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This portrayal of courtship as a highstakes

performance reflected the bold

new mores of the Culture of Personality.

Under the restrictive (in some cases

repressive) social codes of the Culture

of Character, both genders displayed

some reserve when it came to the mating

dance. Women who were too loud

or made inappropriate eye contact with

strangers were considered brazen.

Upper-class women had more license to

speak than did their lower-class counterparts,

and indeed were judged partly

on their talent for witty repartee, but

even they were advised to display

blushes and downcast eyes. They were

warned by conduct manuals that “the

coldest reserve” was “more admirable

in a woman a man wishe[d] to make

his wife than the least approach to undue

familiarity.” Men could adopt a

quiet demeanor that implied self-

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