Untitled - CSUN ScholarWorks - California State University, Northridge
Untitled - CSUN ScholarWorks - California State University, Northridge
Untitled - CSUN ScholarWorks - California State University, Northridge
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
46<br />
eight hours, then I leave.<br />
Every afternoon I disappear into Union Station along<br />
with hundreds of other people. I sit on the train and stare<br />
into a book, more spaces between words. My expression is<br />
fixed. Sometimes I fall asleep and dream. I sit for forty-two<br />
minutes, and get off when my station is called.<br />
I have little to do with the man with the wild hair. So<br />
why do I think about him so much?<br />
Passing of El Pueblo<br />
By 1870, killings and general rowdiness in the place<br />
called Sonoratown caused city growth to shift southward<br />
from the plaza. Don Vicente Lugo, famous for his<br />
horsemanship and ownership of the sprawling Rancho San<br />
Antonio, joined fellow pobladores in the Campo Santa<br />
cemetery at the end of Eternity Street.<br />
They turned from people to streets. Don Francisco<br />
Sepulveda. Augustin Olvera. Julian Chavez. Maria Ygnacia<br />
Alvarado. Jose Vincente Feliz. From living to dead. The<br />
stagecoaches that took passengers from Pico House to<br />
Mission San Gabriel stopped coming. The city grew. Time<br />
went on. People forgot.<br />
There are pictures in history books that show the same<br />
hills that are now covered with houses, the same fields of<br />
waving grass that became freeways. There are plenty of<br />
pictures of the plaza and Pico House and the Avila adobe.<br />
The man with the wild hair is not in any of them.<br />
Gone<br />
The thing I feared most has come to pass. I walk<br />
through the plaza and the man with the wild hair is gone.<br />
Perhaps I have just missed him, I think. But the next<br />
morning he is still gone. His absence is more palpable than<br />
his presence. His hair is wilder, the expression on his face<br />
more intense. He is not sitting in one place on the worn<br />
brick, but everywhere, looking out the window of Pico<br />
House, ringing the bell in the old church. I imagine he's<br />
done it, gone back to become a vaquero, riding a horse the<br />
king brought directly from Spain, sitting on a saddle<br />
dripping in white silver.<br />
I imagine such a thing is possible, in a place ringed<br />
with history, a place where the past and present merge.