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farther along the longitudinal timeline

than Kagan had.

He demonstrates his research by allowing

me to act as if I were one of his

subjects, albeit not inside the fMRI

scanner. As I sit at a desk, a computer

monitor flashes photos at me, one after

another, each showing an unfamiliar

face: disembodied black-and-white

heads floating against a dark background.

I think I can feel my pulse

quicken as the photos start coming at

me faster and faster. I also notice that

Schwartz has slipped in some repeats

and that I feel more relaxed as the faces

start to look familiar. I describe my reactions

to Schwartz, who nods. The

slide show is designed, he says, to mimic

an environment that corresponds to

the sense that high-reactive people get

when they walk into a crowded room of

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