVE<br />

that makes us feel alive.<br />

“Serving our community is a cornerstone of Zachary’s Jewelers.<br />

The <strong>Annapolis</strong> <strong>Opera</strong> is a vital cultural asset that we are proud to support.”<br />

Steve Samaras, Owner<br />

ZACHARYSJEWELERS.COM<br />

is proud to support the <strong>Annapolis</strong> <strong>Opera</strong><br />

in their 2022-2023 Season<br />

Bravo to 50 years of utilizing creativity to<br />

share unique perspectives and encourage greater<br />

understanding of what makes us all different.<br />

Bring extraordinary perspectives, ideas and creative solutions to<br />

grow your organization with CTT's services.<br />

www.chesapeakethinktank.com<br />

info@chesapeakethinktank.com<br />

443-249-3339<br />

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thank you to our<br />

SINGER SPONSORS<br />

NORMAN AND DORIS FISHER FOUNDATION<br />

JAN PAUL RICHTER AND<br />

ELLEN VON SEGGERN RICHTER<br />

CHRIS AND SIRIUS SWEKEL<br />

<strong>Annapolis</strong> <strong>Opera</strong> extends a special thanks to our Singer Sponsors.<br />

These sponsors directly support singers in the opera’s productions,<br />

while creating a personal connection.<br />

To learn more about becoming a sponsor contact<br />

Kathy Swekel—410.267.8135 | kswekel@annapolisopera.org<br />

thank you to our<br />

CORPORATE SPONSORS<br />

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thank you to our<br />

VOLUNTEERS<br />

Thank you to the wonderful volunteers who provided housing,<br />

transportation, hospitality, and helped in numerous ways!<br />

Paula Abernethy & Rick Sullivan<br />

Pat Blakely<br />

Patrice Blymyer<br />

Peggy Brennecke & Mark Hyman<br />

Carpaccio Tuscan Kitchen<br />

Joy Chambers<br />

Helen Chin<br />

Georgianne Clark<br />

Kathy Clatanoff<br />

Kathryn Dahl<br />

Thomas DeKornfeld<br />

Richard Hack<br />

Richard Hillman<br />

Collot Guerard<br />

Kathy Kirkland<br />

Melissa Mackey<br />

Cary Melnyk & Tim McDonough<br />

Missy McTamney<br />

Linda Orff<br />

Melissa & Stephen Osmond<br />

Colleen & Lester Prosser<br />

Ellen Robertson<br />

Martha & John Schwieters<br />

Margery Sinclair<br />

Ann Smith<br />

Lyn Songy<br />

Dawn & Joe Stern<br />

Joan & Buzz Stillinger<br />

Leah Solat<br />

Marcie Taylor-Thoma<br />

William Tham & Susan Zimmerman<br />

ANNOUNCING THE ANNAPOLIS OPERA<br />

2023-2024 SEASON<br />

THE MAGIC FLUTE<br />

GLORY DENIED<br />

THE ELIXIR OF LOVE<br />

HANSEL AND GRETEL<br />

MARYLAND HALL | ANNAPOLISOPERA.ORG<br />

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uby Society<br />

The Ruby Society<br />

The Ruby Society<br />

The Ruby So<br />

The <strong>Annapolis</strong> <strong>Opera</strong> is proud to recognize the members of The Ruby<br />

Society who, through their generosity, have committed to keeping worldclass<br />

opera in <strong>Annapolis</strong>. They are passionate about the power of great<br />

music to enrich the cultural life of our community. They appreciate the<br />

importance of opportunities for people of all ages to experience the magic<br />

of live opera performances, and have given generously to ensure it’s future.<br />

“We support the opera because the programs presented have enriched<br />

our lives in many ways. In addition, we love supporting the annual <strong>Vocal</strong><br />

<strong>Competition</strong>, which encourages young singers to achieve their best.” –<br />

Sylvia and Jim Earl, The Helena Foundation<br />

“We believe that supporting the opera and it’s mission to help the<br />

next generation of performers reach their potential enriches all<br />

of <strong>Annapolis</strong>.” – David and Carol Stern<br />

The Ruby Society honors those donors who support the opera with a gift<br />

of $30,000 or more over a three-year period. Ruby Society members enjoy<br />

special benefits and access to special events throughout the season.<br />

Contact Kathy Swekel at the <strong>Annapolis</strong> <strong>Opera</strong> office, 410.267.8135, for<br />

more information about The Ruby Society and how you can join.<br />

members<br />

MEMBERS<br />

MEMBERS<br />

Sylvia & Jim Earl<br />

The Helena<br />

Foundation<br />

Pete & Jane<br />

Chambliss<br />

MEMBERS<br />

THE HELENA<br />

FOUNDATION<br />

Colleen & Lester<br />

Prosser<br />

THE HELENA<br />

FOUNDATION<br />

Norman Fisher<br />

& Doris Fisher<br />

Foundation<br />

Susan Zimmerman<br />

& William Tham<br />

Martha & John<br />

Schwieters<br />

David & Carol<br />

Stern<br />

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Robert & Lorraine<br />

vom Saal


THE PROCESS<br />

This year’s competition was open to singers from across the nation with nearly<br />

300 applications received. Artistic and Music Director Craig Kier listened to all<br />

submissions and together with a panel of judges by virtual means selected the<br />

finalists before you today.<br />

This process has led to today’s live performance with a new panel of judges<br />

who will select the award winners.<br />

EVALUATION CONSIDERATIONS<br />

The following are among, though not exclusively, the elements considered by<br />

the judges:<br />

• Voice—quality (timbre, beauty), suitability for opera repertoire,<br />

suitability for composers’ styles, vocal size (ability to fill medium-sized<br />

opera house with full orchestra)<br />

• Music—varied styles, tempi, tessitura, language<br />

• Musicianship—pitch/intonation, rhythm, phrasing<br />

• Technique—breath control, language/diction, flexibility<br />

• Interpretation—projection, characterization/acting ability,<br />

understanding of aria<br />

• Stage Presence<br />

• Potential for Career in <strong>Opera</strong><br />

THE FUNDING<br />

<strong>Annapolis</strong> <strong>Opera</strong> is deeply grateful to the Helena Foundation, James and<br />

Sylvia Earl, whose 24-year history of generously underwriting the <strong>Competition</strong><br />

enables us to present it to the public at no charge. In this way, the Helena<br />

Foundation provides an invaluable opportunity for young artists to advance<br />

their careers and for both new and experienced operagoers to enjoy a truly<br />

unique experience.<br />

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the awards<br />

<strong>Annapolis</strong> <strong>Opera</strong> thanks the donors of these generous and very much<br />

appreciated awards. Their contributions support the continued<br />

development of tomorrow’s opera stars.<br />

FIRST PRIZE – $5,750<br />

Comprised of The William and Carrie Kellogg Ray Memorial Award, donated by<br />

their son Alexander Ray and family, and lifelong friends Betty and Calvin Austin;<br />

and <strong>Annapolis</strong> Alumnae Chapter of Delta Sigma Theta; The Tony Parasiliti<br />

and Cary Melnyk Award, opera enthusiast and <strong>Annapolis</strong> <strong>Opera</strong> President,<br />

respectively; and The Ronald J. Gretz and Braxton Peters Award, <strong>Annapolis</strong><br />

<strong>Opera</strong>’s Artistic and Stage Directors Emeriti.<br />

SECOND PRIZE – $3,500<br />

Comprised of The Hughes Award, given by Madeleine and George Hughes,<br />

former <strong>Annapolis</strong> <strong>Opera</strong> Trustee, to encourage their grandchildren’s love of<br />

opera and the world of music; and The Clarence and Adrienne Berenson<br />

Goldberg Memorial Award, donated by their daughter Susan Goldberg in honor<br />

of their deep love for the arts and for supporting the careers of young singers.<br />

THIRD PRIZE – $2,500<br />

The Todd Duncan Memorial Award was established in 1992 by Rose Thorman in<br />

remembrance of her teacher, Todd Duncan, whose performance as the original<br />

Porgy in George Gershwin’s Porgy and Bess broke new ground and who was the<br />

first African American to be awarded a principal contract by a major US opera<br />

company. The award is funded by her daughter, Jan Thorman, with additional<br />

contributions from grandson Todd Duncan, daughter-in-law Pamela Duncan,<br />

Philip Allen, Richard Krimm, and Ruth Knox.<br />

ENCOURAGEMENT AWARD – $2,000<br />

The William W. Watkins Memorial Award, given by his wife, <strong>Annapolis</strong> <strong>Opera</strong><br />

Trustee Barbara Bohl-Watkins, to honor his lifelong passion for opera and his<br />

many years of support to <strong>Annapolis</strong> <strong>Opera</strong>. He is remembered especially for his<br />

deep enjoyment of and appreciation for the <strong>Annapolis</strong> <strong>Opera</strong> <strong>Vocal</strong> <strong>Competition</strong>.<br />

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ENCOURAGEMENT AWARD – $2,000<br />

The Jessica’s Voice Award is given by her aunt, Margaret Hiltabidle Wilson, to<br />

help further the career of young singers like soprano Jessica Lauren Hiltabidle,<br />

whose rising career was cut short in 2018.<br />

ENCOURAGEMENT AWARD – $2,000<br />

Comprised of The Cheryl and Richard Hack Award, donated by Cheryl and<br />

<strong>Annapolis</strong> <strong>Opera</strong> Trustee Richard Hack to support an emerging artist’s continued<br />

pursuit of an operatic career; and The Melanie and Michael Teems Award, both<br />

former <strong>Annapolis</strong> <strong>Opera</strong> Trustees and long-time patrons, to support and foster<br />

opportunities for singers early in their careers.<br />

ENCOURAGEMENT AWARD – $1,000<br />

The Patricia A. Edwards Memorial Award, donated by Katie and Jib Edwards<br />

and family, in recognition of her devotion to the <strong>Annapolis</strong> <strong>Opera</strong>, and her<br />

support of rising young singers.<br />

ENCOURAGEMENT AWARD – $1,000<br />

The Gladys Datch Memorial Award, in honor and remembrance of her years<br />

of dedication to <strong>Annapolis</strong> <strong>Opera</strong>, was funded by an outpouring of donations<br />

from friends and family.<br />

AUDIENCE CHOICE AWARD – $1,500<br />

The Marie E. Crump Memorial Award, funded by a gift from The Maryland<br />

<strong>Opera</strong> Society, honors the memory of Marie E. Crump and her lifelong love<br />

of opera. She was a co-founder of The Maryland <strong>Opera</strong> Society and its <strong>Vocal</strong><br />

<strong>Competition</strong>, and her son, Edward Crump, is a former <strong>Annapolis</strong> <strong>Opera</strong> Trustee.<br />

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about the JUDGES<br />

ELIZABETH FUTRAL | Soprano<br />

Judge for Finals<br />

Elizabeth Futral is one of the world’s leading sopranos.<br />

With her stunning vocalism and vast dramatic range, she<br />

has embraced a repertoire that ranges from the Baroque<br />

to world premieres. She has collaborated with the great<br />

conductors of our time, including Zubin Mehta, Claudio<br />

Abbado, Sir Colin Davis, Daniel Barenboim, Sir Charles<br />

Mackerras, Loren Maazel, Michael Tilson Thomas, and Sir Neville Marriner. She<br />

has been acclaimed for her performances in the world’s leading opera houses,<br />

including the Metropolitan <strong>Opera</strong>, Covent Garden, Deutsche Oper Berlin, San<br />

Francisco, Chicago, Los Angeles, and Theatre an der Wien. Futral has appeared<br />

with the Berlin Philharmonic, London Symphony, New York Philharmonic,<br />

Chicago Symphony, Israel Philharmonic, San Francisco Symphony, London<br />

Philharmonic, Hannover Band, Boston Symphony, Munich Radio Orchestra, and<br />

many others.<br />

Reared in Louisiana, Futral studied with Virginia Zeani at Indiana University.<br />

She joined the Lyric <strong>Opera</strong> Center for American Artists at the Lyric <strong>Opera</strong> of<br />

Chicago, won the Metropolitan <strong>Opera</strong> National Council auditions in 1991, and<br />

was catapulted to stardom with critically acclaimed performances of Delibes’<br />

Lakmé at the New York City <strong>Opera</strong> in 1994. Career milestones soon followed,<br />

cementing her star status: a win in Placido Domingo’s <strong>Opera</strong>lia <strong>Competition</strong>,<br />

the title role in Rossini’s Matilde di Shabran in Pesaro, her debut at the San<br />

Francisco <strong>Opera</strong> as Stella in the world premiere of André Previn’s A Streetcar<br />

Named Desire, and her Metropolitan <strong>Opera</strong> debut in a new production of Lucia<br />

di Lammermoor.<br />

Since that time, she has returned to the Metropolitan <strong>Opera</strong> as Princess<br />

Eudoxie in a new production of La Juive, Princess Yeuyang in the world<br />

premiere of Tan Dun’s The First Emperor, Elvira in I puritani, and additional<br />

performances of Lucia. With the Lyric <strong>Opera</strong> of Chicago, she has sung a<br />

vast range of roles including Cunegonde in Candide, Susanna in Le nozze di<br />

Figaro, Handel’s Partenope, La Traviata, and The Merry Widow. She has notable<br />

relationships with the Washington, Houston, Santa Fe, Los Angeles, New York<br />

City, Vancouver, and Minnesota opera companies. Internationally, she has been<br />

heard at the Royal <strong>Opera</strong> Covent Garden, the Bayerische Staatsoper, Deutsche<br />

Oper Berlin, the Theater an der Wien, the Grand Theatre de Genève, the Gran<br />

Teatre del Liceu, and Hamburg Staatsoper.<br />

JOHN HOLIDAY | Countertenor<br />

Judge for Finals<br />

Countertenor John Holiday has established himself as<br />

“one of the finest countertenors of his generation” (Los<br />

Angeles Times). His voice has been praised as “a thing of<br />

astonishing beauty” (New Yorker), “arrestingly powerful,<br />

secure and dramatically high” (Wall Street Journal), and<br />

“timeless” (Washington Post). Holiday’s unique voice and<br />

powerful story have been the subject of profiles in The New Yorker, CNN’s<br />

Great Big Story, Los Angeles Times, and more.<br />

Holiday began his 2022-23 season as a featured artist with the Gay Men’s Chorus<br />

of Los Angeles. The season continues in October at Quantum Theatre in Claire<br />

van Kampen’s production of Idaspe, where Holiday makes his debut in the title<br />

role alongside mezzo-soprano Vivica Genaux, followed by the screening and<br />

- 18 -


streaming release of his acclaimed film After/Glow on the <strong>Opera</strong> Philadelphia<br />

Channel, part of their event Shorts: The <strong>Opera</strong> We Made. In November, Holiday<br />

returns to The Metropolitan <strong>Opera</strong> as the Man Under Arch and Hotel Clerk<br />

roles for the highly anticipated stage premiere of Kevin Puts’s The Hours. In<br />

2023, Holiday is set to debut as a featured artist in the world premiere of Four<br />

Portraits (Caroline Shaw/Jocelyn Clark) at the Lyric <strong>Opera</strong> of Chicago. Holiday<br />

will also be joining the Pittsburgh <strong>Opera</strong> in May of 2023 to star as John Blue<br />

in their production of We Shall Not Be Moved, directed and choreographed by<br />

Tony Award-winner and Kennedy Center Honoree Bill T. Jones.<br />

An acclaimed concert singer, Holiday has performed at world-renowned<br />

venues such as Carnegie Hall, The Kennedy Center, Lincoln Center, London’s<br />

Barbican Center, and the Philharmonie de Paris. His career highlights include a<br />

tour with Gustavo Dudamel and the Los Angeles Philharmonic; the Sorceress<br />

in Barrie Kosky’s production of Purcell’s Dido and Aeneas, and the world<br />

premiere of Matthew Aucoin’s Eurydice as Orpheus’s Double at the Los Angeles<br />

<strong>Opera</strong>; the world premiere of Daniel Bernard Roumain’s We Shall Not Be Moved<br />

with <strong>Opera</strong> Philadelphia and the Dutch National <strong>Opera</strong>; title role in Xerxes<br />

at the Glimmerglass Festival; and Caesar in Handel’s Giulio Cesare in Egitto<br />

at Wolf Trap <strong>Opera</strong>. In addition to the traditional concert performances and<br />

recitals, Holiday has curated The John Holiday Experience (JHE) to showcase<br />

his affinity and talent for many different genres that includes classical, pop,<br />

jazz, and R&B. He has performed the program on a national scale, bringing it<br />

to Dallas, Des Moines, and Dayton, with plans to continue the eclectic evening<br />

of song in his upcoming seasons.<br />

Outside of classical repertoire, Holiday excels in jazz, gospel, and pop music<br />

having opened for Grammy award winner Jason Mraz in concert. In 2018,<br />

Holiday sang the national anthem for his hometown team the Houston Rockets,<br />

and in 2019, Holiday performed at the star-studded Ozwald Boateng Harlem<br />

Runway Show at The Apollo Theater, in a performance that was covered by<br />

Vogue, Forbes, and CNN, and attended by celebrities Jamie Foxx, Idris Elba,<br />

Dapper Dan and others. Additionally, in 2019 Holiday performed Billie Holiday’s<br />

“Strange Fruit” at the Apollo Theater Spring Gala. His debut pop single “Alive in<br />

Me” was released in August 2021, followed by two more singles: “Waste Mine”<br />

and “Love Finds A Way”. Holiday released a Future Rave remix of “Love Finds A<br />

Way” through UnitedMasters on August 19, 2022.<br />

CRAIG KIER | Artistic & Music Director <strong>Annapolis</strong> <strong>Opera</strong><br />

Judge for Semi-Finals and Finals<br />

American Conductor Craig Kier has received high praise<br />

for his “Tesla-like intensity” and “impeccable orchestral<br />

support” while leading performances throughout the<br />

United States and on international stages.<br />

Maestro Kier was appointed Artistic and Music Director of<br />

the <strong>Annapolis</strong> <strong>Opera</strong> in 2020 and has been the Director of the Maryland <strong>Opera</strong><br />

Studio (MOS) since 2014. Productions since the beginning of his tenure with<br />

MOS have included Mozart’s Don Giovanni, Le nozze di Figaro, Così fan tutte,<br />

La finta giardiniera, and La clemenza di Tito, Handel’s Ariodante, Janáček’s<br />

The Cunning Little Vixen, Ravel’s L’enfant et les sortilèges, Blitzstein’s Regina,<br />

Rossini’s L’occasione fa il ladro, Gluck’s Orfeo ed Euridice, Britten’s The Rape<br />

of Lucretia and Owen Wingrave, Offenbach’s Orpheus in the Underworld, and<br />

Poulenc’s Dialogues of the Carmelites.<br />

Kier’s 2022-2023 season includes productions of Puccini’s La bohème, Kurt<br />

Weill’s Lost in the Stars, and Mozart’s Le nozze di Figaro with <strong>Annapolis</strong> <strong>Opera</strong>.<br />

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about the JUDGES<br />

(KIER, continued) He also leads productions of La bohème, Mozart’s Don<br />

Giovanni, and Missy Mazzoli’s Proving Up with Maryland <strong>Opera</strong> Studio and<br />

returns to Brevard Music Center. Future seasons include debuts with <strong>Opera</strong><br />

Columbus and Knoxville <strong>Opera</strong>. Last season, he led Mozart’s Die Zauberflöte and<br />

John Musto’s Later the Same Evening with the Maryland <strong>Opera</strong> Studio and La<br />

cenerentola and Into the Woods with <strong>Annapolis</strong> <strong>Opera</strong>. In the 2019-2020 season,<br />

he led Tosca with <strong>Annapolis</strong> <strong>Opera</strong>, was scheduled to return to the Brevard<br />

Music Center to conduct their season opening concert and Die Enführung<br />

aus dem Serail, returned to Houston Ballet to lead gala performances and<br />

The Nutcracker, which he has done since 2011, and continued his association<br />

with the National Symphony Orchestra, assisting Gianandrea Noseda. In the<br />

2018-2019 season, he made his San Francisco Merola <strong>Opera</strong> Center debut,<br />

Indianapolis <strong>Opera</strong> debut, and returned to <strong>Opera</strong> Birmingham and Houston<br />

Ballet. At the University of Maryland, he served as Artistic Director of the yearlong<br />

Kurt Weill Festival, conducting performances of The Road of Promise,<br />

Mahagonny Songspiel, and Street Scene.<br />

Recent season highlights include conducting debuts with Wolf Trap <strong>Opera</strong><br />

leading Britten’s The Rape of Lucretia, Brevard <strong>Opera</strong> Center leading La<br />

cenerentola, Anchorage <strong>Opera</strong> leading Don Pasquale, Arizona <strong>Opera</strong> leading<br />

Madama Butterfly, and <strong>Opera</strong> Saratoga leading Verdi’s Falstaff.<br />

From 2010-2013, Kier was Associate Conductor under Patrick Summers at<br />

Houston Grand <strong>Opera</strong>. During his time with the company, he led dozens of<br />

performances including Madama Butterfly, Il barbiere di Siviglia, Die Fledermaus,<br />

Trial by Jury and the world premiere of Huang Ruo’s Bound. Additional guest<br />

engagements for Kier include La bohème with Lyric <strong>Opera</strong> of Kansas City, Il<br />

barbiere di Siviglia with Atlanta <strong>Opera</strong>, Kurt Weill’s Lost in the Stars with the<br />

Glimmerglass Festival, The Sound of Music with Central City <strong>Opera</strong>, Thomas’<br />

Hamlet and La Traviata with <strong>Opera</strong> Birmingham, L’italiani in Algeri with <strong>Opera</strong><br />

Santa Barbara, and The Music Man at Royal <strong>Opera</strong> House Muscat, Oman.<br />

JUSTINA LEE | Artistic Advisor, <strong>Annapolis</strong> <strong>Opera</strong><br />

Judge for Semi-Finals<br />

American collaborative artist Justina Lee has served<br />

as assistant conductor, pianist, and coach for such<br />

companies such as the Metropolitan <strong>Opera</strong>, Washington<br />

National <strong>Opera</strong>, Seattle <strong>Opera</strong>, <strong>Opera</strong> Theatre of St. Louis,<br />

the Castleton Festival, and Wolf Trap <strong>Opera</strong> Company. She<br />

is a frequent collaborator with acclaimed tenor Lawrence<br />

Brownlee and has appeared with him on National Public Radio’s Tiny Desk<br />

Concert series. Recital highlights include collaborations with Alyson Cambridge,<br />

Gordon Hawkins, Kate Lindsey, Linda Mabbs, Lisette Oropesa, Dimitri Pittas,<br />

and Tamara Wilson. Ms. Lee has appeared under the auspices of the Marilyn<br />

Horne Foundation residency program and on recital series that include On<br />

Wings of Song at Carnegie Hall, the Harriman-Jewell Series, the Washington<br />

Performing Arts Series at The Kennedy Center, and on Renée Fleming’s VOICES<br />

recital series. She can also be seen on medici.tv as a pianist for Carnegie Hall’s<br />

Weill Music Institute masterclasses with Joyce DiDonato.<br />

Ms. Lee is an alumna of the distinguished Lindemann Young Artist Development<br />

Program at The Metropolitan <strong>Opera</strong> and holds degrees from the University of<br />

California, Los Angeles, and the Manhattan School of Music. She served as<br />

Principal Coach of the Maryland <strong>Opera</strong> Studio at the University of Maryland,<br />

College Park from 2008-2022, and faculty at Prague Summer Nights Music<br />

- 20 -


Festival and the International <strong>Opera</strong> Performing Experience summer program.<br />

She joined the faculty at the Juilliard School in 2022, as Associate Artistic<br />

Director of <strong>Vocal</strong> Arts with a focus on the Bachelor of Music degree program.<br />

BRIAN SPECK | Director of HGO Studio, Houston Grand<br />

<strong>Opera</strong><br />

Judge for Semi-Finals<br />

Brian Speck is the Director of the Houston Grand <strong>Opera</strong><br />

Studio, where he is responsible for the selection, training,<br />

and career development of the Studio’s singers and pianist<br />

coaches and serves on the company’s senior management<br />

team. He hears hundreds of young artists each year in<br />

auditions and advises singers on their artistic and career development. He is a<br />

frequent adjudicator in vocal competitions, including the Metropolitan <strong>Opera</strong>’s<br />

Laffont <strong>Competition</strong>, the National <strong>Opera</strong> Association’s Carolyn Bailey Argento<br />

<strong>Competition</strong>, the Cooper-Bing <strong>Vocal</strong> <strong>Competition</strong>, Florida Grand <strong>Opera</strong>’s Young<br />

Patronesses of <strong>Opera</strong> <strong>Competition</strong>, Shreveport <strong>Opera</strong>’s Singer of the Year, and<br />

HGO’s own Eleanor McCollum <strong>Competition</strong>. He currently serves as co-chair of<br />

OPERA America’s Performer Development Network and spearheaded an effort<br />

to create a virtual audition process for training programs across the opera<br />

industry. Prior to his current position, Mr. Speck served as HGO’s Company<br />

Manager, leading HGO’s department of Rehearsal Planning and Artist Services<br />

to coordinate all day-to-day rehearsal activities of the company and support<br />

its guest artists. He previously held positions with the Aspen <strong>Opera</strong> Center<br />

and Houston Public Media. Mr. Speck holds degrees in voice performance from<br />

Pepperdine University and Rice University.<br />

EILEEN CORNETT | Collaborative Pianist & Finals<br />

Accompanist<br />

Eileen Cornett is Associate Professor of Keyboard and <strong>Vocal</strong><br />

Studies at Peabody Conservatory, where she established<br />

the graduate <strong>Vocal</strong> Accompanying Program in Collaborative<br />

Piano. She began her professional career as musical<br />

director of the Croswell <strong>Opera</strong> House in Michigan and has<br />

subsequently conducted and coached internationally for<br />

the Amalfi Coast Music and Arts Festival (Italy), Tanz und Gesang Studio at the<br />

Theater an der Wien (Vienna, Austria), Creaton <strong>Opera</strong> Company in Kaohsiung,<br />

Taiwan, Fairbanks (AK) Summer Arts Festival, Lake Placid Institute, and the<br />

Seagle Colony Summer <strong>Vocal</strong> Program. Ms. Cornett led Peabody Chamber<br />

<strong>Opera</strong>’s U.S. premiere of Jonathan Dove’s Mansfield Park, cited by the<br />

Baltimore Sun as one of Baltimore’s best classical music productions, and<br />

recently conducted the newly revised version of Jake Heggie’s Out of Darkness:<br />

Two Remain, with the composer in residence. A featured solo pianist with<br />

the National Symphony Orchestra (Saint-Saëns’ Carnival of the Animals), she<br />

has performed as orchestral pianist for numerous concerts with the Kennedy<br />

Center <strong>Opera</strong> Orchestra, including solos with Luciano Pavarotti and the Three<br />

Tenors. As a collaborative pianist, Ms. Cornett has performed in recital at the<br />

Kennedy Center’s Terrace Theatre, Merkin Hall, the National Portrait Gallery with<br />

Denyce Graves, the Embassies of France and Russia, Strathmore Hall’s Music<br />

in the Mansion, and the Candlelight Concert Society, as well as international<br />

venues such as the Museo Correale in Sorrento, Italy, the National Concert Hall<br />

(Taipei, Taiwan), and the Kinepolis in Oostende, Belgium.<br />

Ms. Cornett’s page turner is CLAIRE IVERSON.<br />

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the program<br />

WELCOME – Craig Kier<br />

Eva Rae Martinez, soprano<br />

• Bellini: Ah! non credea…Ah! non giunge (La Sonnambula)<br />

• Mozart: Ach, ich fühl’s (Die Zauberflöte)<br />

• Poulenc: Non, monsieur mon mari<br />

(Les Mamelles de Tirésias)<br />

• Stravinsky: No word from Tom (The Rake’s Progress)<br />

• Thomas: Je suis Titania (Mignon)<br />

Yoseph Park, bass-baritone<br />

• Britten: Within this frail crucible of light<br />

(The Rape of Lucretia)<br />

• Massenet: Riez, allez, riez du pauvre idéologie<br />

(Don Quichotte)<br />

• Mozart: Se vuol ballare (Le nozze di Figaro)<br />

• Rachmaninoff: Aleko’s Cavatina (Aleko)<br />

• Wagner: O du mein holder Abendstern (Tannhauser)<br />

Alexis Seminario, soprano<br />

• Britten: How beautiful it is (The Turn of the Screw)<br />

• Mozart: Come scoglio (Così fan tutte)<br />

• Puccini: Quando m’en vo (La bohème)<br />

• Strauss: Das war sehr gut Mandryka (Arabella)<br />

• Tchaikovsky: Iolanta’s Arioso (Iolanta)<br />

Lawrence Barasa Kiharangwa, tenor<br />

• Barber: On the path to the lake (Vanessa)<br />

• Donizetti: Una furtiva lagrima (L’elisir d’amore)<br />

• Gounod: Salut! Demeure chaste et pure (Faust)<br />

• Mozart: Se all’impero amici Dei (La clemenza di Tito)<br />

• Puccini: Che gelida manina (La bohème)<br />

- 22 -


Winona Martin, mezzo-soprano<br />

• Gordon: Simple Child (The Grapes of Wrath)<br />

• Gounod: Que fais-tu blanche tourterelle? (Roméo et Juliette)<br />

• Massenet: Enfin, je suis ici (Cendrillon)<br />

• Mozart: Parto, parto, ma tu ben mio (La clemenza di Tito)<br />

• Strauss: Wie du warst (Der Rosenkavalier)<br />

Jouelle Roberson, soprano<br />

• Cilea: Io son l’umile ancella (Adriana Lecouvreur)<br />

• Gershwin: My man’s gone now (Porgy and Bess)<br />

• Gluck: Divinites du Styx (Alceste)<br />

• Massenet: Il est doux, il est bon (Hérodiade)<br />

• Verdi: Pace, pace, mio dio (La forza del destino)<br />

Jason Zacher, bass-baritone<br />

• Britten: Bottom’s Dream (A Midsummer Night’s Dream)<br />

• Massenet: Riez, allez, riez du pauvre idéologie<br />

(Don Quichotte)<br />

• Puccini: Vecchia zimarra (La bohème)<br />

• Rossini: La da ciel nell’arcano profondo (La cenerentola)<br />

• Wagner: Du mein holder Abendstern (Tannhauser)<br />

Ethel Trujillo, soprano<br />

• Donizetti: Regnava nel silenzio…Quando rapito<br />

(Lucia di Lammermoor)<br />

• Gounod: Je veux vivre (Roméo et Juliette)<br />

• Moore: Willow Song (The Ballad of Baby Doe)<br />

• Thomas: Je suis Titania (Mignon)<br />

• Verdi: Ah, fors’è lui…Sempre libera (La Traviata)<br />

AWARDS – John Holiday, Elizabeth Futral, and Craig Kier<br />

- 23 -


about the PERFORMERS<br />

LAWRENCE BARASA KIHARANGWA | Tenor<br />

HOMETOWN: Nairobi, Kenya<br />

PREVIOUS: Rodolfo, La bohéme; Sheldon Segal, Later the<br />

Same Evening; Christopher Morcom, The Life & Death(s)<br />

of Alan Turing (Maryland <strong>Opera</strong> Studio); Spoletta, Tosca<br />

(Eugene <strong>Opera</strong>); Don Josè, La Tragédie de Carmen<br />

(University of Oregon)<br />

UPCOMING: Don Ottavio, Don Giovanni (Maryland <strong>Opera</strong> Studio); Santa Fe<br />

<strong>Opera</strong>, 2023 Apprentice Artist; Pensacola <strong>Opera</strong>, Studio artist<br />

WINONA MARTIN | Mezzo-soprano<br />

HOMETOWN: Dallas, TX<br />

PREVIOUS: Mrs. McLean, Susannah; Flora, La Traviata<br />

(Cover) (Wolf Trap <strong>Opera</strong>); Nancy, Albert Herring; Sesto,<br />

La clemenza di Tito; Mother, Thumbprint; Hänsel, Hänsel<br />

und Gretel (Boston Conservatory <strong>Opera</strong>); El gato, El gato<br />

con botas (Boulder <strong>Opera</strong>); Cherubino, Le nozze di Figaro<br />

(Prague Summer Nights); Polinesso, Ariodante (University<br />

of Colorado – Boulder)<br />

UPCOMING: Laurene, The (R)evolution of Steve Jobs (Cover); Countess Ceprano,<br />

Rigoletto (Utah <strong>Opera</strong>)<br />

EVA RAE MARTINEZ | Soprano<br />

HOMETOWN: Doylestown, PA<br />

PREVIOUS: Susanna, Le nozze di Figaro (Luke A. Housner<br />

Summer <strong>Opera</strong> Workshop); Miranda, The Tempest; Elvira,<br />

I puritani; Adina, L’elisir d’amore (Manhattan School of<br />

Music); Juliette, Roméo et Juliette (Sewanee Summer Music<br />

Festival); Countess Almaviva, Le nozze di Figaro (Eastman<br />

School of Music Summer); Solo Recital with Warren Jones,<br />

pianist (Olmos Ensemble, San Antonio)<br />

UPCOMING: Soprano Soloist in Mendelssohn’s Elijah (Bucks County Choral<br />

Society); Poppea in L’incoronazione di Poppea (Manhattan School of Music<br />

<strong>Opera</strong> Theatre); Summer <strong>Vocal</strong> Fellow (Tanglewood Music Festival)<br />

YOSEPH PARK | Bass-baritone<br />

HOMETOWN: Seoul, South Korea<br />

PREVIOUS: Balthazar, Amahl and the Night Visitors; Dad,<br />

Sketchbook for Ollie; Marchese D’Obigny, La Traviata;<br />

Dancairo, Carmen (Lyric <strong>Opera</strong> of Kansas City); Masetto, Don<br />

Giovanni (Cover) (Aspen Music School and Festival); Prince<br />

Yamadori, Madama Butterfly (Winter <strong>Opera</strong> Saint Louis);<br />

Friar Lawrence, Romeo & Juliet (Lawrence <strong>Opera</strong>); Simone,<br />

Gianni Schicchi (KU <strong>Opera</strong>); Fiorello, Il barbiere di Siviglia (Seoul Metropolitan<br />

<strong>Opera</strong>); Don Alfonso, Così fan tutte (KHU <strong>Opera</strong>); Colline, La bohème (Forest of<br />

Dream Art Center); Samuel, Un ballo in maschera (Grand Peace Palace); Figaro,<br />

Le nozze di Figaro (Dong-An Hall)<br />

UPCOMING: Angelotti, Tosca; Elder Ott, Susannah (<strong>Opera</strong> Theater of Saint Louis);<br />

General Benjamin, Bel Canto; Bass Soloist, The Creation (Aspen Music School<br />

and Festival); Ranger Nat, Listen, Wilhelmina! (Lyric <strong>Opera</strong> of Kansas City)<br />

- 24 -


JOUELLE ROBERSON | Soprano<br />

HOMETOWN: Washington, D.C.<br />

PREVIOUS: Suor Angelica, Suor Angelica (<strong>Opera</strong> Lucca);<br />

Contessa Almaviva, Le nozze di Figaro (MSM Graduate<br />

<strong>Opera</strong> Theater); Maria, Man of La Mancha; Grisostomo,<br />

Don Quichotte: At Camacho’s Wedding (<strong>Opera</strong> Saratoga);<br />

Strawberry Woman, Porgy and Bess (The Atlanta <strong>Opera</strong>);<br />

Mother, Amahl and the Night Visitors; Alice Ruth Moore,<br />

Lyrics of Sunshine and Shadows (Morgan State University <strong>Opera</strong>); Marenka, The<br />

Bartered Bride (Bethesda Summer Music Festival)<br />

UPCOMING: Chorus, Faust (<strong>Opera</strong> Baltimore); Soprano soloist, Beethoven’s 9th<br />

Symphony (Morgan State University)<br />

ALEXIS SEMINARIO | Soprano<br />

HOMETOWN: Levittown, NY<br />

PREVIOUS: Kate Pinkerton, Madama Butterfly (Cover)<br />

(The Atlanta <strong>Opera</strong>); Rose, A Thousand Acres (Cover)<br />

(Des Moines Metro <strong>Opera</strong>); The Forester’s Wife, The<br />

Cunning Little Vixen; Monica, The Medium (Bard College<br />

Conservatory (VAP)); Atalanta, Xerxes; Helena, A Midsummer<br />

Night’s Dream (Chautauqua Institution); Lusya, Moscow<br />

Cheryomushki (Manhattan School of Music); Soprano Soloist, Dvořák’s Te Deum<br />

(Richmond Symphony)<br />

UPCOMING: Woglinde, Das Rheingold (Cover) (The Atlanta <strong>Opera</strong>); Ensemble,<br />

Candide (The Atlanta <strong>Opera</strong>); Donna Anna, Don Giovanni (Cover) (The<br />

Atlanta <strong>Opera</strong>)<br />

ETHEL TRUJILLO | Soprano<br />

HOMETOWN: Morelos, Mexico<br />

PREVIOUS: Norina, Don Pasquale; Violetta, La Traviata<br />

(cover); Musetta, La bohème (cover) (Academy of <strong>Vocal</strong><br />

Arts); Violetta, La Traviata (<strong>Opera</strong> Festival of San Luis);<br />

Rosaura, Los Gavilanes (Puebla State Symphony Orchestra);<br />

Soloist, Nou Goth Sonne under Wode (Chamber Orchestra<br />

of Philadelphia); Soloist, Requiem in D Minor (Greater<br />

Philadelphia Choral Society)<br />

UPCOMING: Adina, L’elisir d’amore (Parapente Productions); Zerlina, Don<br />

Giovanni (Academy of <strong>Vocal</strong> Arts); Juliette, Roméo et Juliette (cover)<br />

(Glimmerglass Festival)<br />

JASON ZACHER | Bass-baritone<br />

HOMETOWN: Livingston, NJ<br />

PREVIOUS: Alidoro, La cenerentola; Henry, The Gift of<br />

The Magi; Colline, La bohème (Kentucky <strong>Opera</strong>); Jimmy,<br />

American Apollo; Bottom + Theseus (Covers), A Midsummer<br />

Night’s Dream; Jupiter (Cover), Platée (Des Moines Metro<br />

<strong>Opera</strong>); Prince Gremin, Eugene Onegin; Figaro, Le nozze<br />

di Figaro (In Concert); Raimondo, Lucia di Lammermoor<br />

(In Concert); Artie, Kassandra (Anthony Brandt) (<strong>Opera</strong> In The Heights); Don<br />

Pasquale, Don Pasquale (Moores <strong>Opera</strong> Center)<br />

UPCOMING: Pangloss/Voltaire (Cover), Candide; Argante (Cover), Rinaldo (The<br />

Glimmerglass Festival); Bass Soloist, Mozart’s Requiem (The Masterwork Chorus)<br />

- 25 -


2023 SEMI-FINALISTS<br />

Veena Akama-Makia, Mezzo-soprano<br />

Erin Alford, Mezzo-soprano<br />

Mary Burke Barber, Mezzo-soprano<br />

Megan Callahan, Mezzo-soprano<br />

Matthew Hill, Tenor<br />

Mary Hoskins, Soprano<br />

Kira Kaplan, Soprano<br />

Lawrence Barasa Kiharangwa, Tenor<br />

Evan Lazdowski, Bass-baritone<br />

Eunsung Lee, Baritone<br />

Kyungeun Lee, Soprano<br />

Sara LeMesh, Soprano<br />

Ilanah Lobel-Torres, Soprano<br />

Daniel Esteban Lugo, Tenor<br />

Ryan A. Lustgarten, Tenor<br />

Winona Martin, Mezzo-soprano<br />

Eva Rae Martinez, Soprano<br />

Sarah Neal, Mezzo-soprano<br />

Yoseph Park, Bass-baritone<br />

Elissa Pfaender, Mezzo-soprano<br />

Isabel Randall, Mezzo-soprano<br />

Maggie Renee, Mezzo-soprano<br />

Jouelle Roberson, Soprano<br />

Olivia Rominiyi, Soprano<br />

Alexis Seminario, Soprano<br />

Hunter Shaner, Countertenor<br />

Catherine Swindle, Soprano<br />

Ethel Trujillo, Soprano<br />

Jason Zacher, Bass-baritone<br />

- 26 -


past vocal competition<br />

WINNERS<br />

1988 Grant Young, Baritone<br />

1989 Marcia Plait Treece, Mezzo-soprano<br />

1991 Deborah Arnold, Soprano<br />

1992 Reginald Allen, Baritone<br />

1993 John Weber, Tenor<br />

1994 Jennifer Post, Soprano<br />

1995 Taewon Yi Kim, Mezzo-soprano<br />

1996 Michael Ford, Tenor<br />

1997 Charles Reid, Tenor<br />

1998 Hyun Min Lee, Soprano<br />

1999 Daesan No, Baritone<br />

2000 Angela Fout, Soprano<br />

2001 Tian-xu Zhou, Baritone<br />

2002 Kwant-Kyu Lee, Bass<br />

2003 Dongwon Shin, Tenor<br />

2005 Lori Lind, Soprano<br />

2004 Sheri Jackson, Soprano<br />

2006 Eun Hee Kim, Soprano<br />

2007 Colleen Daly, Soprano<br />

2008 Jay Jung, Baritone<br />

2009 Aaron Agulay, Baritone<br />

2010 Rolando Sanz, Tenor<br />

2011 Zach Borichevsky, Tenor<br />

2012 Sarah Mesko, Soprano<br />

2013 Halim Shon, Tenor<br />

2014 Huanhuan Ma, Soprano<br />

2015 Diane Kalinowski, Soprano<br />

2016 Galeano Salas, Tenor<br />

2018 Kylena Parks, Soprano<br />

2019 Joshua Conyers, Baritone<br />

2020 Cancelled due to Covid<br />

2021 Danielle Beckvermit, Soprano<br />

2022 Hannah Shea, Mezzo-soprano<br />

- 27 -


<strong>Annapolis</strong> <strong>Opera</strong> gratefully acknowledges<br />

our members and supporters.<br />

January 1, 2022 – April 5, 2023<br />

THE RUBY SOCIETY ($30,000 PLUS OVER 3 YEARS)<br />

Pete & Jane Chambliss<br />

James & Sylvia Earl, The Helena Foundation<br />

Norman Fisher & Doris Fisher Foundation<br />

Lester & Colleen Prosser<br />

John & Martha Schwieters<br />

David & Carol Stern<br />

William Tham & Susan Zimmerman<br />

Robert & Lorraine Vom Saal<br />

CovingtonAlsina<br />

M & T Bank<br />

Joy Chambers & Peter Bungay<br />

Kathryn Dahl<br />

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Nielsen Development Group<br />

IMPRESARIO CIRCLE ($10,000 PLUS)<br />

Arts Council of Anne Arundel County<br />

Maryland State Arts Council<br />

The Family of Patricia Edwards<br />

Joyce Pratt & Jeffrey K. Harris<br />

Duncan Kennedy<br />

Kurt Weill Foundation<br />

DIVA CIRCLE ($5,000–$9,999)<br />

Lyndon Olson<br />

RBC Wealth Management<br />

Jan Paul Richter & Ellen von Seggern Richter<br />

Leah & Norman Solat<br />

Mark Sylvester<br />

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COMPOSER CIRCLE ($2,500–$4,999)<br />

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Murray & Teddy Blank<br />

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Chesapeake Think Tank<br />

Kenneth Code<br />

Georgianna Crosby<br />

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& Nina Fisher*<br />

Thomas DeKornfeld Sr.<br />

Mark & Mary Doran Brown<br />

Fidelity Investments<br />

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McDonough*<br />

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CONCERTMASTER CIRCLE ($1,000–$2,499)<br />

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Linda P. Orff<br />

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Anne Palumbo<br />

Alexander Ray<br />

Julie B. Schuelke<br />

- 28 -<br />

Maxine Silber<br />

Michael & Melanie Teems<br />

Ann Tran & Mark Davis*<br />

Trident Wealth<br />

United Bank<br />

Loretta M. Walz<br />

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Jean M. Zajac


ARIA CIRCLE ($500–$999)<br />

Robert Bradshaw Ronald J Gretz &<br />

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Robert & Diane Heaney<br />

Robert Duckworth<br />

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Elizabeth & Stephen<br />

Hiltabidle, Jr.<br />

Michael Epstein<br />

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Dennis & Kathleen Faleris Scott LLC<br />

Faith Goldstein<br />

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& Jesse Cunitz<br />

ORCHESTRA CIRCLE ($250–$499)<br />

Phillip & Susan Allen<br />

Bob Arias<br />

Adah Rose Bitterbaum<br />

Patsy Blackshear<br />

Anne W. Brown<br />

Aaron Bueno<br />

James Cheevers<br />

CHORUS CIRCLE (UP TO $249)<br />

Herbert & Sally Abeles<br />

Stephanie A.<br />

Abramson<br />

Linda Allen<br />

Karen & Fettah Anadol<br />

Ion Azzola<br />

Katie Bacon<br />

Richard & Mary Ellen<br />

Bartlett<br />

Susan L. Benac<br />

Patricia Bertrand<br />

David Bliden<br />

Shirley M. Bolton<br />

Jill S. Booth<br />

Bernard Bradpiece<br />

J. Robert Bradshaw<br />

John & Jill Breen<br />

Kim Burke<br />

Gisela Burns<br />

Cynthia L. Carlton<br />

Brandt Carrier<br />

Gordon & Jane Cash<br />

Alice Chambers<br />

Prudence Clendenning<br />

Tara B. Clifford<br />

Jessica Cohen<br />

Ted & Pat Connell<br />

Clark Conkling<br />

Peter Crilly &<br />

Nadja Maril<br />

Timothy Dangel<br />

Norman & Rosemary<br />

Dawley<br />

Gene Deems<br />

Eileen & Stanley<br />

Cornett<br />

Robert & Denise Daly<br />

Patricia A. Frese<br />

Julie & Charles<br />

Grudzinskas<br />

Timothy Kjer<br />

Michael Kurtz<br />

Diane Doknovitch<br />

Henry & Silvia Driver<br />

Pamela T. Duncan<br />

Katy Edwards<br />

Joanne Evans<br />

Richard & Carole Falk<br />

Sylvia Foster<br />

Alexandra Fotos<br />

Ronald & Camille<br />

Frezzo<br />

Candice Friday*<br />

Jody & Amira<br />

Goldsmith<br />

Charles Green<br />

Neil Greenberger<br />

Peggy Greenwell<br />

Valerie Gutterson<br />

Mary Tran Thanh Hai<br />

Ian & Amy Hanigan*<br />

Donald & Eleanor<br />

Harris<br />

Christopher Hartung<br />

Peter & Catherine<br />

Hollerbach<br />

Thomas & Laurie<br />

Jarboe<br />

Sara Jones<br />

Bekir Kaplan<br />

Robert & Shelley Katz<br />

Freida Weiss &<br />

Todd Keller<br />

Nathan Keoughan<br />

John & Maria Kersh<br />

Ruth A. Milazzo Knox<br />

Linda Kolosky<br />

IN MEMORIAM<br />

- 29 -<br />

Lawrence & Jeanne Jack Rolfe<br />

Kelly<br />

Glen & Janis Rotner<br />

Ann Kjelsberg* Marilyn Rouvelas*<br />

Patricia Koopersmith* Gwyn W. Smith<br />

Missy McTamney Lynette M. Songy<br />

Rocco & Karen Pangallo Jan E. Taylor<br />

Edgar Parker<br />

Stephan & Tamara<br />

Clay & Carol Richards Tymkiw<br />

Christopher & Anita Martin & Barbara<br />

Rizek<br />

Wasserman<br />

Cecil & Ingrid Lemon<br />

Robert Libson<br />

Lydia N. Morrow<br />

Edgar & Jeanne<br />

Paglee<br />

Evangeline Pedas*<br />

Nadine Sielecki<br />

San Lee<br />

Tim & Eileen Leahy<br />

Margaret F. Balacki<br />

Leffler<br />

Cecil & Ingrid Lemon<br />

David B. Lindauer<br />

Nancy Libson<br />

Noreen Lynch<br />

Melissa Mackey<br />

Telly Manolatos &<br />

Sandy Williams*<br />

Andy & Tina<br />

Manatos*<br />

Jennifer Marshall<br />

Mary Matzen*<br />

David & Judith<br />

Mauriello<br />

Genevieve<br />

McWilliams<br />

Daniel Mellin<br />

Odysseus Mikalis*<br />

Edwin G. Moses<br />

Van & Marilyn Nield<br />

Gloria Pantelides*<br />

Pablo Penafiel<br />

Robert & Cookie<br />

Pollock<br />

Cyndy Renoff<br />

Paige Rosenfeld<br />

Julia Rotkamp<br />

Joan Ruhl<br />

Debra Saltz<br />

Colleen Sandler<br />

Everett & Barbara<br />

Santos<br />

James & Jacqueline<br />

Stradtner<br />

Tom Strikwerda<br />

Jan C. Thorman<br />

& Mike Halbig<br />

Laura & Kirk Wade<br />

David Zinnamon<br />

Rochelle G. Zohn*<br />

George & Marilyn<br />

Serlin*<br />

Laurence Skinner<br />

Anne E. Smith<br />

Ed & Andy Smith<br />

Edgar A. Smith<br />

Eugene & Mary Smith<br />

Leah Solat*<br />

Tony & Vivian Spencer<br />

Pascale Spinney<br />

Ellen Stone*<br />

Patrick L. Stone<br />

Catherine St-Arnaud<br />

Anne K. Stratton<br />

Carolyn Strunk<br />

Carol Tabak<br />

Judith Templeton<br />

Gordon & Christine<br />

Trapnell<br />

Anthony & Kathleen<br />

van Hover<br />

Michael Weinberg<br />

Charles Wheeler<br />

Diane Windell<br />

Peter Wolfe<br />

Ginger Woolridge<br />

Francis & Maureen<br />

Wright<br />

James Wright<br />

George Zannos*<br />

Beth Zeidman*<br />

Delores Ziegler<br />

*Gladys Datch —We fondly remember Gladys Datch and her service as a Board Trustee and volunteer<br />

for over 11 years. Gladys brought a huge smile and overwhelming positivity to everything she did. Her<br />

most recent effort was to establish the new <strong>Annapolis</strong> <strong>Opera</strong> Guild. Her deep love of the <strong>Annapolis</strong><br />

<strong>Opera</strong> combined with her enthusiasm and dedication to supporting its success was admired and<br />

appreciated by all who knew her. We will miss her.<br />

+Joyce Olin—A keen art collector and lover of the outdoors, Joyce was a long-time trustee and<br />

supporter of the opera. Beloved by the St. John’s College community, where her husband Chris<br />

Nelson was President for 30 years, she was a generous and caring community leader.


Specialized Insurance<br />

for The Arts<br />

Bob Middleton | bmiddleton@mdpins.com<br />

410-547-3167 www.artsinsuranceprogram.com<br />

- 30 -


- 31 -


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