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Magzoid Magazine - Luxury Magazine in the Creative Space | Feb 2023

We are thrilled to invite you to delve into the February 2023 edition of Magzoid Magazine! Our cover features a magnificent creation by the talented artist Elli Milan, a prominent figure in the current Art Renaissance. Our pages are brimming with works from artists such as Alessandra Roccasalva, Tereza Barnard, Victor Mabet, Vratislav Pecka, Suvigya Sharma, Matteo Zoccheddu, and many more, all showcased in sections like "Inspire & Empower," "Artists in Focus," and "Digital Artist." Our event coverage section shines a light on two remarkable art events: the Imaginarium Art Exhibition and Competition and Ekta’23, a celebration of Indian Republic Day through art.

We are thrilled to invite you to delve into the February 2023 edition of Magzoid Magazine! Our cover features a magnificent creation by the talented artist Elli Milan, a prominent figure in the current Art Renaissance. Our pages are brimming with works from artists such as Alessandra Roccasalva, Tereza Barnard, Victor Mabet, Vratislav Pecka, Suvigya Sharma, Matteo Zoccheddu, and many more, all showcased in sections like "Inspire & Empower," "Artists in Focus," and "Digital Artist."
Our event coverage section shines a light on two remarkable art events: the Imaginarium Art Exhibition and Competition and Ekta’23, a celebration of Indian Republic Day through art.

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Art that aims at depict<strong>in</strong>g<br />

<strong>the</strong> <strong>in</strong>ner soul and deep<br />

feel<strong>in</strong>g <strong>in</strong> humanity that is<br />

not easy to express us<strong>in</strong>g<br />

words<br />

“Hyper-realistic draw<strong>in</strong>gs seduce <strong>the</strong> viewer <strong>in</strong>to a<br />

world of ongo<strong>in</strong>g equilibrium and <strong>the</strong> <strong>in</strong>terval that<br />

articulates <strong>the</strong> stream of daily events” says Ramadhan<br />

Hamisi.<br />

- Exclusive to <strong>Magzoid</strong><br />

Ramadhan Hamisi, a Tanzanian artist<br />

who was born <strong>in</strong> 1990, is well known<br />

for his <strong>in</strong>credibly lifelike portraits of<br />

both people and animals. Ramadhan<br />

takes a conceptual approach and welcomes<br />

<strong>the</strong> visitor <strong>in</strong>to a cont<strong>in</strong>uous state of equilibrium<br />

and <strong>the</strong> space that articulates <strong>the</strong> flow of daily<br />

happen<strong>in</strong>gs. He first drew when he was six<br />

years old. Pencils and paper, along with what<br />

he could afford, served as his start<strong>in</strong>g po<strong>in</strong>t for<br />

forg<strong>in</strong>g his new artistic identity. Ramadhan won<br />

various events while <strong>in</strong> primary and secondary<br />

school as evidence of it.<br />

Ramadhan attended Kenyatta University<br />

to study f<strong>in</strong>ance and economics. He studied<br />

economics, but his artwork was always excellent.<br />

He didn’t want to study pa<strong>in</strong>t<strong>in</strong>g s<strong>in</strong>ce he thought<br />

it would be bor<strong>in</strong>g if he took it too seriously. He<br />

regarded pa<strong>in</strong>t<strong>in</strong>g as a pastime and wanted<br />

it to stay that way. He made an effort to leave<br />

this artistic path, but he couldn’t help but feel<br />

lured back to art.<br />

He decided to devote his attention to his<br />

artwork and advance his profession as an<br />

artist shortly after graduat<strong>in</strong>g from university<br />

and start<strong>in</strong>g to teach at a t<strong>in</strong>y college called<br />

Sketchmasta Art <strong>in</strong> 2016. He held his first solo<br />

exhibition <strong>in</strong> 2019 named SELF ESTEEM at<br />

Knext Art Gallery <strong>in</strong> Cape Town, South Africa.<br />

The pandemic enabled his work to spread,<br />

for he prefers to work <strong>in</strong> <strong>the</strong> peace of his studio.<br />

This was an opportunity for him to pause and<br />

concentrate on his growth as a self-taught artist.<br />

Ramadhan has been actively work<strong>in</strong>g on his<br />

series of large-format Charcoal draw<strong>in</strong>gs for<br />

<strong>the</strong> past few years. In 2022, he had a group<br />

exhibition at Pen Project <strong>in</strong> Miami, followed by a<br />

solo exhibition at Galerie Felix Holler <strong>in</strong> Austria.<br />

In his art, charcoal is primarily used. He<br />

adores <strong>the</strong> look and feel that it generates. Before<br />

beg<strong>in</strong>n<strong>in</strong>g <strong>the</strong> actual artwork, he develops a<br />

His draw<strong>in</strong>gs directly<br />

respond to <strong>the</strong> surround<strong>in</strong>g<br />

environment and use<br />

everyday experiences from<br />

<strong>the</strong> artist as a start<strong>in</strong>g<br />

po<strong>in</strong>t.<br />

certa<strong>in</strong> idea. He searches for a model and<br />

snaps pictures to br<strong>in</strong>g <strong>the</strong> idea to life. Near<br />

pals make up <strong>the</strong> majority of his muses. He<br />

is highly familiar with <strong>the</strong>m and is aware of<br />

<strong>the</strong>ir weakness. To show people <strong>the</strong> soul of<br />

his muse, he must use his <strong>in</strong>struments as he<br />

works on <strong>the</strong> actual artwork because he cannot<br />

capture that with a camera.<br />

He creates draw<strong>in</strong>gs that emanate cold and<br />

latent anger us<strong>in</strong>g graphite, charcoal, and<br />

pastel. There are times when unsettl<strong>in</strong>g beauty<br />

appears. He uses time-consum<strong>in</strong>g techniques<br />

to produce his black-and-white artwork. His<br />

work strives to capture <strong>the</strong> underly<strong>in</strong>g spirit and<br />

profound human emotion that are difficult to put<br />

through words. His artwork directly responds to<br />

its surround<strong>in</strong>gs and draws <strong>in</strong>spiration from <strong>the</strong><br />

artist’s daily experiences. These are frequently<br />

framed examples that would be overlooked<br />

<strong>in</strong> <strong>the</strong>ir orig<strong>in</strong>al context.<br />

Ramadhan Hamisi resides and works <strong>in</strong><br />

Nairobi, Kenya, at <strong>the</strong> moment.<br />

-feature@magzoid.com<br />

www.magzoid.com <strong>Feb</strong>ruary <strong>2023</strong><br />

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