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Horizon - Issue 01

The Horizon Magazine is an artistic and literary journal that blends mediums of poetry, prose, art, and photography into a magazine that strives to make its form as beautiful as the content it contains. Print editions of the magazine can be ordered free of charge here: https://thehorizonmagazine.company.site/ If you wish to support the magazine, please check out our Patreon! https://www.patreon.com/TheHorizonMagazine https://linktr.ee/TheHorizonMagazine

The Horizon Magazine is an artistic and literary journal that blends mediums of poetry, prose, art, and photography into a magazine that strives to make its form as beautiful as the content it contains.

Print editions of the magazine can be ordered free of charge here: https://thehorizonmagazine.company.site/

If you wish to support the magazine, please check out our Patreon! https://www.patreon.com/TheHorizonMagazine

https://linktr.ee/TheHorizonMagazine

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In writings of culture, cooking always

holds eminence. The seminal anthro

pologist Claude Levi-Strauss

situated his grand theory of culture

in the everyday rituals of cooking.

The latter, he argued, afforded

hu mans with the unique ability to

trans form nature using stones, fire,

pots and pans; the artefacts of a

cul ture, be stowing humans with the

characteristics to trans form nature

to culture - and achieve what is

argu ably the biggest distinguisher

be tween human and non-human

animals. How ever, I like to think of

cooking as just as seminal but somewhat

less wrapped up in binaries

around nature and culture, nor the

answer to the ubiquity of human

culture located in my favourite Le

Creuset pot. But rather cook ing as

a form of often over looked praxis.

‘Praxis’ is a practice or custom translated

into action; the prac tical

application of a branch of learn ing

or the ory. In Marx ian philosophy, it

is the notion that we must interpret

the world to change it, crucially this

transform ation of subjectivity is first

and foremost through practice and

human action. Although language is

pivotal to such a process, ideological

road-blocks run rife when trying to

imagine alternative subjectivities with

words alone. The linguist Saussure

expli cates this describing language

as communication which cannot

con vey truth, but is rather a signifier

for that which the speaker chooses

to signify. This signification is drawn

in the form of historic con cepts

belong ing to a larger project of

colon isation, capitalist expansion

and op pression. Cooking is by nature

a practice, imbuing it with the ability

to shift subjectivity, feeding and

nurturing alternative ways of doing

or feeling.

Cooking is a movement of creation

rooted in everyday action. In other

words, cooking is praxis. It is magic

which creates and sustains us, which

transforms the inedible to the delicious.

Crusts of (much fretted over)

sourdough dipped in Zatar and olive

oil taught me that friendship and sex

can be many different things which

are ultimately more complex and

satis fying. Even if they were only

crusts, they taught me that my grief

was not for an other person, but

for myself and all the love that had

been poured into the places which

could not con tain it. Food helped me

learn that honesty, commu nication

and con nection can be found in

the relationships which are least

obvious.

Cooking as Praxis

[31]

Genevieve England

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