GA042 | Interiors Private Collections
The catalogue for our forthcoming Interiors | Private Collections sale is now available to view online. The auction presents three bold and unique collections - Private Collection, Sydney, displays fine examples of high-end contemporary furniture, including a fantastic pair of Bang & Olufsen Boelab 50 Beosund speakers and even a Braaap motorbike! This is strikingly juxtaposed by the equally refined collections of The Estate of Wayne Priddle and Private Collection, Melbourne, which offer more traditional furniture, room adornments and decorative arts.
The catalogue for our forthcoming Interiors | Private Collections sale is now available to view online. The auction presents three bold and unique collections - Private Collection, Sydney, displays fine examples of high-end contemporary furniture, including a fantastic pair of Bang & Olufsen Boelab 50 Beosund speakers and even a Braaap motorbike!
This is strikingly juxtaposed by the equally refined collections of The Estate of Wayne Priddle and Private Collection, Melbourne, which offer more traditional furniture, room adornments and decorative arts.
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<strong>Interiors</strong><br />
PRIVATE COLLECTIONS<br />
Melbourne, Sunday 26 March 2023
Specialists & Management for this sale<br />
Jennifer Gibson<br />
CEO & Head of<br />
Valuations<br />
Deanna Baxter<br />
Business<br />
Manager<br />
Samuel Fricker<br />
Operations<br />
& Marketing<br />
Manager<br />
Dennice Collett<br />
Senior Specialist<br />
Decorative Arts<br />
Jon Dwyer<br />
Consultant<br />
Specialist<br />
Australian &<br />
International Art<br />
Phil Gore<br />
Consultant<br />
Specialist<br />
Clocks, Watches<br />
& Barometers<br />
Jennifer Gibson<br />
jennifer.gibson@gibsonsauctions.com.au<br />
Deanna Baxter<br />
deanna.baxter@gibsonsauctions.com.au<br />
Samuel Fricker<br />
samuel.fricker@gibsonsauctions.com.au<br />
Dennice Collett<br />
dennice.collett@gibsonsauctions.com.au<br />
Jon Dwyer<br />
jon.dwyer@gibsonsauctions.com.au<br />
Jewellery Department<br />
jewellery@gibsonsauctions.com.au<br />
Marilla O’Sullivan<br />
marilla.osullivan@gibsonsauctions.com.au<br />
Ella Gibson<br />
decartsadmin@gibsonsauctions.com.au<br />
AUCTION ENQUIRIES<br />
ABSENTEE & TELEPHONE BIDS<br />
Deanna Baxter<br />
bids@gibsonsauctions.com.au<br />
+61 3 9500 2607<br />
CONDITION REPORTS<br />
condition.reports@gibsonsauctions.com.au<br />
+61 3 9500 2607<br />
SHIPPING<br />
gibsonsauctions.com.au/buy/collections-shipping/<br />
ACCOUNTS<br />
Megan Mac Sweeney<br />
accounts@gibsonsauctions.com.au<br />
+61 3 9500 2607<br />
GENERAL ENQUIRIES<br />
mail@gibsonsauctions.com.au<br />
+61 3 9500 2607<br />
www.gibsonsauctions.com.au<br />
ORRONG RD<br />
ASHLEIGH RD<br />
ARMADALE<br />
NEW ST<br />
HIGH ST<br />
OSMENT ST<br />
NORTHCOTE RD<br />
KOOYONG RD<br />
Auction, Viewing and<br />
Payment & <strong>Collections</strong><br />
Level 1, 885-889 High St<br />
Armadale, Victoria 3143<br />
AUBURN GROVE<br />
SUTHERLAND RD<br />
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />
ST<br />
DENBIGH RD<br />
CHEEL ST
FRONT COVER:<br />
Lot 51 (Detail)<br />
BACK COVER:<br />
Lot 273<br />
<strong>Interiors</strong><br />
PRIVATE COLLECTIONS<br />
Auction<br />
Sunday 26 March 2023, 11.00am<br />
Level 1, 885-889 High Street,<br />
Armadale, Victoria 3143<br />
Viewing<br />
Thursday 23 March<br />
Friday 24 March<br />
Saturday 25 March<br />
10.00am – 5.00pm<br />
10.00am – 5.00pm<br />
10.00am – 5.00pm<br />
Auction Code: <strong>GA042</strong><br />
GST<br />
† Lots with this symbol are subject<br />
to GST on the hammer price and the<br />
buyer’s premium.<br />
Buyer’s Premium<br />
Buyer’s Premium is charged at<br />
22% of the hammer price plus GST.<br />
GST is applicable to the buyer’s<br />
premium only, unless otherwise<br />
indicated by the † symbol.<br />
Registration<br />
To register to bid at Gibson's<br />
Auctioneers & Valuers an accredited<br />
form of photo identification is<br />
required. This applies to bidding in<br />
person at the auction, Telephone,<br />
Absentee and Online bidding.<br />
Resale Royalty Scheme<br />
Lots subject to payment of the<br />
Artist's Resale Royalty Scheme will<br />
be denoted by the symbol §. The<br />
Australian Resale Royalty is a flat rate<br />
of 5% on the hammer price (including<br />
GST) and is payable by the seller.<br />
Restricted or Organic Material<br />
♦ Lots with this symbol have been<br />
identified at the time of cataloguing<br />
as containing organic material<br />
which may be subject to export or<br />
import restrictions. The absence of<br />
this symbol is not a guarantee that<br />
export or import restrictions will not<br />
apply. See www.cites.org for further<br />
information.<br />
Payments & <strong>Collections</strong><br />
(By Appointment)<br />
gibsonsauctions.com.au/bookings<br />
or phone 03 9500 2607<br />
Payments & <strong>Collections</strong> can be made<br />
from: Level 1, 885-889 High Street,<br />
Armadale, Vic 3143<br />
Monday 27 March<br />
Tuesday 28 March<br />
Wednesday 29 March<br />
10am–5pm<br />
10am–5pm<br />
10am–5pm<br />
All goods must be collected and paid<br />
in full strictly by 5pm on Wednesday 29<br />
March (unless by prior arrangement) to<br />
avoid removal and storage charges.<br />
All payments are to be made in<br />
Australian Dollars (AU$). Please refer<br />
to the methods of payment in the ‘How<br />
to Buy’ section on the following pages.
2<br />
PROPERTIES FROM<br />
1 The Estate of Wayne Priddle<br />
(Lots 1–83)<br />
2 <strong>Private</strong> Collection, Melbourne<br />
(Lots 84–253)<br />
3 <strong>Private</strong> Collection, Sydney<br />
(Lots 254–323)<br />
RIGHT:<br />
Lot 125 (Detail)
3
4<br />
How to Buy<br />
All you need to know about the bidding process at auction<br />
Viewing<br />
Catalogues<br />
Online catalogues can be viewed at<br />
www.gibsonsauctions.com.au approximately three weeks<br />
prior to the auction date.<br />
Complimentary printed catalogues are available<br />
at Gibson’s Auctioneers & Valuers.<br />
Symbols<br />
Occasionally, a symbol is printed next to a lot number,<br />
indicating a special clause associated with the sale of<br />
the item/s. Further information on symbols within our<br />
catalogues can be found on Page 1.<br />
Viewing<br />
Auction viewings are open to the public and usually take<br />
place three or four days prior to the auction date, at the<br />
location/s listed in the auction catalogue and on the website.<br />
Lot Descriptions<br />
Lot Descriptions provide basic catalogue information<br />
such as dimensions, date or age, medium, attribution,<br />
provenance and quantity.<br />
All lots are guaranteed for fourteen (14) days from the<br />
auction date.<br />
Estimates<br />
Estimates are printed in the catalogue beside every lot and<br />
take into account rarity, condition, quality and provenance.<br />
The reserve is the amount at which the item is available<br />
for purchase. The reserve is an undisclosed confidential<br />
amount which is set at, or below the low estimate.<br />
The reserve will never exceed the low estimate at Gibson’s<br />
Auctioneers & Valuers. Many lots are sold without reserve.<br />
Talk to our Specialists<br />
Gibson’s Auctioneers & Valuers are an experienced team<br />
of specialists who are available to discuss items in further<br />
detail, and to offer advice and assistance.<br />
Contact details for relevant specialists can be found on the<br />
inside front cover our auction catalogues and on our website.<br />
Condition Reports<br />
Condition Reports are available on request. Condition<br />
Reports supplement the lot description and provide<br />
information on the condition of an item.<br />
We strongly advise obtaining a condition report if you are<br />
unable to view an item in person prior to the auction.<br />
To request a condition report please email<br />
condition.reports@gibsonsauctions.com.au with the<br />
auction title and lot number/s.<br />
Bidding<br />
Gibson’s Auctioneers & Valuers offer four bidding options:<br />
1. Auction Room Bidding<br />
To bid in person we suggest you arrive early so that you<br />
have sufficient time to register for a bidding number prior<br />
to the auction. If this is your first time bidding with Gibson’s<br />
Auctioneers & Valuers please bring photo identification,<br />
such as a driver’s licence or passport with you.<br />
2. Telephone Bidding<br />
Gibson’s Auctioneers & Valuers offer telephone bidding on<br />
all lots, at all auctions.<br />
Telephone Bidding is a convenient solution if you are unable<br />
to attend an auction in person. A Gibson’s Auctioneers<br />
& Valuers staff member will call you approximately 5 lots<br />
in advance and with your instruction, bid on your behalf<br />
at the auction.<br />
Please note: Telephone Bids must be organised at least<br />
24 hours prior to the auction and that occasionally, the<br />
number of telephone bidders available may be restricted<br />
when the auction is offsite.<br />
To organise a Telephone Bid please follow the link<br />
to the Telephone Bidding form on our website:<br />
www.gibsonsauctions.com.au. Please fill in & return<br />
via email to mail@gibsonsauctions.com.au<br />
If this is your first time bidding with Gibson’s Auctioneers &<br />
Valuers, an email address is to be supplied when you submit<br />
your Telephone Bid, along with clear Photo ID verifying<br />
your address.
5<br />
3. Absentee Bids<br />
Absentee Bidding is another convenient solution if you<br />
are unable to attend an auction in person, to speak on the<br />
telephone or if you simply have a strict budget.<br />
An Absentee Bid should be set at the maximum amount<br />
you wish to bid on the lot/s you are interested in purchasing.<br />
Should the lot/s be knocked down at an amount lower than<br />
the bid recorded on your form, the lot will be sold to you for<br />
the lesser hammer price.<br />
Please note Absentee Bids must be received at least<br />
24 hours prior to the auction to allow time for processing.<br />
To organise an Absentee Bid please follow the link to<br />
the Absentee Bidding form available on our website:<br />
www.gibsonsauctions.com.au. Please fill in & return via email<br />
to mail@gibsonsauctions.com.au<br />
If this is your first time bidding with Gibson’s Auctioneers &<br />
Valuers, an email address is to be supplied when you submit<br />
your Absentee Bid, along with clear Photo ID verifying<br />
your address.<br />
4. Online Bidding<br />
Online bidding allows you to bid via the internet in real<br />
time with a live broadcast of the auction. To bid online visit<br />
our website and follow the ‘Live Bidding’ link under the<br />
‘Auctions’ tab.<br />
Please register for this service at least 24 hours prior to the<br />
auction to ensure you do not miss your lot.<br />
Please note online bidding is powered by Invaluable.com<br />
and so will incur a 5% fee on successful lots.<br />
If you have not bid with Gibson’s Auctioneers & Valuers<br />
previously, a photo ID verifying your address will be<br />
required before you can be approved to bid. Please email to<br />
mail@gibsonsauctions.com.au as soon as practical.<br />
International Bidding<br />
If you are bidding from overseas for the first time, you will<br />
be asked to provide a clear Photo ID verifying your address<br />
and a deposit (set at Gibson’s Auctioneers & Valuers’<br />
discretion) prior to the auction. The deposit is refundable<br />
within 48 hours should you not be successful. If you are<br />
successful the deposit will be deducted from your invoice<br />
total. The remaining balance must be paid preferably by<br />
direct deposit.<br />
Bank details are provided in the Payment & Collection<br />
section of this guide.<br />
Payment & Collection<br />
Payments<br />
If you are successful an invoice (AU$) will be emailed or<br />
posted to you immediately after the auction.<br />
You will pay the hammer price, plus the buyer’s premium<br />
(22% plus GST) on each Lot, together with any additional<br />
applicable charges such as GST on hammer.<br />
Payments must be made in full by the final day of<br />
<strong>Collections</strong> as printed in the catalogue.<br />
Bank Transfer/Direct Deposit is our preferred method<br />
of payment:<br />
Account Name: Gibsons Auctions<br />
Bank:<br />
Bank of Melbourne (A division of St George)<br />
BSB: 193879<br />
Account No: 441701443<br />
Swift Code: SGBLAU2S<br />
Routing Code: 021000021<br />
Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />
• Personal, Company and Bank Cheques are not accepted<br />
without prior approval.<br />
• Eftpos (no charge).<br />
• Credit cards: Visa, Mastercard and American<br />
Express payments can be made securely online at<br />
www.gibsonsauctions.com.au/buy/payments/<br />
• Cash payments up to AU$10,000 can be accepted. For<br />
any amount over this, cash is to be deposited directly into<br />
our account at a Bank of Melbourne/St George branch.<br />
<strong>Collections</strong><br />
Gibson’s Auctioneers & Valuers are happy to assist and<br />
provide you with recommended transport companies<br />
whether it be a local, interstate or international delivery.<br />
Storage<br />
All items must be paid for and collected within the<br />
collection times advertised for each individual auction. If<br />
items are not collected within this time-frame, Gibson’s<br />
Auctioneers & Valuers reserve the right to charge removal<br />
and storage fees.
6<br />
The Estate of Wayne Priddle<br />
Lots 1–83<br />
1<br />
A pair of Chinese Art Deco style<br />
lacquered cabinets, circa 1940<br />
the two door cabinets glazed in<br />
amber tones and decorated with<br />
penwork oriental figures in pavilion<br />
and garden settings, with traditional<br />
style hardware<br />
106cm high, 66.5cm wide,<br />
45cm deep<br />
$400–600<br />
2<br />
AMANDA PENROSE HART<br />
(BORN 1963)<br />
Yellow Sky 2 2015<br />
oil on paper<br />
signed, dated and titled verso:<br />
AMANDA PENROSE HART 2015<br />
YELLOW SKY 2<br />
20.5 x 32cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
$200–400<br />
3<br />
AMANDA PENROSE HART<br />
(BORN 1963)<br />
Yellow Sky 2015<br />
oil on paper<br />
signed, dated and titled verso:<br />
AMANDA PENROSE HART 2015<br />
YELLOW SKY<br />
20 x 32cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
$200–400<br />
1
7<br />
4<br />
A Louis XVI style marquetry<br />
inlaid marble top commode,<br />
Swedish, early 20th century<br />
the three drawer commode with a<br />
flecked marble top, decorative cross<br />
banding and shaped burr panels,<br />
inlaid with a running fret and urn<br />
motif, raised on angle set square<br />
section legs with brass caps<br />
78cm high, 99cm wide, 44cm deep<br />
$1,200–1,500<br />
5<br />
JAMES ROSS (BORN 1948)<br />
7 2018<br />
charcoal on paper<br />
signed, dated and titled lower right:<br />
Ross James 2018 7<br />
28.5 x 38cm<br />
$200–400<br />
6<br />
JAMES ROSS (BORN 1948)<br />
3 2018<br />
charcoal on paper<br />
signed, dated and titled lower right:<br />
Ross James 2018 3<br />
28 x 38cm<br />
$200–400<br />
4
8<br />
7<br />
A Charles I oak trunk,<br />
17th century<br />
a six plank small trunk with thumbnail<br />
front edge to the lid, crimped to<br />
the sides, with antique but later<br />
hardware, candle box without lid to<br />
the interior<br />
54.5cm high, 109cm wide, 32cm deep<br />
$500–700<br />
8<br />
A mixed group of contemporary<br />
Wedgwood plates<br />
comprising four large Jasper Conran<br />
Chinoiserie plates, four Paeonia<br />
Blush plates in various colourways<br />
and a Byzance sideplate<br />
the Jasper Conran plates<br />
27cm diameter<br />
$200–300<br />
9<br />
A crystalline marble<br />
vase-shaped lamp,<br />
in the Art Deco style<br />
the fluted pedestal vase with high<br />
set double scroll handles, with an<br />
electric globe to the interior, raised<br />
on a square section base, with<br />
contemporary wiring and fittings<br />
43cm high<br />
$250–350<br />
10<br />
A Victorian green ground<br />
temple jar and two Wedgwood<br />
Japan pattern plates,<br />
19th century<br />
the jar decorated throughout with<br />
oriental flora, birds and insects in iron<br />
red and ink colours picked out in gilt,<br />
faux oriental marks to the base, the<br />
two plates with overglaze decoration,<br />
impressed marks underside<br />
48cm high<br />
$250–350<br />
11<br />
A Royal Doulton Signature<br />
Platinum dinner service for<br />
eight place settings<br />
fifty six pieces comprising dinner,<br />
entrée and side plates, soup bowls,<br />
cups and associated saucers, four<br />
platters, two oval serving dishes and<br />
a gravy boat and stand, backstamps<br />
underside<br />
the dinner plates 27cm diameter<br />
$400–500<br />
12<br />
A giltwood dolphin-base lamp<br />
the carved lamp on an ebonised<br />
square base surmounted by<br />
an oval white linen shade,<br />
with contemporary wiring<br />
the base 56cm high, 73cm with<br />
shade<br />
$250–350<br />
7
9<br />
13<br />
13<br />
PAUL HIGGS (BORN 1954)<br />
Paint Slab 2 1993<br />
oil on board<br />
signed, dated, titled and inscribed<br />
verso: Paul Higgs 93 PAINT SLAB 2<br />
To Frank Watters, Watters Gallery<br />
38 x 28.5cm<br />
PROVENANCE<br />
Watters Gallery, Sydney<br />
$400–600<br />
14<br />
ARTIST UNKNOWN<br />
Bird<br />
watercolour and gouache on paper<br />
20.5 x 29.5cm<br />
$100–300<br />
15<br />
JAMES JONES (BORN 1963)<br />
Gravity Space 2012<br />
oil on canvas<br />
71.5 x 92cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
$300–500<br />
16<br />
JAMES JONES (BORN 1963)<br />
Kiss Me 3 2008<br />
oil on paper<br />
signed, dated and titled verso:<br />
James Jones 2008 Kiss me 3<br />
40.5 x 50.5cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
EXHIBITED<br />
James Jones - Free, King Street<br />
Gallery, Sydney, 3 - 29 June 2008,<br />
cat no. 12<br />
$300–400
10<br />
17<br />
TODD HUNTER (BORN 1972)<br />
Phalanx 2013<br />
oil on vinyl album cover<br />
signed with initials lower right: T H<br />
signed, dated and titled verso:<br />
Hunter 13 Phalanx<br />
31 x 31cm<br />
PROVENANCE<br />
Scott Livesey Galleries, Melbourne<br />
$600–800<br />
18<br />
TODD HUNTER (BORN 1972)<br />
Daughters of the Northern<br />
Coast 2013<br />
oil on vinyl album cover<br />
signed, dated and titled verso: Hunter<br />
13 Daughters of the Northern Coast<br />
31 x 31cm<br />
PROVENANCE<br />
Scott Livesey Galleries, Melbourne<br />
$600–800<br />
17<br />
19<br />
TODD HUNTER (BORN 1972)<br />
Pittwater # 6<br />
oil pastel on paper<br />
signed lower left: Hunter<br />
16.5 x 17.5cm<br />
PROVENANCE<br />
Scott Livesey Galleries, Melbourne<br />
$300–500<br />
20<br />
TODD HUNTER (BORN 1972)<br />
Pittwater Country II<br />
oil pastel on paper<br />
signed lower left: Hunter<br />
titled verso: ‘Pittwater Country (II)<br />
17 x 18cm<br />
PROVENANCE<br />
Scott Livesey Galleries, Melbourne<br />
$300–500<br />
18
11<br />
21<br />
21<br />
TODD HUNTER (BORN 1972)<br />
Just Like the Night 4 2004<br />
oil on board<br />
signed, dated and titled verso:<br />
Hunter 2004 ‘Just like the night’ .4<br />
22 x 20cm<br />
$800–1,200<br />
22<br />
ANDREW HOPKINS<br />
(BORN 1987)<br />
Untitled (Abstract Landscape)<br />
oil on canvas<br />
31.5 x 31.5cm<br />
$200–400<br />
23<br />
ANDREW HOPKINS<br />
(BORN 1987)<br />
Study 2 2020<br />
oil on canvas<br />
signed, dated and titled verso:<br />
ANDREW HOPKINS 2020 Study 2<br />
35.5cm x 36cm<br />
$300–500<br />
24<br />
ANDREW HOPKINS<br />
(BORN 1987)<br />
Study 5 2020<br />
oil on canvas<br />
signed, dated and titled verso:<br />
ANDREW HOPKINS 2020 Study 5<br />
35.5 x 35.5cm<br />
$300–500<br />
25<br />
ANDREW HOPKINS<br />
(BORN 1987)<br />
Untitled (Abstract Landscape)<br />
oil on canvas<br />
30 x 30cm<br />
$200–400<br />
26<br />
ANDREW HOPKINS<br />
(BORN 1987)<br />
Nasturtiums 2021<br />
oil on canvas<br />
signed, dated and titled verso:<br />
ANDREW HOPKINS 2021 Nasturtiums<br />
20.5 x 20.5<br />
PROVENANCE<br />
Robin Gibson Gallery, Sydney<br />
$200–400
12<br />
27<br />
A Regency giltwood pier mirror,<br />
early 19th century<br />
with a fan shaped architectural motif<br />
to the upper section flanked by mask<br />
heads and rosettes, with stiff leaf and<br />
husk borders and ribbon details to<br />
reeded pilasters, with aged plate<br />
87 x 51cm<br />
$600–900<br />
28<br />
A comprehensive Wedgwood<br />
Queensware dinner service for<br />
eight place settings with extras,<br />
together with a matching<br />
Leedsware stand<br />
comprising over one hundred pieces<br />
including dinner, entree and side<br />
plates, pasta or soup bowls, shallow<br />
bowls and dessert dishes, cups and<br />
associated saucers, serving platters<br />
and bowls, three covered tureens,<br />
a teapot, two creamers and sugar<br />
bowls, a gravy boat, various shakers,<br />
a candlestick and other accessory<br />
items; backstamps underside<br />
the largest oval platters 39 x 30cm,<br />
the pierced Leedsware stand<br />
24cm high<br />
$800–1,200<br />
29<br />
A Regency mahogany lamp<br />
table, circa 1820<br />
the dished surface above a turned<br />
pedestal to an outswept triform base<br />
72cm high, 25cm diameter<br />
$300–400<br />
27
13<br />
30<br />
A Scottish Regency mahogany<br />
fold over tea table, circa 1820<br />
with a fine exterior and interior<br />
surface, the brass mounted table<br />
with rounded corners above a deep<br />
skirt, a turned pedestal and four<br />
outswept reeded legs with scroll<br />
motifs, brass paw feet and casters<br />
74.5cm high, 91cm wide, 45cm deep<br />
(folded)<br />
$700–900<br />
31<br />
A Chinese famille rose porcelain<br />
seat<br />
of typical barrel form with coin form<br />
piercings and decorated with lotus<br />
flowers between ruyi and lappet<br />
borders<br />
48cm high, 31cm diameter<br />
$400–600<br />
32<br />
A collection of terracotta pots<br />
and vessels<br />
comprising a brown glazed campana<br />
urn, a part glazed amphora, a large<br />
Australian amphora resting upon<br />
a woven wicker foot ring, and two<br />
painted vessels decorated in the<br />
antique Mediterranean manner<br />
56cm and smaller<br />
$500–700<br />
30
14<br />
33<br />
PAUL FERMAN (BORN 1948)<br />
Untitled 9 N2-4 1991<br />
silver gelatin photograph, ed. 10/20<br />
signed, dated and editioned lower<br />
right: Paul Ferman 1991 10/20<br />
37 x 37cm<br />
$100–300<br />
34<br />
THEO KUIJPERS (BORN 1939)<br />
Mangrove III 2018<br />
watercolour<br />
signed and dated lower right:<br />
Kuijpers 2018<br />
42 x 29.5cm<br />
$200–400<br />
35<br />
ROSS LAURIE (BORN 1961)<br />
Gone from the Meaning<br />
of a Name 2012<br />
oil on board<br />
signed, dated and titled verso<br />
45 x 40.5cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
$400–600<br />
36<br />
JAMES JONES (BORN 1963)<br />
Kiss Me 2008<br />
oil on canvas<br />
signed, dated and titled verso<br />
42.5 x 49.5cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
EXHIBITED<br />
James Jones - Free, King Street<br />
Gallery, Sydney, 3 - 29 June 2008,<br />
cat no. 9<br />
$400–600<br />
37<br />
ARTIST UNKNOWN<br />
Waliha IV 2009<br />
colour etching ed. 4/20<br />
editioned, titled, signed and dated<br />
to margin<br />
37 x 50.5cm<br />
$100–300<br />
38<br />
ROBERT HIRSCHMANN<br />
(BORN 1968)<br />
Untitled VII (Yellow 3) 2001<br />
oil and pigment on paper<br />
signed, dated and titled verso:<br />
Robert Hirschmann 2001 Untitled VII<br />
(yellow 3)<br />
40 x 35.5cm<br />
PROVENANCE<br />
King Street Gallery, Melbourne<br />
$400–600<br />
39<br />
ROBERT HIRSCHMANN<br />
(BORN 1968)<br />
Untitled IV (Red I) 2001<br />
oil and pigment on paper<br />
signed, dated and titled verso:<br />
Robert Hirschmann 2001 Untitled IV<br />
(Red I)<br />
40 x 36cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
$400–600<br />
40<br />
PETER BAKA (BORN 1958)<br />
Layers of Dissatisfaction 4 2019<br />
mixed media on paper<br />
signed, dated and numbered on<br />
margin: baka 19 4<br />
20 x 32.5cm<br />
$200–400<br />
41<br />
SUE STUART<br />
Moth Orchid<br />
watercolour<br />
signed lower right: Sue Stuart<br />
14.5 x 14.5cm<br />
PROVENANCE<br />
Lady Franklin Gallery, Tasmania<br />
$100–200<br />
42<br />
SUE STUART<br />
Cymbidium Orchid<br />
watercolour<br />
signed lower right: Sue Stuart<br />
22.5 x 33cm<br />
PROVENANCE<br />
Lady Franklin Gallery, Tasmania<br />
$200–400<br />
43<br />
SUE STUART<br />
Tulips<br />
watercolour<br />
signed lower right: Sue Stuart<br />
27.5 x 27.5cm<br />
$200–400<br />
44<br />
SUE STUART<br />
Helleborus x Hybridus<br />
watercolour<br />
signed and titled lower left and right:<br />
Sue Stuart Helleborus x hybridus<br />
27.5 x 27.5cm<br />
$200–400<br />
45<br />
GINA SINOZICH (1930-2020)<br />
Pansies<br />
oil on board<br />
21 x 30cm<br />
$100–300<br />
46<br />
GINA SINOZICH (1930-2020)<br />
Spring Bunch<br />
oil on paper<br />
signed lower right: Gina<br />
18.5 x 29cm<br />
$100–300
15<br />
47<br />
GARRY FOYE (BORN 1946)<br />
Untitled<br />
acrylic on paper<br />
signed lower right: G Foye<br />
42.5cm diameter<br />
PROVENANCE<br />
Robin Gibson Gallery, Sydney<br />
$300–500<br />
48<br />
GARRY FOYE (BORN 1946)<br />
Capertee Flood<br />
oil on canvas<br />
signed lower right: G Foye<br />
59.5 x 59.5cm<br />
PROVENANCE<br />
Robin Gibson Gallery, Sydney<br />
$400–600<br />
49<br />
CHRISTOPHER (CHRIS)<br />
CAPPER (BORN 1951)<br />
Five Carnations 2017<br />
oil on canvas<br />
signed lower right: Capper<br />
signed, dated and titled verso:<br />
Chris Capper 2017 5 Carnations<br />
41 x 51cm<br />
PROVENANCE<br />
Robin Gibson Gallery, Sydney<br />
$300–500<br />
47<br />
50<br />
SCOTT OWEN<br />
In the Light of Day 2019<br />
oil on board<br />
signed, dated and titled<br />
verso: SCOTT OWEN 2019<br />
In The Light of Day<br />
40 x 35cm<br />
PROVENANCE<br />
Robin Gibson Gallery, Sydney<br />
$300–500<br />
48
16<br />
51<br />
51<br />
PAUL FERMAN (BORN 1948)<br />
Proximity #80 2004<br />
photograph<br />
signed, dated, titled and editioned in<br />
image: Paul Ferman 2004 Proximity<br />
#80 1/10<br />
84.5 x 84.5cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
$500–800<br />
52<br />
A Georgian mahogany<br />
Pembroke table,<br />
early 19th century<br />
the drop side table having two<br />
drawers, dummy to the reverse and<br />
raised on turned and faceted legs<br />
terminating in brass casters<br />
74cm high, 78cm wide (extended),<br />
56cm deep<br />
$200–400<br />
53<br />
A William IV rosewood card<br />
table, circa 1830<br />
of Greek Revival inspiration, the<br />
foldover table with a carved pedestal<br />
to a platform base with paw feet<br />
77.5cm high, 94.5cm wide,<br />
45cm deep (folded)<br />
$800–1,000
17<br />
54<br />
A William IV Greek Revival<br />
mahogany library table,<br />
circa 1830s<br />
of elegant proportions with a tooled<br />
green leather surface above a trestle<br />
base with scroll and anthemion<br />
motifs<br />
79.5cm high, 124cm high, 61cm deep<br />
$900–1,200<br />
55<br />
A Louis XVI style beech chair,<br />
late 19th century<br />
the tablet back chair with a<br />
carved showframe and raised on<br />
slender fluted legs, upholstered<br />
in watermelon and sage<br />
silk check fabric<br />
$300–400<br />
56<br />
A Regency brass inlaid chair<br />
and a Georgian style chair,<br />
1825 and after<br />
the Regency chair with an inlaid<br />
dipped crest and mid rail both above<br />
a caned seat accompanied by a seat<br />
cushion, the other with a cross back,<br />
stuffover seat in a 'warp and weft'<br />
pattern upholstery above fluted legs<br />
$500–700<br />
57<br />
A Victorian ebonised and inlaid<br />
pier cabinet, circa 1860<br />
with delicate boxwood inlay to the<br />
frieze and front edges, stringing, gilt<br />
bronze borders and mounts above a<br />
plinth base, the interior with a single<br />
shelf, with key<br />
96cm high, 75cm wide, 25.5cm deep<br />
$400–600<br />
58<br />
A Chinese red lacquer<br />
altar style table,<br />
late 19th/early 20th century<br />
with a waisted top above an open<br />
work skirt with key fret and archaistic<br />
motifs, the square section legs with<br />
side stretchers<br />
85cm high, 110cm wide, 33cm deep<br />
PROVENANCE<br />
Grafton Galleries Antiques,<br />
Double Bay, Sydney<br />
$400–600<br />
54
18<br />
59<br />
IAN PEARSON (BORN 1951)<br />
Turner, Cover Version # 2 2015<br />
oil on canvas<br />
signed and dated lower right:<br />
Pearson 2016<br />
signed, dated and titled verso:<br />
Ian H Pearson 2015 Turner,<br />
cover version # 2<br />
61 x 61cm<br />
PROVENANCE<br />
Robin Gibson Gallery, Sydney<br />
$200–400<br />
60<br />
IAN HOWARD PEARSON<br />
(BORN 1951)<br />
Arcadia 2004<br />
oil on canvas on board<br />
titled, signed and dated to margin:<br />
Arcadia Pearson '04<br />
titled, signed and dated verso:<br />
Arcadia Pearson '04<br />
38.5 x 38.5cm<br />
PROVENANCE<br />
Robin Gibson Gallery, Sydney<br />
$200–400<br />
61<br />
IAN HOWARD PEARSON<br />
(BORN 1951)<br />
Fantin (Colour By Numbers)<br />
2018<br />
oil on canvas<br />
signed and dated lower right:<br />
Pearson 2018<br />
titled, signed and dated verso: Fantin,<br />
(colour by numbers) H. Pearson 2018<br />
39 x 39cm<br />
$200–400<br />
62<br />
A small tribal Persian rug<br />
in red, tan and coffee colours<br />
with a central geometric lozenge<br />
and flowerheads upon a red field,<br />
with tan spandrels and a running<br />
knot style border<br />
124 x 57cm<br />
$150–250<br />
63<br />
A group of assorted antique<br />
metalware including bronze<br />
candlesticks, Sheffield plate,<br />
19th-20th century<br />
comprising pair of cast candlesticks,<br />
a Sheffield plate dolphin comport<br />
base, a heavy gauge footed bowl, and<br />
a silver plate teapot with an ebonised<br />
handle and finial by Hardy Bros.<br />
the candlesticks 24cm high,<br />
the bowl 17.5cm diameter<br />
$200–300<br />
64<br />
A large Bing & Grondahl<br />
bisque plaque together with<br />
six by Royal Copenhagen,<br />
20th century<br />
including an Eneret design plaque<br />
featuring a winged classical<br />
maiden with a cherub in relief,<br />
impressed marks underside, and<br />
smaller plaques with classical<br />
subject matter, one with an 17th<br />
century style figure astride a horse,<br />
backstamps underside<br />
28.5cm diameter, 13.5cm diameter<br />
$300–400<br />
65<br />
A group of marble architectural<br />
elements, glass vases, and a<br />
Martin Boyd bowl<br />
a near pair of carved white marble<br />
lotus bud ornaments or finials,<br />
a pair of clear glass specimen<br />
vases in the form of twisted<br />
branches, and a plain cream bowl,<br />
inscribed Martin Boyd to base<br />
the vases 18.5cm high, the bowl<br />
13.5cm diameter<br />
$200–300<br />
66<br />
A treen pedestal bowl and<br />
cover, 19th century<br />
in turned burl wood with a dome<br />
cover and acorn finial<br />
23cm high<br />
$350–450<br />
67<br />
A collection of Chinese famille<br />
rose dishes, cloisonné and<br />
lacquerware<br />
comprising a famille rose charger<br />
with stand, two celadon ground<br />
famille rose plates, a cloisonné bowl,<br />
a red lacquered chrysanthemum<br />
plate together with a pair of<br />
rosewood stands<br />
the largest charger 35cm diameter<br />
$100–200<br />
68<br />
A modernist sand cast<br />
glass sculpture, possibly<br />
Scandinavian, mid century<br />
in the form of a seated figure<br />
17.5cm high<br />
$200–300<br />
69<br />
Two antique walking sticks<br />
one fashioned from a natural rustic<br />
branch, the other comprising a series<br />
of seed pod husks with a knob handle<br />
the largest 89cm long<br />
$300–400<br />
70<br />
An ebonised Chinese side table<br />
with a waisted surface above a<br />
open work skirt with key fret motifs,<br />
the square section legs united<br />
by a box stretcher<br />
79cm high, 45cm wide, 45cm deep<br />
$150–250<br />
71<br />
A Colefax & Fowler chintz<br />
lounge chair<br />
the loose linen cover in a bright<br />
iris design with pipe edging and a<br />
matching cushion<br />
$300–500
19<br />
72<br />
72<br />
JOHN EDWARDS (BORN 1956)<br />
Two Seasons of Happiness 2012<br />
oil on canvas<br />
diptych<br />
signed, dated and titled verso:<br />
John Edwards 2012<br />
'2 SEASONS OF HAPPINESS'<br />
51 x 81cm (overall)<br />
$600–1,000<br />
73<br />
BARBARA WEIR (1945-2023)<br />
Grass Seeds<br />
synthetic polymer paint on canvas<br />
signed verso: Barbara Weir<br />
cat no # 2135<br />
30.5 x 30.5cm<br />
PROVENANCE<br />
The Artery, Sydney<br />
$200–400<br />
74<br />
BARBARA WEIR (1945-2023)<br />
Grass Seeds<br />
synthetic polymer paint on canvas<br />
signed verso: Barbara Weir<br />
cat no # 2125<br />
30.5 x 30.5cm<br />
PROVENANCE<br />
The Artery, Sydney<br />
$200–400<br />
75<br />
BARBARA WEIR (1945-2023)<br />
Grass Seeds<br />
synthetic polymer paint on canvas<br />
signed verso: Barbara Weir<br />
30.5 x 30.5cm<br />
PROVENANCE<br />
The Artery, Sydney<br />
$200–400<br />
76<br />
BARBARA WEIR (1945-2023)<br />
Grass Seeds<br />
synthetic polymer paint on canvas<br />
signed verso: Barbara Weir<br />
30.5 x 30.5cm<br />
PROVENANCE<br />
The Artery, Sydney<br />
$200–400
20<br />
77<br />
A pair of Colefax & Fowler linen<br />
covered armchairs<br />
plush chairs with pale teal covers<br />
with arm protectors and two<br />
matching velvet cushions<br />
$500–700<br />
78<br />
Three Casa Mia dining chairs<br />
with slip cover, plus one other<br />
with ebonised Italian beechwood<br />
frames with cross stretchers and<br />
red upholstery, three with Colefax<br />
and Fowler fawn Eaton check<br />
slipcovers, the fourth in ecru linen<br />
with black piping<br />
$400–600<br />
79<br />
A set of four matching<br />
architectural elements<br />
white painted fluted pilasters with<br />
Doric capitals<br />
202cm high, 41cm wide<br />
$500–700<br />
80<br />
An Australian cedar platform<br />
base centre table, circa 1840<br />
the well figured table with a bold<br />
gadroon edge, the platform base<br />
raised on whorl end feet with<br />
porcelain casters<br />
78cm high, 120cm diameter<br />
$700–1,000<br />
81<br />
A transitional tulipwood<br />
commode, French,<br />
early 20th century<br />
of breakfront profile with a breche<br />
marble surface above two drawers<br />
with feather banded panels within<br />
strung borders, a dropped apron and<br />
raised on tapering cabriole legs, with<br />
brass plate handles and ring handles,<br />
embossed escutcheons and sabots<br />
79cm high, 80.5cm wide, 42cm deep<br />
$800–1,000<br />
77
21<br />
82<br />
82<br />
GAIL ENGLISH (BORN 1939)<br />
Weather Patterns 2004<br />
oil on canvas<br />
signed lower right: G. English<br />
signed, dated and titled verso: Gail<br />
English 2004 Weather Patterns<br />
40.5 x 40.5cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
$300–500<br />
83<br />
GAIL ENGLISH (BORN 1939)<br />
Untitled 2004/2005<br />
oil on canvas<br />
signed lower right: G English<br />
inscribed and dated verso: Gail<br />
English 2004/05<br />
40.5 x 40.5cm<br />
PROVENANCE<br />
King Street Gallery, Sydney<br />
$300–400
22<br />
<strong>Private</strong> Collection, Melbourne<br />
Lots 84–253
23<br />
84<br />
A French cast iron fuel box,<br />
by Corneau Fréres, 19th century<br />
with an ornate hinged vegetal lid with<br />
mask motif and a porcelain handle,<br />
raised on four slender swept feet,<br />
maker's mark to the lid<br />
39cm high, 58cm wide, 43cm deep<br />
$400–600<br />
84<br />
85<br />
An ornate cast iron fire fender,<br />
French, 19th century<br />
in the form of a curvaceous<br />
fortification with cannon apertures<br />
to the faux brickwork facade, with<br />
circular stairway feature to each end<br />
and centred with a trophy<br />
28cm high, 140cm wide, 40cm deep<br />
$800–1,200<br />
86<br />
A pair of silver plate twin branch<br />
wall lights, French circa 1930<br />
with bead edge wall plates issuing<br />
curvaceous arms supporting broad<br />
dishes and bud like sconces<br />
20cm high, 34cm across<br />
$200–400<br />
85
24<br />
87<br />
A French wrought iron hall<br />
lantern, early 20th century<br />
of pentagonal profile with a pierced<br />
dome cover and textured light<br />
amber panes<br />
80cm high<br />
$600–800<br />
88<br />
A Provincial pine stretcherbased<br />
refectory table<br />
with substantial baluster legs above<br />
block feet<br />
78cm high, 184cm wide, 86cm deep<br />
$800–1,200<br />
89<br />
A wall mounted vanity light,<br />
possibly by Allibert, 1970s<br />
the circular mirror float set within<br />
a cream plastic dished shell<br />
62cm diameter<br />
$300–400<br />
90<br />
A small Art Deco<br />
wrought-iron umbrella<br />
stand, French,<br />
circa 1925<br />
the framed stand with floral<br />
and arabesque motifs<br />
54cm high, 50cm wide,<br />
9cm deep<br />
$250–350<br />
87<br />
88
25<br />
92<br />
91<br />
An unusual French Provincial<br />
wrought iron lockable wine<br />
stand, probably 19th century<br />
the shallow stand with strap support<br />
for a single bottle, with cap and<br />
attached chain feature to locking<br />
mechanism, raised on a low stand<br />
49cm high<br />
$400–600<br />
92<br />
A pair of Italian polychrome<br />
glazed ceramic centrepieces<br />
each modelled as a tiered group of<br />
lemons in boat shape flared baskets<br />
34cm high, 42cm wide<br />
$1,500–2,500<br />
91
26<br />
95<br />
A set of six faience green glazed<br />
plates by Foucard Jourdan,<br />
French, 19th/20th century<br />
in a mottled light olive glaze, stamped<br />
underside, Foucard Jourdan,<br />
Vallauris<br />
21.5cm diameter<br />
$120–180<br />
96<br />
Four faience begonia leaf<br />
dishes, 19th/20th century<br />
naturalistically modelled with green<br />
and treacle glazes, unmarked<br />
24.5cm long<br />
$80–120<br />
97<br />
A set of eighteen majolica<br />
plates by Gien, French,<br />
early 20th century<br />
in emerald glazes moulded with leaf<br />
and trellis border designs, stamped<br />
to bases<br />
21.5cm diameter<br />
$400–600<br />
93<br />
93<br />
An Indo Persian miniature of a<br />
couple in a garden pavilion with<br />
attendants<br />
a richly decorated book page in<br />
opaque gouache colours enclosed<br />
by gilt enriched floral borders<br />
embellished with script, script also<br />
verso<br />
26cm x 18.5cm<br />
$300–400<br />
94<br />
An Anglo-Ceylonese ebony<br />
sofa, circa 1900<br />
with a curvaceous reeded cresting<br />
rail centred with a carved shell motif,<br />
the bolster style ends faced with<br />
tightly coiled reeding, a decorative<br />
relief carved skirt and raised on bold<br />
turned legs, with hole to hole cane<br />
seating, upholstered with tiger print<br />
cut velvet<br />
length of back 217cm<br />
$800–1,200<br />
98<br />
A set of sixteen majolica leaf<br />
plates, by Regal & Sanjouand,<br />
Clairefontaine, France<br />
in emerald glazes, each marked with<br />
RS and anchor underside<br />
21cm diameter<br />
$250–350<br />
99<br />
A collection of green 'cabbage'<br />
majolica condiment pots and<br />
a hanging basket, French,<br />
19th/20th century<br />
in olive green glazes comprising<br />
two sets of salt and pepper shakers<br />
on stands and a mustard pot and<br />
spoon with stand, and a hanging pot<br />
moulded as a basket with leaves and<br />
applied convolvulus flowers<br />
$200–300
27<br />
100<br />
A Venetian red chinoiserie<br />
bureau-cabinet,<br />
early 20th century<br />
with a broken pediment above twin<br />
glazed cupboards, the serpentine<br />
lower register with a fall front, three<br />
drawers and raised on bracket<br />
feet, with polychrome decoration<br />
throughout and gilt enrichments<br />
221cm high, 92cm wide, 50cm deep<br />
$2,000–4,000<br />
101<br />
A small fruitwood tray-top<br />
occasional table, French,<br />
19th century<br />
with a dished surface and a small<br />
drawer, raised on a stretcher-base<br />
with trestle ends<br />
67cm high, 47cm wide, 31.5cm wide<br />
$240–300<br />
102<br />
A gilt-metal hall lantern, French,<br />
circa 1920<br />
cylindrical with a hanging chain and<br />
ceiling cup, the stem with provision<br />
for three electric candle lights<br />
80cm long<br />
$400–600<br />
103<br />
A black metal and multicoloured<br />
painted timber<br />
hallstand, French, circa 1950<br />
the wall hung stand in the style of<br />
Roger Feraud, with billiard ball type<br />
hanging knobs and a slender mirror<br />
insert<br />
180cm high<br />
$600–1,000<br />
104<br />
An antique giltwood overmantel<br />
mirror, 19th century<br />
of cusped arching form and<br />
embellished with vegetal and<br />
scrolling forms to the frame<br />
150 x 75cm<br />
$500–700<br />
100
28<br />
105<br />
An ebonised and turned wood<br />
easel, French, circa 1880<br />
with turned finials, fluted supports<br />
and spindle embellishments to the<br />
upper register and shelf<br />
$500–700<br />
106<br />
FRENCH SCHOOL<br />
The Horse Race 1900<br />
oil on cardboard<br />
signed with initials, dated and<br />
inscribed lower right and left:<br />
C de B 1900 Homage de l' auteur<br />
/ Mr Mackentein<br />
24 x 33cm<br />
$500–600<br />
107<br />
A collection of ceramic fowl<br />
tureens and ornaments<br />
comprising two porcelain chicken<br />
form tureens together with an<br />
earthenware rooster<br />
the largest hen 23cm high<br />
$50–100<br />
108<br />
A large green metal lantern<br />
the cylindrical lantern with trellis style<br />
borders<br />
50cm high<br />
$250–350<br />
109<br />
A Louis XV style giltwood<br />
cartouche form wall mirror<br />
of waisted profile with a shell form<br />
crest and rocaille embellishments to<br />
the frame<br />
100 x 68cm<br />
$800–1,200<br />
110<br />
A pair of small green patinated<br />
cast iron urns<br />
of campana form with gadroon<br />
feature, raised on squared bases<br />
22cm high, 19cm diameter<br />
$400–600<br />
105
29<br />
111<br />
111<br />
An Aubusson verdure tapestry,<br />
late 17th century<br />
featuring a landscape with a castle<br />
and an exotic bird in the foreground,<br />
enclosed by vegetal borders<br />
260cm high, 346cm wide<br />
$4,000–6,000<br />
112<br />
A wrought iron tiled coffee<br />
table, French, circa, 1950<br />
with a bold arrangement of burnt<br />
orange and brown tiles above<br />
bifurcated wrought iron cabriole legs<br />
with a twist stretcher base<br />
38cm high, 81cm wide, 43cm deep<br />
$300–500<br />
113<br />
A wrought iron and painted<br />
wood coat rack, French,<br />
circa 1950<br />
comprising an arrangement of<br />
coloured 'billiard balls' serving as<br />
hooks, on a ribbon twist frame<br />
58.5cm wide<br />
$180–250
30<br />
114<br />
An impressive carved giltwood<br />
salon mirror, English, 19th century<br />
with an extravagant and ornate pierced<br />
crest adorned with vegetal motifs,<br />
similarly decorated to the corners<br />
150 x 91cm<br />
$2,000–3,000<br />
114
31<br />
115<br />
An art glass vase in the<br />
manner of Val St Lambert,<br />
mid 20th century<br />
the cased chartreuse glass vase of<br />
twisted, flaring and organic form,<br />
with a thick walled rim, unmarked<br />
26.5cm high<br />
$200–300<br />
116<br />
A console table in the manner<br />
of Gilbert Poillerat, French,<br />
circa 1940<br />
the gilded bronze and wrought iron<br />
table with a shaped marble top<br />
89cm high, 130cm wide, 43cm deep<br />
$2,500–3,000<br />
115<br />
116
32<br />
117<br />
A French wrought iron eight<br />
light chandelier, 20th century<br />
with profuse scroll work throughout<br />
and tole embellishments, the main<br />
branches supporting electric candles<br />
and maroon gathered fabric shades<br />
75cm high, 85cm diameter<br />
$800–1,200<br />
118<br />
A wrought iron wall mirror,<br />
1940s<br />
of tubular form with arabesque<br />
embellishments<br />
78 x 66cm<br />
$250–350<br />
117<br />
119<br />
A small Aesthetic style picture<br />
easel, French, circa 1900<br />
in the oriental taste with bamboo<br />
style supports, turned rails and a<br />
wooden shelf<br />
138cm high<br />
$400–600<br />
120<br />
A gilt metal and glass coffee<br />
table by Pierre Vandel<br />
the square section frame in a<br />
satin finish with a floating bevelled<br />
glass plate<br />
105cm x 54.5 x 34 cm<br />
$600–800<br />
121<br />
A silvered metal lamp base,<br />
Italian, circa 1960<br />
of bold knopped form and supported<br />
on a dome base<br />
60 cm high<br />
$200–400<br />
122<br />
A marble and gilt-metal three<br />
tier table, French, circa 1950<br />
with a verde antico marble surface<br />
and tiers, the base with cross form<br />
side stretchers<br />
70cm high, 86cm wide, 50cm deep<br />
$800–1,000<br />
123<br />
A gilt-metal pineapple lamp in<br />
the manner of Maison Charles,<br />
French, circa 1950<br />
with a waisted pedestal and raised<br />
on a plinth base, with a black shade<br />
with gilt trim<br />
77cm high<br />
$500–700<br />
124<br />
A pair of French gilt-metal<br />
hall lanterns<br />
of typical cylindrical form with<br />
decorative cast ceiling cups<br />
45cm high<br />
$300–500
33<br />
125<br />
An exceptional and very<br />
decorative verre-eglomise<br />
circular-top coffee table,<br />
French, circa 1950<br />
raised on a scrolling gilt metal base<br />
41cm high, 74.5cm diameter<br />
$2,000–3,000<br />
126<br />
A pair of Samson of Paris<br />
Japanese Kakiemon<br />
style porcelain elephants,<br />
mid 20th century<br />
caparisoned trumpeting elephants in<br />
glazed white porcelain, red stylised<br />
'S' mark to one foot indicative of<br />
1941-1957 period<br />
17cm high<br />
$250–350<br />
125<br />
125
34<br />
127<br />
128
35<br />
129<br />
129<br />
127<br />
A pair of wrought iron<br />
bottle wine stands, French,<br />
19th century<br />
with crank mechanism and applied<br />
vine leaf decorations, both supported<br />
on rectangular bases<br />
each 28cm high<br />
$500–800<br />
128<br />
A Spanish fruitwood<br />
stretcher-based dining table<br />
bold square section scrolling legs<br />
with trestle ends and a wrought iron<br />
scroll end stretcher<br />
77cm high, 180cm wide, 77.5cm deep<br />
$2,000–4,000<br />
129<br />
A pair of wrought iron lanterns,<br />
French, 19th century<br />
the gothic inspired pair with amber<br />
brown textured glass enclosed within<br />
a gun metal grey frame with scroll<br />
work, flowering finials and spiral twist<br />
supports with snake head terminals<br />
74cm long<br />
$3,000–5,000<br />
130<br />
A collection of polished metal<br />
towel rails and fixing plates<br />
three fine quality gilt-bronze towel<br />
rails with decorative fixing plates, one<br />
rail and plate with a chrome finish<br />
the towel rails 38cm long<br />
$300–500
36<br />
131<br />
131<br />
A five branch tole ceiling light,<br />
French, circa 1950<br />
the patinated two tone light in the<br />
form of a bunch of lilies with open<br />
blooms and strapwork<br />
60cm high<br />
$700–900<br />
132<br />
A Louis XVI style carved<br />
giltwood wall sconce<br />
with an acanthus leaf wall mount<br />
issuing two vegetal arms supporting<br />
floriform sconces<br />
37cm high<br />
$200–400<br />
133<br />
A floriate circular giltwood wall<br />
mirror, Italian<br />
profusely carved and pierced with<br />
repeating motifs<br />
58cm diameter<br />
$500–800<br />
134<br />
A gilt-bronze and satinwood<br />
Étagère, French, 19th century<br />
the three tier stand in a gilt bronze<br />
bamboo style frame<br />
78cm high, 27cm diameter<br />
$400–600
37<br />
135<br />
EUROPEAN SCHOOL<br />
Still Life<br />
oil on canvas<br />
55 x 78.5cm<br />
$400–600<br />
136<br />
An Italian walnut side table,<br />
18th century<br />
the extended surface with much<br />
patina above twin drawers and<br />
turned legs united by a box<br />
stretcher<br />
82cm high, 180cm wide,<br />
74cm deep<br />
$4,000–6,000<br />
135<br />
136
38<br />
137<br />
A French Gothic Revival glazed<br />
wrought iron hall lantern,<br />
early 20th century<br />
of hexagonal profile with red and<br />
green panes enclosed by a series<br />
of extended columns and dramatic<br />
flaring spear heads, baluster shaped<br />
scroll work to the long stem<br />
187cm high, 63cm diameter<br />
$1,000–1,500<br />
138<br />
MURIEL JOYCE BIDDER<br />
(ENGLISH 1906-1999)<br />
St George<br />
a gold finish plaster plaque in low<br />
relief, initialled MJB upper right and<br />
label verso<br />
the plaque 19 x 14cm<br />
$400–600<br />
139<br />
A fine gilt-bronze and<br />
mahogany panel, French,<br />
circa 1925<br />
featuring a semi-naked maiden in a<br />
frenzied dance with Bacchus flanked<br />
by the emblems of wine and music<br />
29 x 35.5cm<br />
$700–900<br />
140<br />
A green Chinoiserie incised<br />
lacquer and gilt-bronze coffee<br />
table, French, circa 1920<br />
raised on trios of bamboo style<br />
brass legs<br />
38cm high, 120cm wide, 64.5cm deep<br />
$800–1,200<br />
141<br />
ANGUS WINNEKE<br />
Throne Room - Apple Blossom<br />
Palace - Puss in Boots<br />
watercolour, bodycolour and ink<br />
inscribed with title upper left and<br />
right in image<br />
25 x 19.5cm<br />
$100–200<br />
137
39<br />
142<br />
A spelter kangaroo mystery<br />
clock, German, circa 1900<br />
A Junghans- type mystery clock with<br />
a gilt metal swinging timepiece<br />
27cm high<br />
$500–800<br />
143<br />
A French wrought iron marble<br />
top console, early 20th century<br />
with a serpentine verde marble top<br />
91cm high, 128cm wide, 35.5cm deep<br />
$2,000–3,000<br />
145<br />
A demi-lune parquetry<br />
inlaid foldover games table,<br />
19th century<br />
with a bold lattice surface and<br />
chevron motif to the skirt, opening to<br />
green baize interior, supported on a<br />
pull out drawer leg, with gilt bronze<br />
sabots<br />
76.5cm high, 95.5cm diameter<br />
$1,200–1,500<br />
144<br />
A small bronze letter rack,<br />
English, 19th century<br />
in the form of tiered cast vine leaves<br />
25.5cm high<br />
$100–200<br />
142<br />
143
40<br />
146<br />
146<br />
MARCEL COUSINS<br />
(BORN 1972)<br />
Melting Second World War<br />
German Soldier 2010<br />
resin and two-pac paint<br />
signed, dated, titled and editioned<br />
on base: MARCEL COUSINS 2010<br />
MELTING SECOND WORLD WAR<br />
GERMAN SOLDIER 4/5<br />
42cm high, 37.5cm wide, 69cm deep<br />
$1,200–1,500<br />
147<br />
RYCA (RYAN CALLANAN,<br />
BRITISH, BORN 1981)<br />
Racquel Welch (Green)<br />
colour silkscreen<br />
signed and editioned on margin:<br />
Ryca 13/15<br />
65 x 46cm<br />
$600–800<br />
148<br />
A pair of vintage Barcelona<br />
Chairs by Ludwig Mies Van Der<br />
Rohe, manufactured by Knoll,<br />
mid 1970s<br />
in chromed metal and tan leather<br />
Purchased Palazzo, South Yarra<br />
$2,000–3,000<br />
149<br />
A Barcelona Chair by<br />
Ludwig Mies Van Der Rohe,<br />
manufactured by Knoll,<br />
mid 1980s<br />
in chromed metal and black leather<br />
Purchased Bakka Design, Armadale<br />
$800–1,200<br />
150<br />
A pair of polished brass<br />
wall sconces with faceted<br />
glass drops<br />
26cm high, 25cm across<br />
$300–400<br />
151<br />
A silver plate drinks tray on<br />
stand, French, circa 1950<br />
a twin handled drinks tray with a<br />
pierced gallery supported on a<br />
gilt-metal folding stand<br />
52cm high, 53cm wide, 36cm deep<br />
$400–600<br />
152<br />
Monuments de Paris,<br />
dessinés par M. Nicolle<br />
'Monuments de Paris, 1810,<br />
Hommage de l'Empereur Napoléon a<br />
L'Impératrice Marie-Louise'<br />
A facsimile set of coloured<br />
lithographs of the Monuments of<br />
Paris in a gilt-tooled red leather folio<br />
and hard case, originally produced as<br />
watercolours by Victoria Jean Nicolle<br />
as a marriage gift to Napoléon to<br />
Marie-Louise<br />
$200–300
41<br />
153<br />
A white leather 'Swan' chair<br />
by Arne Jacobson<br />
in original white leather,<br />
manufactured by Fritz Hansen,<br />
Denmark (label attached to base),<br />
1960s<br />
PROVENANCE<br />
Purchased from Geoffrey Hatty<br />
1990s<br />
$3,000–5,000<br />
154<br />
A vintage decoupage two fold<br />
screen, French, circa 1920<br />
each panel 116 x 40cm<br />
$300–400<br />
155<br />
A brushed chrome glass top<br />
table, French, circa 1970<br />
in the style of House of Bagues, of<br />
waisted form with four twin box<br />
tubular legs supported on brass<br />
footplates, similar brass motifs to the<br />
frame edge and supporting the plate<br />
74cm high, 125cm diameter<br />
$800–1,200<br />
156<br />
A pair of Louis XV style silverplate<br />
two light candlesticks,<br />
French, 19th century<br />
the knopped and threaded stems<br />
supported on tiered dome bases with<br />
fluted edges,<br />
32.5cm high<br />
$300–500<br />
153
42<br />
157<br />
157<br />
A pair of French carved<br />
giltwood girandoles,<br />
19th century<br />
slender tapering framed mirrors<br />
surmounted by a circular mirror motif<br />
and shell feature, the base issuing<br />
twin curvaceous arms supporting<br />
electric candle sockets<br />
90cm high<br />
$800–1,200<br />
158<br />
A large gilt-metal display wall<br />
cabinet, Italian, circa 1960<br />
in a satin brushed chrome and brass<br />
finish with canted edges, mirror back,<br />
glass shelves and electrical fittings<br />
122cm high, 78cm wide, 22cm deep<br />
$500–800
43<br />
159<br />
A decorative monochrome<br />
grey-painted four fold screen,<br />
French, circa 1920<br />
depicting figures and riders within<br />
palace grounds<br />
each panel 157 x 58cm<br />
$600–800<br />
160<br />
A brass and glass coffee table,<br />
French, circa 1960<br />
with a square section frame and legs<br />
supporting a floating plate<br />
36.5cm high, 112cm wide,<br />
56.5cm deep<br />
$500–800<br />
161<br />
A pair of Louis XVI style giltbronze<br />
candlestick lamps,<br />
French, 19th century<br />
with fluted and knopped stems to<br />
spreading domed bases<br />
31.5cm high<br />
$300–500<br />
159
44<br />
162<br />
A Louis XV style walnut bedside<br />
table, circa 1900<br />
with a three quarter gallery above a<br />
single cupboard relief carved with<br />
a trophy, the serpentine rocaille<br />
decorated skirt raised on cabriole<br />
legs with shell embellished knees<br />
80cm high, 34.5cm wide, 31cm deep<br />
$400–600<br />
162<br />
163
45<br />
164<br />
163<br />
A Chinese glazed pottery parrot<br />
perched on a rock<br />
the slip moulded figure in emerald<br />
colours with yellow, blue and red<br />
enrichments, impressed and red<br />
stencil marks underside<br />
25cm high<br />
$150–250<br />
164<br />
Five faience plates, 19th century<br />
two scenic plates with impressed<br />
marks, Fabrique D'Emaux Brevet, and<br />
three with fruit designs, enclosed by<br />
embossed borders<br />
the largest 23cm diameter<br />
$200–300<br />
165<br />
A pair of small turquoise glazed<br />
parrots, 20th century<br />
solid moulded with a bright glaze<br />
10.5cm high<br />
$100–200<br />
165
46<br />
166<br />
A stained beech cabinet in the<br />
Japanese manner, attributed<br />
to Gabriel Viardot, French,<br />
late 19th century<br />
with a carved dragon surmount<br />
above an arrangement of cabinets<br />
and shelves, oriental style carved<br />
and pierced elements throughout<br />
with applied figures and cranes in<br />
bronze, coloured shell and bone,<br />
above cabriole legs<br />
170cm high, 65cm wide, 34cm deep<br />
$3,000–5,000<br />
167<br />
A Louis XV style giltwood<br />
banquette, French, 19th century<br />
with vegetal carved details and raised<br />
on curvaceous legs united by twin 'X'<br />
form stretchers, with floral upholstery<br />
and nail trim<br />
113cm wide<br />
$800–1,000<br />
168<br />
A group of of ten porcelain<br />
apothecary jars, French,<br />
19th century<br />
the drug jars with domed covers with<br />
gilt and decorative Latin inscriptions,<br />
by Limoges and other makers<br />
the largest 29.5cm high<br />
$200–300<br />
169<br />
A silver plate mounted glass<br />
water jug, French, 1950,<br />
together with a silver plate<br />
mounted claret jug, circa 1900<br />
the jug with etched motifs to the<br />
glass body, Gallia marks<br />
ewer 30cm high<br />
$200–300<br />
166
47<br />
170<br />
A pair of bronze mounted Imari<br />
lamps, Japanese and French,<br />
circa 1900<br />
the baluster vases with fan shaped<br />
cartouches amidst foliage in a typical<br />
cobalt and red palette, with French<br />
bronze cast mounts, with sconces for<br />
bayonet fittings<br />
33.5cm high<br />
$500–600<br />
171<br />
A Dutch colonial leather trunk,<br />
early 19th century<br />
the brown leather domed trunk<br />
with handles to the short ends and<br />
decorated with studwork patterns<br />
throughout<br />
43cm high, 62cm wide, 34cm deep<br />
$500–800<br />
172<br />
A gilt bronze mounted floral<br />
ceramic vase<br />
with an applied rose and foliage,<br />
raised on a decorative pierced stand<br />
29cm high<br />
$50–100<br />
173<br />
A cane and metal framed egg<br />
shaped chair and ottoman,<br />
French, circa 1960<br />
the chair with graduated arching<br />
canes raised on a splayed legs<br />
the ottoman 35cm high, 50cm wide,<br />
35cm deep<br />
$400–600<br />
174<br />
A collection of Paris porcelain<br />
plates, 19th century<br />
comprising nineteen pieces with<br />
variously coloured borders, some<br />
with central gilded floral motifs,<br />
unmarked<br />
22cm diameter<br />
$400–600<br />
175<br />
A glass and gilt-metal<br />
stretcher-based coffee table,<br />
French, circa 1950<br />
thick plate glass resting upon 'U'<br />
shaped supports<br />
43cm high, 100cm wide, 52cm deep<br />
$600–900<br />
176<br />
A bronze hall light, French,<br />
circa 1920<br />
of lobed form with bronze finials,<br />
square set scroll supports to a<br />
knopped stem, with provision for four<br />
electric candles<br />
65cm long<br />
$500–800<br />
170
48<br />
177<br />
A Swiss made gilt metal<br />
Armillary clock by Lancel,<br />
circa 1970<br />
with Roman numerals, subsidiary<br />
dials and moonphase to the<br />
face, engraved 24 hour clock and<br />
astrological symbols to the rings,<br />
signed to the dial<br />
18cm high<br />
$800–1,200<br />
177<br />
178<br />
178<br />
A gilded iron and plate glass<br />
coffee table, French, circa 1950<br />
the stretcher-based table with 'U'<br />
form supports united by lion head<br />
rosettes<br />
46cm high, 91cm wide, 48cm deep<br />
$800–1,200
49<br />
179<br />
179<br />
An emerald shagreen and ivory<br />
case, French, circa 1930<br />
the wood lined table top cigarette<br />
box with ivory edging and<br />
thumbpiece<br />
4.5cm high, 10cm wide, 8cm deep<br />
$250–350<br />
180<br />
A gilt-metal and mirrored glass<br />
top occasional table, French,<br />
circa 1940<br />
circular top on arrow form supports<br />
50cm high, 45.5cm diameter<br />
$1,200–1,600<br />
181<br />
A French carved giltwood wall<br />
mirror, 19th century<br />
ornately pierced and carved, having<br />
an arching crest with scrolling<br />
acanthus and flower heads and richly<br />
flower embellished to each corner<br />
79.5 x 40.5cm<br />
$600–800<br />
180
50<br />
182<br />
J. HUBERT<br />
A large scenic mural painted<br />
on canvas<br />
signed lower right<br />
210 x 530cm<br />
$1,500–2,500<br />
183<br />
A chrome sputnik ceiling light,<br />
French or Italian, circa 1960<br />
50cm diameter<br />
$600–900<br />
184<br />
A red painted wrought iron<br />
Chinoiserie coffee table by Jean<br />
Major, French, mid 20th century<br />
with lattice designs to the edge and<br />
skirt, and a glass surface covering a<br />
painted panel featuring birds, foliage<br />
and rockwork<br />
45cm high, 130cm wide, 65cm deep<br />
$800–1,000<br />
185<br />
An Indo Persian miniature<br />
painting of a romantic couple in<br />
a pavilion<br />
a book page richly decorated in<br />
opaque gouache colours with gilt<br />
enrichments, surmounted by script,<br />
also verso<br />
image size 17 x 10cm<br />
$300–400
51<br />
182<br />
186<br />
A Hollywood Regency style gilt<br />
metal urn form table lamp<br />
with strappy leaf feature and<br />
provision for three bulbs<br />
74cm high<br />
$300–500<br />
187<br />
A verre églomisé wall mirror<br />
the oval mirror with a decorative crest<br />
and applied decorations<br />
73.5 x 44cm<br />
$400–600<br />
188<br />
A mahogany butler's tray on<br />
stand<br />
of typical form with folding flaps and<br />
a collapsible base<br />
the tray 50 x 76cm<br />
$300–500<br />
189<br />
A pair of vintage metal bracket<br />
lanterns<br />
each with a pagoda top and pierced<br />
border decoration<br />
40cm high, 24cm wide, 14cm deep<br />
$600–800<br />
190<br />
A pair of painted Moroccan<br />
metal ware lanterns<br />
domed iron red lanterns with pierced<br />
borders<br />
71cm high, 31cm diameter<br />
$600–800
52<br />
191<br />
A pair of carved and painted<br />
Solomonic columns,<br />
19th century<br />
each column decorated with an<br />
entwined vine above platform<br />
bases, the square top capitals with<br />
feathered tiers and ionic scrolls<br />
139cm high, 30cm wide, 30cm deep<br />
$1,500–2,500<br />
192<br />
An 'Old Horndale' oak tawny<br />
port barrel<br />
the coopered barrel with bunghole,<br />
spigot and resting in a wood cradle<br />
40cm high<br />
$150–250<br />
193<br />
A Gothic Revival fruitwood<br />
marble top console table<br />
with a rouge marble surface above<br />
drawers with interlocking circular<br />
motifs, a shaped skirt and raised on<br />
substantial legs to a platform base<br />
80cm high, 88cm wide, 50cm deep<br />
$300–500<br />
194<br />
A French wrought iron hall<br />
lantern<br />
of tapering hexagonal profile<br />
surmounted by scroll motifs united at<br />
the stem, with clear glass panes<br />
47.5cm long<br />
$600–800<br />
195<br />
A set of four Carolean Revival<br />
tapestry upholstered dining<br />
chairs, 19th century<br />
with upholstered square back and<br />
stuffover seats with tapestry and<br />
velvet covering and nail trim above<br />
gadroon capped legs with turned 'H'<br />
form stretchers<br />
$300–500<br />
191
53<br />
196<br />
An Italian blanc de chine<br />
ceramic fruit urn centrepiece<br />
with life size modelled fruits to the<br />
cover and a pear finial, above a<br />
gadrooned basket urn base<br />
82cm high, 41cm diameter<br />
$1,800–2,500<br />
197<br />
An Italian blanc de chine<br />
ceramic fruit urn centrepiece<br />
with life size modelled fruits to the<br />
cover and a pear finial, above a<br />
gadrooned basket urn base<br />
82cm high, 41cm diameter<br />
$1,800–2,500<br />
198<br />
A pair of metal folding<br />
occasional tables<br />
each with hinged X form stretcher<br />
bases<br />
50cm high, 35cm wide, 35cm deep<br />
$500–800<br />
196
54<br />
199<br />
A pair of gilt-bronze mounted<br />
Delft table lamps, circa 1900<br />
blue and white double gourd vases<br />
set in gilt bronze French mounts<br />
the bases 69cm high<br />
$600–800<br />
200<br />
AUNG<br />
The Ceremony 1991<br />
oil on canvas<br />
signed and dated lower right:<br />
AUNG 91<br />
44 x 59.5cm<br />
$200–400<br />
199<br />
201<br />
A Restauration gilt-bronze<br />
and mahogany clock, French,<br />
circa 1830<br />
lyre shaped with applied bronze<br />
Neoclassical motifs, the dial with<br />
a enamel chapter ring with Roman<br />
numerals and minute markings, mark<br />
of Fléchy, Boulevard St Martin N°45<br />
42cm high<br />
$500–700<br />
202<br />
A collection of Dutch delft<br />
blue and white wares,<br />
19th century and later<br />
comprising a pair of vases, a charger<br />
and a small plate, each under glaze<br />
decorated within shaped panels of<br />
floral motifs<br />
the charger 33.5cm diameter<br />
$500–800<br />
201
55<br />
202<br />
203<br />
A collection of Dutch delft blue<br />
and white vessels<br />
comprising two large fluted and<br />
faceted covered vases with lion<br />
finials, together with one smaller<br />
covered vase, and a pair of flaring<br />
vases, profusely decorated to each<br />
the largest covered vase 50cm high<br />
$500–800<br />
203
56<br />
205<br />
204<br />
SIDNEY NICOLSON BOYES<br />
(ENGLISH)<br />
Sans titre 1909<br />
spelter female figure<br />
with a brown patina raised on wooden<br />
pedestal<br />
incised and dated on base: S. Boyes, 1909<br />
33cm high<br />
$300–500<br />
204
57<br />
205<br />
An Empire gilt-bronze hand<br />
mirror, French, circa 1820<br />
with a cast ornamented handle and<br />
an engine turned frame enclosing a<br />
modern glass, one side magnified<br />
29cm long<br />
$300–400<br />
206<br />
A Neo-Classical revival giltbronze<br />
glass top coffee-table,<br />
French, circa 1920<br />
in the manner of Maison Charles or<br />
Maison Bagues with Egyptian style<br />
capitals to the legs and hooped<br />
stretchers<br />
42.5cm high, 94cm wide, 49cm deep<br />
$1,500–2,000<br />
207<br />
A collection of mixed timber<br />
treenwares<br />
comprising a comport, a small<br />
coopered pot, a covered canister and<br />
a coconut punch ladle<br />
the comport 15cm high,<br />
26cm diameter<br />
$200–300<br />
208<br />
A pair of mid-century gilded<br />
table lamp bases<br />
the stems with clear triangular glass<br />
and globular features separated<br />
by brass rings and raised on broad<br />
square glass and brass bases<br />
31cm high<br />
$500–800<br />
209<br />
A carved and painted simulated<br />
marble plinth<br />
of rectangular profile with a cross<br />
hatched design to the body and<br />
raised on a tiered and stepped base<br />
82cm high, 92cm wide, 48.5cm deep<br />
$500–800<br />
210<br />
A carved hardwood salon<br />
mirror, French<br />
the ebonised frame with pierced<br />
acanthus scrollwork throughout<br />
132 x 101cm<br />
$800–1,000<br />
211<br />
Two Italian blue and white<br />
apothecary jars<br />
ovoid with domed lids, each<br />
with underglaze blue script and<br />
decoration and grape bunch handles<br />
30cm high<br />
$600–800<br />
206
58<br />
212<br />
212<br />
A gilt-bronze table or hanging<br />
mirror, French, 19th century<br />
the ornately framed bevelled glass<br />
with a cast frame and a lavish crest<br />
bearing a monogrammed medallion,<br />
with a lead backplate, easel support<br />
and a hanging bail<br />
37 x 28cm<br />
$500–700<br />
213<br />
A set of four carved tapestry<br />
upholstered dining chairs,<br />
in the James II style<br />
the square back chairs with turned<br />
and knopped legs united by scroll<br />
and barb 'X' form stretchers, with red<br />
and cream patterned upholstery<br />
$800–1,200<br />
214<br />
A small collection of vintage<br />
pewter<br />
comprising two baluster tankards<br />
with double scroll handles and three<br />
dishes<br />
the largest dish 24cm diameter<br />
$100–200
59<br />
215<br />
A set of six Louis XVI style<br />
pale grey painted chairs,<br />
19th century<br />
the lyre back chairs with pale blue<br />
upholstery, impressed mark of<br />
R.Chartier to frames<br />
$1,200–1,500<br />
216<br />
HUTCH (BRITISH, BORN 1967)<br />
Juggling Grenades (pink)<br />
colour silkscreen<br />
signed and editioned lower right and<br />
left in image: HUTCH 43/50<br />
96 x 50cm<br />
$600–800<br />
217<br />
A brass and walnut magazine<br />
rack on stand, French circa 1920<br />
the tubular rack mounted on a<br />
wooden stand and a tripod tubular<br />
brass base with swept feet<br />
81cm high, 39cm wide, 22cm deep<br />
$350–500<br />
215
60<br />
218<br />
A carved Chippendale style<br />
giltwood mirror<br />
of delicate proportions with<br />
scrollwork and swags to the crest,<br />
featuring a vase issuing plumes,<br />
with pendant motifs to the sides and<br />
decorations to the base<br />
136 x 75cm<br />
$1,000–1,500<br />
219<br />
A pair of gilt bronze<br />
mask wall appliqués,<br />
early 20th century<br />
in the Neo-classical style with three<br />
scrolling arms supporting bead edge<br />
pans and electric candles<br />
28cm high, 32cm wide, 22.5cm deep<br />
$1,000–1,500<br />
220<br />
A Louis XVI style marquetry and<br />
palisander demi-lune console<br />
table, French, circa 1900<br />
with a Carrara marble surface<br />
enclosed by a pierced part gilt<br />
bronze gallery, with gilt-metal<br />
mounts and raised on tapering<br />
square section legs united by an<br />
undertier<br />
93cm high, 103cm wide, 47cm deep<br />
$1,500–2,000<br />
221<br />
A circular blondewood<br />
bentwood side table, circa 1960<br />
with a veneered surface above an<br />
oak stem with spreading feet<br />
73cm high, 70m diameter<br />
$400–600<br />
218<br />
222<br />
A . HAMENDT-AVIGDOR<br />
Coraux et poissons sous l'eau<br />
watercolour<br />
signed lower left:<br />
A. Hamendt-Avigdor<br />
inscribed verso: H Avigdor<br />
42 x 62cm<br />
$200–400
61<br />
219<br />
220
62<br />
223<br />
STUART RAY<br />
(BRITISH 1916-1985)<br />
Chambre d'un Cottage<br />
oil on board<br />
signed lower left with initials<br />
35 x 14.5cm<br />
$200–400<br />
224<br />
A large Arco floor lamp in the<br />
style of Castiglioni, Italian,<br />
circa 1960<br />
an arching box steel three section<br />
stem set within a Cararra marble<br />
base, with two associated aluminium<br />
shades<br />
230cm high<br />
$700–900<br />
225<br />
A collection of Japanese Imari<br />
porcelain<br />
comprising a koro and cover, a<br />
rectangular dish with a scroll and<br />
barb rim, and an oval dish, each<br />
decorated with flora and patterns in<br />
cobalt and iron red colours<br />
the koro 20cm high<br />
$300–500<br />
226<br />
A green painted wrought iron<br />
six-branch chandelier, French,<br />
circa 1920<br />
an inverted heart shape issuing<br />
tendrils and ribbon twist arms<br />
supporting broad dishes and electric<br />
candles<br />
78cm high<br />
$400–600<br />
223<br />
227<br />
An unusual bronze inkwell in<br />
the form of a crab, Japanese,<br />
circa 1900<br />
the hinged shell opening to reveal<br />
the well<br />
25cm wide<br />
$300–500
63<br />
228<br />
An Italian polychrome glazed<br />
ceramic centrepiece<br />
arranged as a white wicker basket<br />
holding an abundance of coloured<br />
fruits<br />
24cm high, 42cm diameter<br />
$1,000–1,500<br />
229<br />
An Italian polychrome glazed<br />
ceramic centrepiece<br />
arranged as a white wicker<br />
basket holding an abundance of<br />
coloured fruits<br />
24cm high, 42cm diameter<br />
$1,000–1,500<br />
230<br />
A pair of silvered metal torchère<br />
table lamps<br />
in the Neoclassical manner with<br />
stiff leaf, fan and acanthus motifs to<br />
the knopped stem and raised on a<br />
domed triangular base with paw feet<br />
85cm high (including shade)<br />
$500–800<br />
231<br />
A finely carved Anglo-Indian<br />
padauk pedestal<br />
highly ornamented with relief<br />
carved borders and lappet motifs, a<br />
mihrab shaped open compartment<br />
with a spindle gallery above a<br />
patterned and tiered lower section<br />
to a platform base<br />
101cm high, 42cm wide, 27cm deep<br />
$800–1,200<br />
232<br />
GABRIEL PARIS<br />
(FRENCH, 1924-2000)<br />
Sous-bois ‡ l'automne 1957<br />
oil on canvas<br />
signed and dated lower right:<br />
Gabriel Paris 57<br />
65 x 81cm<br />
$200–400<br />
229<br />
228
64<br />
233<br />
An unusual painted cast iron<br />
mechanical bird money box,<br />
circa 1880s<br />
lever operated and featuring an eagle<br />
feeding chicks in a nest<br />
14.5cm high<br />
$800–1,000<br />
234<br />
A Victorian silver mounted<br />
ostrich egg jewel casket,<br />
possibly by Stuart Clifford,<br />
London, circa 1880<br />
red velvet lined, standing on ball feet<br />
12cm high, 15cm wide<br />
$1,000–2,000<br />
233<br />
235
65<br />
235<br />
A Louis XV style marble top<br />
tulipwood bombé commode,<br />
mid 20th century<br />
the mottled rouge marble top of<br />
serpentine profile above two drawers<br />
with a book end veneer cartouche<br />
inlaid with floral sprays, with a<br />
dropped apron and embellished with<br />
cast gilt bronze foliate ornaments<br />
and sabots<br />
87cm high, 122cm wide, 50cm deep<br />
$1,000–1,500<br />
236<br />
A carved giltwood salon mirror<br />
in the Chippendale manner, the open<br />
work crest composed of vegetal<br />
scrollwork and flowers, the plates<br />
divided by similar scrollwork, the<br />
apron similarly decorated<br />
141.5 x 79cm<br />
$1,500–2,000<br />
237<br />
An unusual bird mounted<br />
brass smokers companion,<br />
19th century<br />
in the form of a parrot with a<br />
removable head on a perch and<br />
raised on knopped stem to a dish<br />
34.5cm high<br />
$500–800<br />
238<br />
A carved giltwood wall appliqué<br />
by A Pierini, Melbourne, 1971<br />
in the form of a musical trophy with<br />
flowers and instruments<br />
151cm high<br />
$800–1,200<br />
239<br />
A pair of 'church brass'<br />
candlestick table lamps with<br />
parchment shades<br />
with knopped and annulated stems<br />
and having generous sconces<br />
supporting electric candles<br />
72cm high<br />
$600–800<br />
236
66<br />
240<br />
An English Art Deco satin glaze<br />
kangaroo, by Spode, circa 1935<br />
the kangaroo upon an integral plinth,<br />
with mark for Spode Velamour<br />
to base<br />
27cm high, 31cm wide<br />
$600–800<br />
240<br />
241<br />
A pair of moderne silver plate<br />
three branch table lamps,<br />
Italian, circa 1960<br />
with a central faceted glass obelisk<br />
issuing from a well base, with brown<br />
sateen with burgundy trim shades<br />
50.5cm high<br />
$600–800<br />
241
67<br />
242<br />
242<br />
A large starburst pendant light<br />
clear glass panes in a distressed<br />
brass frame, with contemporary<br />
electrical fittings<br />
86cm high, 82cm diameter<br />
(approximately)<br />
$1,200–1,500<br />
243<br />
A large starburst pendant light<br />
clear glass panes in a distressed<br />
brass frame, with contemporary<br />
electrical fittings<br />
86cm high, 82cm diameter<br />
(approximately)<br />
$1,200–1,500<br />
244<br />
A pair of rare armchairs by Alain<br />
Richard, France, circa 1960s<br />
in white lacquered plywood and<br />
chrome, with blue wool upholstery<br />
$800–1,200<br />
245<br />
A Louis XVI style gilt-bronze<br />
chenet form lamp base,<br />
French, 19th century<br />
featuring a spiral twist urn<br />
above a fluted column draped<br />
with a husk swag<br />
58cm high<br />
$300–500<br />
246<br />
A large handpainted blue and<br />
white floor vase by Fajans,<br />
Poland<br />
of baluster form, with teardrop form<br />
floral panels to each side<br />
factory marks and editioned to base<br />
60cm high<br />
$300–400<br />
247<br />
A varied group of majolica<br />
wares, Italian and other,<br />
20th century<br />
an assortment of vegetables and a lid<br />
the artichoke form dish 19cm long<br />
$20–40
68<br />
248<br />
PERCY LINDSAY<br />
(ATTRIBUTED)<br />
The Moored Boat<br />
oil on board<br />
inscribed verso: Percival Lindsay<br />
21 x 15cm<br />
$600–800<br />
249<br />
A vintage embossed cast iron<br />
hearth plate<br />
featuring two children in low relief<br />
49 x 47.5cm<br />
$200–400<br />
250<br />
A large carved giltwood salon<br />
mirror, French, 19th century<br />
in the Rococo manner with a lavish<br />
pierced crest to the arching top rail<br />
and vegetal embellishments to the<br />
corners of the moulded frame<br />
173 x 112cm<br />
$1,000–1,500<br />
251<br />
A cherry wood corner cabinet,<br />
in the Georgian style<br />
the projecting dentil cornice above<br />
an astragal glazed door, with a<br />
panelled cupboard to the base,<br />
raised on bracket feet<br />
188cm high, 64cm wide, 45 deep<br />
$300–500<br />
250
69<br />
252<br />
A gilt-metal and glass coffee<br />
table, French, circa 1950<br />
the delicately framed table with a<br />
stretcher base and decorative pine<br />
cone finials<br />
48cm high, 120cm wide, 56cm deep<br />
$600–800<br />
253<br />
A gilt metal and parchment top<br />
table, French, circa 1940<br />
the gilded scrolling wrought iron<br />
base with angled stretchers, the<br />
parchment surface covered with a<br />
framed glass top<br />
73.5cm high, 155cm wide, 77cm deep<br />
$800–1,000<br />
252<br />
253
70<br />
<strong>Private</strong> Collection, Sydney<br />
Lots 254–323<br />
254<br />
A Catellani and Smith<br />
'Sottovento' floor lamp<br />
makers mark and editioned to base<br />
maximum height 224cm<br />
$1,800–2,500<br />
254
71<br />
255<br />
A Catellani and Smith wire ball<br />
pendant lamp<br />
60cm diameter<br />
$1,200–1,500<br />
256<br />
A Mogensen 2213 three seater<br />
sofa together with a matching<br />
footstool, by Fredericia<br />
in black leather with piped edging<br />
and raised on pale oak legs, includes<br />
four seal skin cushions with pebbled<br />
leather backing<br />
the sofa length of back 220cm,<br />
the footstool 43cm high, 57cm wide,<br />
57cm deep<br />
$3,000–5,000<br />
255<br />
256
72<br />
257<br />
A 'Lovelock' cast solid bronze<br />
coat and hat stand by Barbera,<br />
Australia<br />
a branch form piece with a puddle<br />
style base<br />
173cm high<br />
$800–1,200<br />
258<br />
A green onyx 'Pillar' lamp by<br />
Studio Henry Wilson, 2021<br />
45cm high<br />
$1,000–1,500<br />
262<br />
A hardwood desk by Khai Liew,<br />
Australia, 2020<br />
a slim line desk with a trio of grey<br />
laminate panels to the surface, with<br />
twin shallow side drawers each with<br />
removable slides, supported on<br />
slanted tapering legs with stretchers,<br />
signed and dated Khai Liew,<br />
June 2020<br />
77cm high, 160cm wide, 67cm deep<br />
$6,000–8,000<br />
259<br />
A Bocci 28.7 cluster multicoloured<br />
blown glass<br />
chandelier by Omer Arbel<br />
in shades of blue, orange<br />
and opaque red<br />
each handblown shade<br />
15cm diameter<br />
$1,500–2,000<br />
260<br />
A Bocci 21.21 chandelier<br />
comprising twenty one porcelain<br />
petal form pendants suspended<br />
from coaxial cable<br />
the pendants 20cm high<br />
$2,000–3,000<br />
261<br />
A cased glass vase by<br />
Omer Arbel for Bocci,<br />
Vancouver and Berlin<br />
the vase with a trapped wire<br />
mesh feature, edition number:<br />
OA84.2020.45<br />
13.5cm high<br />
$400–600<br />
257
73<br />
263<br />
A cased glass vase by<br />
Omer Arbel for Bocci,<br />
Vancouver and Berlin<br />
the vase with a trapped wire mesh<br />
feature, edition number OA84.2019.5<br />
12cm high<br />
$500–800<br />
264<br />
A large glass dome<br />
34.5cm diameter, 50cm high<br />
$100–200<br />
263<br />
262
74<br />
265<br />
A tub chair by Khai Liew,<br />
Australia<br />
with a linen seat cushion, signed and<br />
dated Khai Liew 2021 to base<br />
$3,000–5,000<br />
266<br />
A Vitra Spindle wall clock,<br />
originally designed by George<br />
Nelson, 1950s<br />
in brass coloured brushed<br />
aluminium and solid walnut, boxed,<br />
battery operated<br />
56.5cm diameter<br />
$200–300<br />
267<br />
A Vitra Sunflower wall clock,<br />
originally designed by George<br />
Nelson, 1950s<br />
in ebonised timber with brass<br />
indicators, battery operated<br />
75cm diameter<br />
$200–300<br />
268<br />
A Vitra Popsicle wall clock,<br />
originally designed by George<br />
Nelson, 1950s<br />
in walnut, boxed with original tags,<br />
battery operated<br />
35cm diameter<br />
$200–300<br />
265
75<br />
269<br />
A striking asymmetrical<br />
American oak sideboard by<br />
Khai Liew, Australia<br />
a long wedge shaped open ended<br />
box supported on slightly angled<br />
triangular legs, brand stamp for Khai<br />
Liew underside<br />
76cm high, 240cm wide, 55cm deep<br />
$6,000–8,000<br />
270<br />
A pair of hardwood bedside<br />
tables, by Khai Liew, Australia<br />
with overhanging surfaces, solid<br />
plank sides and fabric covered<br />
drawer faces, brand stamp of Khai<br />
Liew to underside of drawers<br />
52cm high, 50cm wide, 40cm deep<br />
$1,500–2,500<br />
269<br />
270
76<br />
271<br />
271<br />
A PP250 Valet Chair<br />
originally designed by Hans Wegner<br />
in 1953 for PP Mobler, Denmark<br />
in ash with a wenge seat,<br />
PP Mobler stamp underside<br />
94cm high<br />
$5,000–8,000<br />
271
77<br />
272<br />
A Chieftain Chair<br />
originally designed by Finn Juhl in 1949,<br />
House of Finn Juhl, Denmark<br />
in walnut with cognac red leather upholstery, trademark<br />
HFJ and brand stamp behind front rail<br />
with original Certificate of Authenticity swing tag<br />
93cm high, 101cm wide to edge of each elbow rest<br />
$8,000–12,000<br />
272
78<br />
273
79<br />
273<br />
A Mobler PP225 flag<br />
Halyard chair<br />
designed by Hans Wegner in<br />
1950 for PP Mobler, Denmark<br />
in steel with 240 metres of flag<br />
and a deep red leather headrest<br />
with strap supports, engraved PP<br />
to front steel bar and numbered<br />
28387, with original Certificate of<br />
Authenticity swing tag<br />
81cm high, 105cm wide<br />
$4,000–6,000<br />
274<br />
A PP502 Mobler Swivel chair<br />
originally designed by Hans Wegner<br />
in 1955 for PP Mobler, Denmark<br />
in ash, brushed steel, and deep<br />
red leather, with PP Mobler brand<br />
underside<br />
$5,000–8,000<br />
274
80<br />
275<br />
A Bang & Olufsen Beovision<br />
Eclipse 60 inch television<br />
with a light oakwood sound cover,<br />
and raised on a circular brushed steel<br />
base, with matching remote<br />
$3,000–5,000<br />
276<br />
A Bang & Olufsen contour<br />
48 inch television<br />
on an aluminium circular stand,<br />
with remote<br />
$2,000–3,000<br />
277<br />
A Samsung television<br />
on a tripod stand, with remote<br />
80cm (31 inches) diagonally<br />
$100–200<br />
275
81<br />
278<br />
A pair of Bang & Olufsen Boelab<br />
50 Beosund floor speakers<br />
in oak and aluminium<br />
103cm high<br />
$8,000–12,000<br />
279<br />
A large thick slab of verde<br />
antico marble<br />
the right angled slab with two<br />
irregular edges<br />
95 x 85cm (irregular), 7.5cm deep<br />
$600-800<br />
278
82<br />
280<br />
A Persian inspired green flat weave<br />
rug by Golran<br />
with varying tones surrounded by a vegetal<br />
border, hand tufted wool and cotton<br />
377 x 301cm<br />
$2,000–3,000<br />
280
83<br />
281<br />
A teal hand tufted wool rug designed<br />
by Beni Ourain for Halycon Lake<br />
irregular grey stripe pattern,<br />
part of the Moroccan collection<br />
344 x 275cm<br />
$3,000–5,000<br />
281
84<br />
282<br />
A Berkel Flywheel Heritage<br />
slicer with stand, Model B2<br />
Standard, Italy<br />
the stand on a pedestal base with<br />
lion's paw feet<br />
70 x 54 (irregular), slicer, 79cm high,<br />
55cm diameter (approx), stand<br />
$1,500–2,500<br />
283<br />
A large parquetry style<br />
chopping block or display plinth<br />
14cm high, 60cm diameter<br />
$200–300<br />
282
85<br />
284<br />
A Kees Van Der Westen<br />
Speedster stainless steel coffee<br />
machine<br />
on a commercial stainless steel<br />
wheeled bench<br />
the coffee machine 44cm wide<br />
the bench 92.5cm high, 138cm wide,<br />
60cm deep<br />
$4,000–6,000<br />
285<br />
A Panasonic Econavi microwave<br />
steam oven<br />
40cm high, 49cm wide, 42cm deep<br />
$200–300<br />
286<br />
A Vitamix Blender<br />
Ascent Series A3500i<br />
43.5cm high<br />
$300–500<br />
284
86<br />
287<br />
A set of four hardwood bar<br />
stools by Khai Liew, Australia<br />
the square back stools with 'L'<br />
shaped splats united by a brass<br />
clasp, the legs with box stretchers<br />
and side feature, upholstered in<br />
russet leather<br />
$2,000–3,000<br />
288<br />
A queen bed frame and<br />
headboard by Khai Liew,<br />
Australia, 2020<br />
with a custom panelled headboard<br />
with raised and recessed hardwood<br />
framed and fabric covered panels,<br />
signed 'with best wishes Khai Liew,<br />
2020', to lower back of headboard<br />
the headboard 96 x 185cm<br />
$4,000–6,000<br />
289<br />
A 'Losanges' wool flatweave rug<br />
by Ronan & Erwan Bouroullec<br />
for Nanimarquina<br />
of tonneau shape with a crenellated<br />
feature to the short ends<br />
415 x 300cm (variable)<br />
$4,000–6,000<br />
287
289<br />
87
88<br />
290<br />
290<br />
An overspill brass bowl by Omer<br />
Arbel for Bocci, fabricated in<br />
East Vancouver<br />
a unique piece of rough organic sand<br />
cast form made from recycled brass<br />
with a brightly polished central dish<br />
58cm wide (irregular)<br />
$2,000–3,000<br />
291<br />
A large collection of Bernadaud<br />
'Noel' porcelain tableware,<br />
France<br />
twelve boxes of festively patterned<br />
porcelain plates and platters,<br />
comprising approximately 40 pieces<br />
including bread and butter plates,<br />
salad and dinner plates, shallow soup<br />
bowls, a large salad bowl and one<br />
smaller, extra large service plates,<br />
and other<br />
the largest plates 31.5cm diameter<br />
$500–800<br />
292<br />
A bespoke naturalistic<br />
hardwood panel coffee table,<br />
'Oliver', by Khai Liew, Australia,<br />
2020<br />
the irregular top raised on legs united<br />
by angled hewn stretchers, with title,<br />
signature and date, 'Oliver' /Khai<br />
Liew, May 2020<br />
44cm high, 150cm wide,<br />
43cm deep (irregular)<br />
$4,000–6,000
89<br />
293<br />
A twelve person sterling silver<br />
flatware service in Martelé design,<br />
by Robbe & Berking, Germany<br />
each element marked with crown<br />
and crescent and stamped .925,<br />
knife blades in stainless steel<br />
the knives 24cm long,<br />
total weight 3.25kg<br />
$2,000–3,000<br />
293<br />
292
90<br />
294<br />
A BillStone watch winder<br />
for four watches, with touch screen<br />
control in a wood grain case,<br />
with charger<br />
29cm high, 25cm wide, 15cm deep<br />
$400–600<br />
295<br />
A bison hide rug<br />
256cm long, 220cm wide at the<br />
hindquarters<br />
$400–600<br />
296<br />
A silver curly fleece rug<br />
by Ivano Redaelli, Italy<br />
210 x 273cm<br />
$1,200–1,500<br />
294<br />
297<br />
A Halcyon Lake hand knotted<br />
multi-coloured wool rug<br />
in 'Vintage Boujard' design from the<br />
Moroccan Collection<br />
127 x 178cm<br />
$400–600<br />
298<br />
298<br />
A solid pale oak dovetail bench<br />
by Dinesen, Denmark<br />
45.5cm high, 304cm wide,<br />
44cm deep<br />
$1,500–2,500
91<br />
299<br />
299<br />
A Moroccan fleece rug,<br />
by Ivano Redaelli, Italy<br />
in fine white sheep fleece,<br />
with label attached<br />
250cm diameter approx.<br />
$1,200–1,500
92<br />
300<br />
A Halcyon Lake hand knotted pure<br />
wool rug in orange and cream<br />
an 'Atlas #12' design from the Moroccan<br />
collection<br />
256 x 350cm<br />
$2,000–3,000<br />
300
93<br />
301<br />
A 'Memories Topkaj Lapis'<br />
pattern flat weave rug by<br />
Isabella Sodi for Golran<br />
hand-knotted wool and silk in shades<br />
of teal, chartreuse and oatmeal<br />
388 x 305cm<br />
$4,000–6,000<br />
301
94<br />
302<br />
302<br />
A set of four white oak BRDR<br />
Kruger ARV dining chairs,<br />
Denmark<br />
with woven seats and backs,<br />
maker's brand underside<br />
$2,000–3,000<br />
303<br />
A slender teak tallboy<br />
by Great Dane<br />
the six drawer chest comprising four<br />
shallow drawers and two deeper<br />
drawers, raised on slender legs, with<br />
brass Great Dane label to top drawer<br />
103.5cm high, 60cm wide,<br />
35cm deep<br />
$800–1,200<br />
304<br />
Two Elba stone Semper<br />
planters by Two Volumes<br />
26cm high, 32cm diameter<br />
$800–1,200<br />
305<br />
A travertine-look Pila plinth<br />
pedestal, by EnGold<br />
in polished faux stone with a<br />
rough hewn base, label for EnGold<br />
near base<br />
91cm high, 30cm diameter<br />
$200–300
95<br />
306<br />
A PP503 Mobler Round Chair<br />
originally designed by Hans Wegner<br />
in 1949/1950 for PP Mobler, Denmark<br />
in ash, with PP Mobler stamp<br />
underside<br />
$2,500–3,500<br />
307<br />
A set of four PP68 dining chairs<br />
originally designed by Hans Wegner<br />
in 1987 for PP Mobler, Denmark<br />
with ash frames, with PP Mobler<br />
stamp to reverse of front stretcher<br />
$3,000–5,000<br />
306<br />
307
96<br />
308<br />
An 'Atticus' extension teak<br />
dining table by Lowe<br />
in American black walnut with angled<br />
square section legs and a finely<br />
chamfered profile to the edge<br />
74cm high, 220cm wide, 91cm deep<br />
$4,000–6,000<br />
309<br />
A Molteni & C clip queen bed<br />
with a grey fabric covered headboard<br />
and sides<br />
the headboard 74.5 x 190cm<br />
$3,000–5,000<br />
308
97<br />
310<br />
310<br />
A pair of Molteni & C 'When'<br />
two tier bedside tables,<br />
designed by Rodolfo Dordoni<br />
circular tables with a single drawer<br />
50cm high, 50cm diameter<br />
$1,000–1,500<br />
311<br />
A Vitra 'Flock of Butterflies'<br />
wall clock, designed by George<br />
Nelson, mid 20th century<br />
in aluminium and wood, battery<br />
operated, with Vitra Design Museum<br />
label verso<br />
61cm diameter<br />
$200–300<br />
312<br />
A large Vitra Turbine wall clock<br />
originally designed by George<br />
Nelson, 1950s<br />
in bronze toned aluminium, boxed,<br />
battery operated<br />
76cm diameter<br />
$200–300<br />
313<br />
Eighteen 'Tommy' crystal wine<br />
glasses, by Saint Louis, France<br />
comprising fourteen red wine<br />
or water glasses, three white<br />
wine glasses and a single<br />
champagne coupe<br />
the wine glasses 18cm high<br />
$500–800
98<br />
314<br />
A PaddleZone Hurricane<br />
Skimmer 106 kayak<br />
complete with a pair of Bay Sports<br />
paddles<br />
320cm long<br />
$200–400<br />
315<br />
An Orange Bay sports kayak<br />
with a pair of Riot paddles<br />
341cm long<br />
$400–600<br />
316<br />
A Thule car pod, Sweden<br />
a glossy black roof box<br />
180cm long<br />
$200–400<br />
317<br />
A Heatscope 'Pure' 3000<br />
2 infra red carbon heater,<br />
German made<br />
in original retail packaging<br />
103cm long<br />
$300–500<br />
318<br />
A McTavish Surfboard with<br />
McTavish travel bag<br />
inscribed 7' 10, 223, numbered 1139<br />
and signed, 'by McTavish'<br />
without fins<br />
240cm long<br />
$400–600<br />
319<br />
A McTavish custom made<br />
longboard with McTavish travel<br />
bag, Byron Bay Australia<br />
marked 9'0, 2274, 270, numbered<br />
C36875 and signed 'by McTavish',<br />
with fin<br />
270cm long<br />
$600–800<br />
314
99<br />
318<br />
319
100<br />
320<br />
A vintage industrial painted<br />
steel and glass display cabinet,<br />
early 20th century<br />
with a single half shelf and a lower<br />
drawer<br />
162cm high, 90cm wide, 38cm deep<br />
$1,500–2,500<br />
320
101<br />
321<br />
A Mercedes Benz Formula E<br />
Team eBike<br />
matte black aluminium frame,<br />
optimized for riders 165-200cm tall<br />
accessories include charger and<br />
charger instructions, tools, manual,<br />
instructions for C50 internal<br />
gear hubs<br />
$1,200–1,500<br />
321
102<br />
322
103<br />
322<br />
A Braaap ST250 Shadow Cafe<br />
Racer Bike<br />
$1,500–2,500<br />
323<br />
A brushed black coated steel<br />
'Cocoon' pedestal fireplace<br />
the portable fireplace with a non<br />
smoke producing bioethanol burner<br />
73cm high, 55cm diameter<br />
$800–1,200<br />
End of Sale<br />
322
104<br />
Terms & Conditions of Sale<br />
The Terms and Conditions of Sale listed here contain<br />
the policies of Gibson's Auctioneers & Valuers Pty<br />
Ltd (herein after referred to as "Gibson's"). They are<br />
the Terms on which Gibson's and the Seller contract<br />
with the Buyer. They may be amended by printed<br />
Saleroom Notices or oral announcements made<br />
before and during the Sale. By Bidding at Auction,<br />
you agree to be bound by these terms.<br />
1. Definitions<br />
The following conditions that are listed contain<br />
terms that are used regularly and have the following<br />
meanings:<br />
"Auction" means the event at which any Lot is<br />
offered for Sale by Gibson's.<br />
"Auctioneer" means the representative of Gibson's<br />
conducting the Auction.<br />
"Bid" / "Bidder" means the action of notifying the<br />
Auctioneer of the intention to purchase the Lot by<br />
the Prospective Buyer. The Bidder is any person or<br />
entity that makes this makes this action. Bidding is<br />
understood by both the Bidder and Gibson's to be<br />
contractually obliging.<br />
“Buyer” means the person with the highest Bid<br />
accepted by the Auctioneer.<br />
“Buyer's Premium” means the charge payable by<br />
the Buyer to the Auction house as a percentage of<br />
the Hammer Price.<br />
“Company” means Gibson’s Auctions Pty Ltd,<br />
trading as Gibson’s Auctions.<br />
“Forgery” means an item constituting an imitation<br />
originally conceived and executed with fraudulent<br />
intention to deceive as to authorship, origin, age,<br />
period, culture, provenance or source where the<br />
correct description as to such matters is not<br />
reflected by the description in the catalogue.<br />
Accordingly, no Lot shall be capable of being a<br />
forgery by reason of any damage or restoration work<br />
of any kind (including re-painting).<br />
“Hammer Price” means the amount of the highest<br />
Bid accepted by the Auctioneer in relation to a Lot.<br />
“Insured Value” means the amount that Gibson's<br />
in its absolute discretion from time to time shall<br />
consider the value for which a Lot should be covered<br />
for insurance (whether or not insurance is arranged<br />
by Gibson's).<br />
“Lot” means any item within the Sale for Auction<br />
and in particular the item or items described against<br />
any Lot number in the catalogue.<br />
"Prospective Buyer" means any person or entity<br />
with the intention of purchasing any Lot in the<br />
Auction.<br />
“Reserve” means the confidential lowest amount<br />
at which Gibson's has contractually agreed with the<br />
Seller that the Lot can be sold.<br />
"Sale" means any private treaty or Auction Sale at<br />
which a Lot is offered for Sale.<br />
“Seller” means (as appropriate) the owner, their<br />
agent, executors or personal representatives, or<br />
the person in possession of the property consigned<br />
for Auction. Multiple owners, agents or persons in<br />
possession shall jointly and severally assume all<br />
obligations, liabilities, representations, warranties<br />
and indemnities in relation to the Sale of the Lot.<br />
"Dollars" or "$" means Australian currency. All Bids,<br />
Hammer Price, Reserves, Buyer's Premium and<br />
other expressions of value are understood to be in<br />
Australian Dollars unless otherwise specified.<br />
2. Gibson’s Auctioneers<br />
& Valuers as Agent<br />
Except as otherwise stated Gibson's acts as agent<br />
for the Seller.<br />
The contract for the Sale of the property is therefore<br />
made between the Seller and the Buyer.<br />
3. Before the Sale<br />
A) EXAMINATION OF PROPERTY<br />
Prospective Buyers are strongly advised to examine<br />
in person any property in which they are interested<br />
before the Auction takes place. Neither Gibson's<br />
nor the Seller provides any guarantee in relation to<br />
the nature of the property apart from the Limited<br />
Warranty in the paragraph below. The property is<br />
otherwise sold “as is”.<br />
B) CATALOGUE AND OTHER DESCRIPTIONS<br />
All statements by Gibson's in the catalogue entry<br />
for the property or in the condition report, or made<br />
orally or in writing elsewhere, are statements of<br />
opinion and are not to be relied upon as statements<br />
of fact. Such statements do not constitute a<br />
representation, warranty or assumption of liability<br />
by Gibson's of any kind. References in the catalogue<br />
entry to the condition report, including damage<br />
or restoration are for guidance only and should be<br />
evaluated by personal inspection by the Bidder or<br />
a knowledgeable representative. The absence of<br />
such a reference does not imply that an item is free<br />
from defects or restoration, nor does a reference to<br />
particular defects imply the absence of any others.<br />
Estimates of the selling price should not be relied<br />
on as a statement that this is the price at which<br />
the item will sell or its value for any other purpose.<br />
Neither Gibson's nor the Seller is responsible for<br />
any errors or omissions in the catalogue or any<br />
supplemental material.<br />
Images are measured height by width. Illustrations<br />
are provided only as a guide and should not be relied<br />
upon as a true representation of colour or condition.<br />
Images are not shown at a standard scale. Mention<br />
is rarely made of frames (which may be provided as<br />
supplementary images on the website) which do<br />
not form part of the Lot as described in the printed<br />
catalogue.<br />
All transactions are in Australian Dollars so there<br />
may be a small exchange rate risk, for international<br />
Buyers. The costs associated with acquiring a goods<br />
certificate will be borne by the Buyer. If the item<br />
turns out to be a Forgery or otherwise incorrectly<br />
described, all reasonable costs will be borne by<br />
the Seller.<br />
C) BUYER'S RESPONSIBILITY<br />
All property is sold “as is” without representation<br />
or warranty of any kind by Gibson's or the Seller.<br />
Buyers are responsible for satisfying themselves<br />
concerning the condition of the property and the<br />
matters referred to in the catalogue by requesting a<br />
condition report.<br />
4. At the Sale<br />
A) REFUSAL OF ADMISSION<br />
Gibson's reserves the right at our complete<br />
discretion to refuse admission to the Auction<br />
premises or participation in any Auction and to<br />
reject any Bid.<br />
B) REGISTRATION BEFORE BIDDING<br />
Any new Prospective Buyer must complete and<br />
sign a registration form and provide photographic<br />
identification before Bidding. Gibson's may<br />
request bank, trade or other financial references to<br />
substantiate this registration.<br />
C) BIDDING AS A PRINCIPAL<br />
When making a Bid, a Bidder is accepting personal<br />
liability to pay the purchase price including the<br />
Buyer's Premium and all applicable taxes, plus<br />
all other applicable charges, unless it has been<br />
explicitly agreed in writing with Gibson's before<br />
the commencement of the Sale that the Bidder is<br />
acting as agent on behalf of an identified third party<br />
acceptable to Gibson's and that Gibson's will only<br />
look to the principal for payment.<br />
D) INTERNATIONAL REGISTRATIONS<br />
All international clients not known to Gibson's will<br />
be required to scan or fax through an accredited<br />
form of photo identification and pay a deposit at our<br />
discretion in cleared funds into Gibson's account<br />
at least 48 hours before the commencement of<br />
the Auction. Bids will not be accepted without<br />
this deposit. Gibson's also reserves the right to<br />
request any additional forms of identification prior<br />
to registering an overseas Bid. This deposit can be<br />
made using a credit card, however the balance of<br />
any purchase price in excess of $5,000 cannot be<br />
charged to this card without prior arrangement. This<br />
deposit is redeemable against any Auction purchase.<br />
E) ABSENTEE BIDS<br />
Gibson's will use reasonable efforts to execute<br />
written Bids delivered to us at least 24 hours prior<br />
to the Sale for the convenience of those clients<br />
who are unable to attend the Auction in person.<br />
If Gibson's receives identical written Bids on a<br />
particular Lot, and at the Auction these are the<br />
highest Bids on that Lot, then the Lot will be sold<br />
to the person whose written Bid was received and<br />
accepted first. Execution of written Bids is a free<br />
service undertaken subject to other commitments<br />
at the time of the Sale and we do not accept liability<br />
for failing to execute a written Bid or for errors<br />
or omissions which may arise. It is the Bidder’s<br />
responsibility to check with Gibson's after the<br />
Auction if they were successful. Unlimited or<br />
“Buy” Bids will not be accepted. Please refer to our<br />
indicative Bidding increments below for appropriate<br />
absentee Bid amounts (Section K).<br />
F) TELEPHONE BIDS<br />
Priority will be given to overseas and interstate<br />
Bidders. Arrangements for this service must be<br />
confirmed at least 24 hours prior to the Auction<br />
commencing. Gibson's accepts no responsibility<br />
whatsoever for any errors or failure to execute Bids.<br />
In telephone Bidding the Buyer agrees to be bound<br />
by all terms and conditions listed here and accepts<br />
that Gibson's cannot be held responsible for any<br />
miscommunications in the process. The success<br />
of telephone Bidding cannot be guaranteed due to<br />
circumstances that are unforeseen. Buyers should<br />
be aware of the risk and accept the consequences<br />
should contact be unsuccessful at the time of<br />
Auction. You must advise Gibson's of the Lots in<br />
question and recommend a ‘Cover Bid’ amount<br />
should there be any issues with technology or<br />
communication via the telephone number provided.<br />
Gibson's will advise Telephone Bidders who have<br />
registered at least 24 hours before the Auction of<br />
any relevant changes to descriptions, withdrawals or<br />
any other Sale room notices.<br />
G) ONLINE BIDDING<br />
Gibson's accepts no responsibility for any<br />
errors, failure to execute Bids or any other<br />
miscommunications regarding this process. It is the<br />
online Bidder’s responsibility to ensure the accuracy<br />
of the relevant information regarding Bids, Lot<br />
numbers and contact details.
105<br />
H) RESERVES<br />
Unless otherwise indicated, all Lots are offered<br />
subject to a Reserve, which is the confidential<br />
minimum price below which the Lot will not be<br />
sold. The Reserve will not exceed the low estimate<br />
printed in the catalogue. The Auctioneer may open<br />
the Bidding on any Lot below the Reserve by placing<br />
a Bid on behalf of the Seller. The Auctioneer may<br />
continue to Bid on behalf of Seller up to the amount<br />
of the Reserve, either by placing consecutive Bids or<br />
by placing Bids in response to other Bidders.<br />
I) AUCTIONEER'S DISCRETION<br />
The Auctioneer has the right at his absolute and<br />
sole discretion to refuse any Bid, to advance the<br />
Bidding in such a manner as he may decide, to<br />
withdraw or divide any Lot, to combine any two or<br />
more Lots and, in the case or error or dispute and<br />
whether during or after the Sale, to determine the<br />
successful Bidder, to continue the Bidding, to cancel<br />
the Sale or to re-offer and resell the item in dispute.<br />
In the event of a dispute, or the Auctioneer or the<br />
Company is of the opinion that there has been a<br />
misunderstanding or mistake regarding a Sale or a<br />
Lot the subject of a Sale, the Auctioneer may rescind<br />
the Sale and put any Lot up for a Second Auction. If<br />
a Sale is rescinded, the Company may put the Lot up<br />
at a second Auction, offer the Lot for sale by private<br />
treaty or withdraw the Lot from sale entirely.<br />
J) SUCCESSFUL BID AND PASSING OF RISK<br />
Subject to the Auctioneer’s discretion, on the<br />
acceptance of a Bid by the fall of the Auctioneer's<br />
hammer, a contract of sale is made between the<br />
Seller and the Buyer. Risk and responsibility for the<br />
Lot (including frames or glass where relevant) passes<br />
immediately to the Buyer. Gibson's shall not be liable<br />
for any breach of contract by either the Seller or<br />
the Buyer.<br />
K) INDICATIVE BIDDING STEPS, ETC.<br />
Gibson's reserves the right to refuse any Bid,<br />
withdraw any Lot from Sale, to place a Reserve on<br />
any Lot and to advance the Bidding according to<br />
the following:<br />
Increment Amount<br />
Dollar Range<br />
$20 $0–$500<br />
$50 $500–$1,000<br />
$100 $1,000–$2,000<br />
$200 $2,000–$5,000<br />
$500 $5,000–$10,000<br />
$1,000 $10,000–$20,000<br />
$2,000 $20,000–$50,000<br />
$5,000 $50,000–$100,000<br />
$10,000 $100,000–$200,000<br />
$20,000 $200,000–$500,000<br />
$50,000 $500,000–$1,000,000<br />
Absentee Bids must follow these increments and<br />
any Bids that don’t follow the steps will be rounded<br />
up to the nearest acceptable Bid.<br />
5. After the Sale<br />
A) BUYER'S PREMIUM<br />
In addition to the Hammer Price, the Buyer agrees<br />
to pay to Gibson's the Buyer's Premium. The Buyer's<br />
Premium is 22% of the Hammer Price plus GST.<br />
(Goods and Services Tax) where applicable.<br />
B) ONLINE SURCHARGE<br />
In the case where the Buyer purchases via online<br />
Bidding platforms, the Buyer agrees to pay the online<br />
Bidding surcharge of 2% (Gibsons.com.au) or 5%<br />
(Invaluable.com) plus GST, where applicable.<br />
C) PAYMENT AND PASSING OF TITLE<br />
The Buyer must pay the full amount due (comprising<br />
the Hammer Price, Buyer's Premium and any<br />
applicable taxes and GST) not later than three (3)<br />
days after the Auction date.<br />
The Buyer will not acquire title for the Lot until<br />
Gibson's receives full payment in cleared funds, and<br />
no goods under any circumstances will be released<br />
without confirmation of cleared funds received.<br />
This applies even if the Buyer wishes to send items<br />
interstate or overseas.<br />
Payment can be made by the following means:<br />
• Bank Transfer/Direct Deposit is our preferred<br />
method of payment<br />
Account Name: Gibson's Auctions<br />
Bank:<br />
Bank of Melbourne<br />
(A division of St George)<br />
BSB: 193879<br />
Account No: 441701443<br />
Swift Code: SGBLAU2S<br />
Routing Code: 021000021<br />
Bank Address: 197-201 Glenferrie Road,<br />
Malvern, Vic, 3144<br />
The Buyer is responsible for any bank fees and<br />
charges applicable for the transfer of funds into<br />
Gibson's account<br />
• Personal, Company and Bank Cheques are not<br />
accepted without prior approval.<br />
• EFTPOS (no charge)<br />
• Credit cards: Visa and Mastercard (1% incl GST<br />
merchant fee) and American Express (1.5% incl<br />
GST merchant fee)<br />
Please note that credit card transactions over<br />
$5,000 will not be accepted over the telephone<br />
unless by prior arrangement.<br />
• Cash up to AU$10,000 can accepted in<br />
cash. For any amount over this, cash is to be<br />
deposited directly into our account at a Bank of<br />
Melbourne/St George branch<br />
D) COLLECTION OF PURCHASES & INSURANCE<br />
Gibson's is entitled to retain items sold until all<br />
amounts due to us have been received in full in good<br />
cleared funds. Subject to this, the Buyer shall collect<br />
purchased Lots within three (3) days from the date of<br />
the Sale unless otherwise agreed in writing between<br />
Gibson's and the Buyer.<br />
At the fall of the hammer, insurance is the<br />
responsibility of the purchaser.<br />
E) PACKING, HANDLING AND SHIPPING<br />
At the request of the Buyer, Gibson's may assist with<br />
packing of goods but takes no responsibility for loss,<br />
damage or breakage that may occur. Gibson's at<br />
the request of the Buyer may arrange for a carrier,<br />
packer or shipper to have the property packed,<br />
insured and shipped at the Buyer’s expense. All<br />
packing, shipping, insurance, postage & associated<br />
charges will be borne by the purchaser. Gibson's can<br />
assist with removal companies that the Buyer can<br />
use but takes no responsibility whatsoever for the<br />
actions of any recommended third party.<br />
F) CULTURAL HERITAGE EXPORT LICENCES<br />
Unless otherwise agreed by Gibson's in writing, the<br />
fact that the Buyer wishes to apply for an export<br />
licence does not affect their obligation to make full<br />
payment immediately, nor Gibson's right to charge<br />
interest or storage charges on late payment. It is<br />
the responsibility of the Buyer to check Australia’s<br />
Protection of Moveable Cultural Heritage Act<br />
1986 prior to purchase. Export/import licences<br />
applications are the responsibility of the Buyer and/<br />
or the Buyer's nominated shipper. Gibson's shall<br />
not be obliged to rescind a Sale nor to refund any<br />
expenses incurred by the Buyer in circumstances<br />
where an export licence is not granted.<br />
G) REMEDIES FOR NON-PAYMENT<br />
If the Buyer fails to make full payment immediately,<br />
Gibson's is entitled to exercise one or more of the<br />
following rights or remedies (in addition to asserting<br />
any other rights or remedies available under the law)<br />
i) to charge interest at the ANZ visa credit card<br />
rate as published weekly in the Australian<br />
Financial Review;<br />
ii)<br />
iii)<br />
iv)<br />
to hold the defaulting Buyer liable for the<br />
total amount due and to commence legal<br />
proceedings for its recovery along with interest,<br />
legal fees and costs to the fullest extent<br />
permitted under applicable law;<br />
to cancel the Sale;<br />
to resell the property publicly or privately on<br />
such terms as the Company sees fit;<br />
v) to pay the Seller an amount up to the net<br />
proceeds payable in respect of the amount Bid<br />
by the defaulting Buyer. In these circumstances<br />
the defaulting Buyer can have no claim upon<br />
Gibson's in the event that the Lot(s) are sold for<br />
an amount greater than the original invoiced<br />
amount;<br />
vi)<br />
to offset against any amounts which<br />
Gibson's may owe the Buyer across any other<br />
transactions;<br />
viii) to reject at any future Auction any Bids made by<br />
or on behalf of the Buyer or to obtain a deposit<br />
from the Buyer prior to accepting any Bids;<br />
ix)<br />
to exercise all the rights and remedies of a<br />
person holding security over any property in<br />
our possession owned by the Buyer whether by<br />
way of pledge, security interest or in any other<br />
way, to the fullest extent permitted by the law<br />
of the place where such property is located.<br />
The Buyer will be deemed to have been granted<br />
such security to us and we may retain such<br />
property as collateral security for such Buyer’s<br />
obligations to the Company;<br />
x) to take such other action as the Company<br />
deems necessary or appropriate.<br />
H) FAILURE TO COLLECT PURCHASES<br />
Where purchases are not collected within three (3)<br />
days from the Sale date, whether or not payment has<br />
been made, the Company shall be permitted to:<br />
i) remove, store and further insure the Lot at the<br />
expense of the Buyer, releasing only after full<br />
payment has been received from the Buyer for<br />
incurred costs;<br />
ii)<br />
iii)<br />
re-sell the Lot without Reserve by Auction,<br />
private treaty or any other means whereby the<br />
Buyer agrees not to challenge the resale price<br />
achieved.<br />
rescind the Sale of that Lot or any other Lot sold<br />
by the Seller to the Buyer at the same or any<br />
other Auction.<br />
If Gibson's do re-sell the property under clauses H<br />
and G, the defaulting Buyer agrees to be liable for<br />
all payments of any deficiency between the total<br />
amount originally due and the price obtained, as well<br />
as the legal as all costs, expenses, damages, legal<br />
fees, commissions and premiums of whatever kinds<br />
associated with both Sales or otherwise arising from<br />
the default.<br />
6. Extent of Gibson's Liability<br />
Gibson's agrees to refund the purchase price in the<br />
circumstances of the Limited Warranty set out in<br />
paragraph 7. Apart from that, neither the Seller nor<br />
the Company, nor any of the Company’s employees<br />
or agents are responsible for the correctness of any<br />
statement of whatever kind concerning any Lot,<br />
whether written or oral, nor for any other errors or<br />
omissions in description or for any faults or defects<br />
in any Lots. Except as stated in paragraph 7 below,<br />
neither the Seller, the Company, its officers, agents<br />
or employees give any representation warranty<br />
or guarantee or assume any liability of any kind in
106<br />
respect of any Lot with regard to merchantability,<br />
fitness for a particular purpose, description, size,<br />
quality, condition, attribution, authenticity, rarity,<br />
importance, medium, provenance, exhibition history,<br />
literature or historical relevance. Except as required<br />
by local law any warranty of any kind is excluded by<br />
this paragraph.<br />
7. Limited Warranty<br />
Subject to the terms and conditions of this<br />
paragraph, the warrants for the period of fourteen<br />
(14) days from the date of the Sale that any property<br />
described in this catalogue (noting such description<br />
may be amended by any Saleroom notice or<br />
announcement) which is stated without qualification<br />
to be the work of a named author or authorship is<br />
authentic and not a forgery. The term “Author” or<br />
“Authorship” refers to the creator of the property or<br />
to the period, culture, source, or origin as the case<br />
may be, with which the creation of such property is<br />
identified in the catalogue.<br />
The warranty is subject to the following:<br />
i) it does not apply where a) the catalogue<br />
description or Saleroom notice corresponded<br />
to the generally accepted opinion of scholars<br />
and experts at the date of the Sale or fairly<br />
indicated that there was a conflict of opinions,<br />
or b) correct identification of a Lot can be<br />
demonstrated only by means of a scientific<br />
process not generally accepted for use until<br />
after publication of the catalogue or a process<br />
which at the date of the publication of the<br />
catalogue was unreasonably expensive or<br />
impractical or likely to have caused damage to<br />
the property.<br />
ii)<br />
iii)<br />
iv)<br />
the benefits of the warranty are not assignable<br />
and shall apply only to the original Buyer of the<br />
Lot as shown on the invoice originally issued by<br />
Gibson's when the Lot was sold at Auction.<br />
the original Buyer must have remained the<br />
owner of the Lot without disposing of any<br />
interest in it to any third party<br />
The Buyer’s sole and exclusive remedy against<br />
the Seller in place of any other remedy which<br />
might be available, is the cancellation of the<br />
Sale and the refund of the original purchase<br />
price paid for the Lot less the Buyer's Premium<br />
which is non-refundable. Neither the Seller nor<br />
Gibson's will be liable for any special, incidental<br />
nor consequential damages including, without<br />
limitation, loss of profits not for interest.<br />
v) The Buyer must give written notice of claim<br />
to us within fourteen (14) days of the date of<br />
the Auction. The Seller shall have the right, to<br />
require the Buyer to obtain two written opinions<br />
by recognised experts in the field, mutually<br />
acceptable to the Buyer and Gibson's to decide<br />
whether to cancel the Sale under warranty.<br />
vi)<br />
the Buyer must return the Lot to Seller in the<br />
same condition that it was purchased.<br />
8. Severability<br />
If any part of these Conditions of Sale is found by any<br />
court to be invalid, illegal or unenforceable, that part<br />
shall be discounted and the rest of the Conditions<br />
shall continue to be valid to the fullest extent<br />
permitted by law.<br />
9. Copyright<br />
The copyright of all images, illustrations and written<br />
material produced by Gibson's relating to a Lot<br />
including the contents of this catalogue, is and shall<br />
remain the property at all times of Gibson's and shall<br />
not be used by the Buyer, nor by anyone else without<br />
our prior written consent. Gibson's and the Seller<br />
make no representation or warranty that the Buyer<br />
of a property will acquire any copyright or other<br />
reproduction rights in it.<br />
10. Law and Jurisdiction<br />
These terms and conditions and any matters<br />
concerned with the foregoing fall within the exclusive<br />
jurisdiction of the courts of the state in which the<br />
Auction is held.<br />
11. Pre-Sale Estimates<br />
Gibson's publishes with each catalogue our opinion<br />
as to the estimated price range for each Lot. These<br />
estimates are approximate prices only and are not<br />
intended to be definitive. They are prepared well in<br />
advance of the Sale and may be subject to revision.<br />
Interested parties should contact Gibson's prior to<br />
Auction for updated pre-Sale estimates and starting<br />
prices.<br />
12. Sale results<br />
After the Sale, Gibson's may publish (both verbally<br />
and in writing) the results of Sale at our discretion,<br />
including the prices achieved for specific Lots.<br />
Unless otherwise discussed with the Buyer, details of<br />
individual Buyers will remain confidential.<br />
13. Goods and Service Tax<br />
In accordance with A New Tax System (Goods<br />
and Services Tax) Act 1999, Gibson's Auctions will<br />
collect on behalf of the Australian Tax Office (ATO) a<br />
Goods and Service Tax (GST) of 10% on all applicable<br />
transactions.<br />
GST is applicable on the Hammer Price in the case<br />
where the Seller is selling property that is owned by<br />
an entity registered for GST. GST is also applicable<br />
on the Hammer Price in the case where the Seller is<br />
not an Australian resident. These Lots are denoted<br />
by a dagger symbol (†) placed next to the estimate.<br />
GST is also applicable on the Buyer's Premium.<br />
Overseas Buyers and non-resident Buyers in<br />
Australia will not be charged GST on both Hammer<br />
Price and Premiums under the following conditions:<br />
1. The items are exported through a Gibson's<br />
approved freight company including Australia<br />
Post<br />
2. The items are exported within 60 days of the<br />
date of the Sale<br />
The invoice supplied by Gibson's for purchases will<br />
be regarded as a Tax invoice for GST purposes.<br />
14. Resale Royalty Scheme<br />
Under the legal obligations of the Resale Royalty<br />
Scheme for Visual Artists Act 2009, Sellers must<br />
provide the following information to comply with<br />
the act:<br />
• was the artwork acquired after 8 June 2010?<br />
• is the Sale/Reserve price (including GST)<br />
$1,000 or more?<br />
• is the artist from Australia or a country listed in<br />
the Regulations to the Act?<br />
• is the artist alive, or deceased less than 70 years?<br />
The Seller:<br />
i) acknowledges that he or she understands his or<br />
her legal obligations under the Resale Royalty<br />
for Visual Artists Act 2009 (the Act);<br />
ii)<br />
iii)<br />
iv)<br />
undertakes to comply with all requirements of<br />
the Act, including by providing its agent, the<br />
company, with accurate information sufficient<br />
for compliance with sections 28 and 29 of the<br />
Act;<br />
undertakes to indemnify the Company for any<br />
loss incurred by the Company as a result of<br />
the Vendor’s failure to comply with any of the<br />
Vendor’s legal obligations under the Act; and<br />
acknowledges that if he or she fails to comply<br />
with any of his or her legal obligations under<br />
the Act, the company may provide the vendor’s<br />
name and contact details to Copyright Agency<br />
Limited (CAL).<br />
Lots subject to payment of the Resale Royalty<br />
Scheme will be denoted by the symbol §. The<br />
Australian Resale Royalty is a flat rate of 5% on<br />
the Hammer Price (including GST). The Australian<br />
Resale Royalty is payable by the Seller in addition to<br />
the Buyer's Premium plus any applicable GST.<br />
15. Jewels & Watches<br />
GEMSTONES<br />
Gemstones have historically been subjected to a<br />
variety of treatments to enhance their appearance.<br />
Sapphire and rubies are routinely heat treated to<br />
improve their colour and clarity, similarly emeralds<br />
are frequently treated with oils or resin for the<br />
same purpose. Other treatments such as staining<br />
or dyeing, irradiation, filling or coating may have<br />
been used on other precious and semi-precious<br />
gemstones and organic material. These treatments<br />
may be permanent, whilst others may need special<br />
care to reserve their appearance. Buyers should<br />
assume that each Lot has been subject to some<br />
form of treatment and that the estimates reflect this.<br />
A number of laboratories issue certificates that give<br />
detailed descriptions of gemstones, and in the event<br />
that Gibson's has been supplied with or obtained<br />
certificates for any Lot, this shall be noted in the<br />
catalogue. However, as there may not be consensus<br />
between different laboratories on the degree, or<br />
types of treatment of the gemstones, Gibson's<br />
supplies these without warranty.<br />
Buyers should assume that all gemstones sold<br />
by Gibson's may have been subjected to such<br />
treatments, and that the catalogue estimates<br />
reflect this.<br />
PEARLS<br />
Pearls, like gemstones, are also subject to various<br />
treatments. Buyers should assume that any pearls<br />
sold by Gibson's may have been subjected to such<br />
treatments, and that the catalogue estimates<br />
reflect this.<br />
WATCHES<br />
Please note: All watches sold by Gibson's are sold on<br />
an “as is” basis. Gibson's makes no representation<br />
or warranty that any watch is in working order. Many<br />
watches have been repaired over their lifetime and<br />
may contain non-original parts. The absence of any<br />
reference to the condition of a watch does not imply<br />
that the Lot is in good condition and without defects,<br />
repairs or restorations. Buyers should be aware that<br />
a general service, change of battery or further repair<br />
work, for which the Buyer is solely responsible for,<br />
may be necessary.<br />
ESTIMATED WEIGHTS<br />
If a stone has a known weight, it has been weighed<br />
out of the mount. If a stone has an estimated weight,<br />
it is an approximate weight only and has been<br />
measured by us in the mount and is a statement of<br />
opinion only. The information is given as a guide only<br />
and Buyers should satisfy themselves with regard to<br />
this information as to its accuracy.
Lot 289