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Untitled - CSUN ScholarWorks - California State University, Northridge

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46<br />

eight hours, then I leave.<br />

Every afternoon I disappear into Union Station along<br />

with hundreds of other people. I sit on the train and stare<br />

into a book, more spaces between words. My expression is<br />

fixed. Sometimes I fall asleep and dream. I sit for forty-two<br />

minutes, and get off when my station is called.<br />

I have little to do with the man with the wild hair. So<br />

why do I think about him so much?<br />

Passing of El Pueblo<br />

By 1870, killings and general rowdiness in the place<br />

called Sonoratown caused city growth to shift southward<br />

from the plaza. Don Vicente Lugo, famous for his<br />

horsemanship and ownership of the sprawling Rancho San<br />

Antonio, joined fellow pobladores in the Campo Santa<br />

cemetery at the end of Eternity Street.<br />

They turned from people to streets. Don Francisco<br />

Sepulveda. Augustin Olvera. Julian Chavez. Maria Ygnacia<br />

Alvarado. Jose Vincente Feliz. From living to dead. The<br />

stagecoaches that took passengers from Pico House to<br />

Mission San Gabriel stopped coming. The city grew. Time<br />

went on. People forgot.<br />

There are pictures in history books that show the same<br />

hills that are now covered with houses, the same fields of<br />

waving grass that became freeways. There are plenty of<br />

pictures of the plaza and Pico House and the Avila adobe.<br />

The man with the wild hair is not in any of them.<br />

Gone<br />

The thing I feared most has come to pass. I walk<br />

through the plaza and the man with the wild hair is gone.<br />

Perhaps I have just missed him, I think. But the next<br />

morning he is still gone. His absence is more palpable than<br />

his presence. His hair is wilder, the expression on his face<br />

more intense. He is not sitting in one place on the worn<br />

brick, but everywhere, looking out the window of Pico<br />

House, ringing the bell in the old church. I imagine he's<br />

done it, gone back to become a vaquero, riding a horse the<br />

king brought directly from Spain, sitting on a saddle<br />

dripping in white silver.<br />

I imagine such a thing is possible, in a place ringed<br />

with history, a place where the past and present merge.

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