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Windward Review Volume 19 (2021): Empathy and Entropy

"Empathy and Entropy" is the 2021 theme of WR creative journal, a not-for-profit publication based out of Texas A&M U.-Corpus Christi. Empathy and Entropy is a collection of voices, art, and statements that all cohere into a complex narrative. Read, view, and appreciate how visual artists and multi-genre writers build up the story of 2021 - or should I say 'a story of 2021'? You, the reader, are invited to have your own interpretation of 2021, empathy and entropy, and the meanings of these terms.

"Empathy and Entropy" is the 2021 theme of WR creative journal, a not-for-profit publication based out of Texas A&M U.-Corpus Christi. Empathy and Entropy is a collection of voices, art, and statements that all cohere into a complex narrative. Read, view, and appreciate how visual artists and multi-genre writers build up the story of 2021 - or should I say 'a story of 2021'? You, the reader, are invited to have your own interpretation of 2021, empathy and entropy, and the meanings of these terms.

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REPORTER

When I flew in, you could uh, you couldn’t see the ground.

CHILD

This is my first trip up here, to see the farm, to see my dad

-

The lights turn the dusky orange of the background, and the stage becomes

painfully bright, almost blinding. The cello becomes frantic. The noise becomes

almost too much to bear. Everyone is obscured, then it all goes black.

There is silence for a moment, then all onstage begin a slow inhale, gaining

volume and power in a crescendo.

FIREFIGHTER and CHILD

Where do the stories go?

-

There is a sharp exhalation of breath, and with it comes light on FATHER, still

standing before his chair

FATHER

I think we lost everything. We barely made it out. Jesus Christ, I could feel

the heat from my bedroom, All we had time to grab was a suitcase of clothes

and the dog and we just ran. No matter how far we drove in any direction, it

was still there. We could have gotten out sooner, it’s-it’s my fault we didn’t.

I told my family to stay cause I heard looters were clearing out evacuated

houses, and that wasn’t going to be my home, you know? Least not if I’ve got

something to say about it. We’ve been through fires before, and the damn

governor orders evacuations every time. Evacuate my ass, I decide where I go.

If I’m going to abandoned everything I’ve worked my whole life for, I’ll decide,

not the government. But I’ve never seen anything like this. I looked outside

and my heart dropped into my shoes. I could barely think. All I could do was

keep my eyes forward and move, cause if I stopped… I didn’t know if I could

move again. It isn’t- It’s not normal. When all you can see is smoke and fire,

your mind empties out. There’s a pit in your chest. It’s primeval, instinctual.

Driving through it felt like hell on earth. And with the whole goddamn state

on fire, there was no way to outrun it. There was nowhere for us to go. We just

had to keep driving. My wife tried to comfort my daughter, but what do you

even say? After about an hour or so I saw this boathouse on a little lake, and

I pulled up to it. I figured if it’s over water, it’ll be harder for the fire to get to

us. And maybe we can wait it out. We can just wait till it’s safe then drive out.

I’m so worried about my family, my daughter. I just don’t know what else to

do. How do you fight something like this? All I can see around us is fire. I can’t

even see the sky. I’m supposed to keep my family safe. What the hell am I

going to tell my daughter? How do I tell her I failed to keep her safe?

-

Behind him, and during his story, the dancers begin a pseudo-pantomime of his

words. Their bodies tell his story in their own language. They are filled with the

same sort of rage and need to survive. They dance to a climax, then FATHER

and his chair crumble into ash.

REPORTER

Words spoken by the voiceless, heard in the ceaseless empty.

-

ELDERLY is seen once more, standing beside his chair

ELDERLY

This, my house, this was a wedding gift from my ma to my pa, back a long old

time ago. She was the only lady contractor in the tri-county area, and she got

told over and over that no one would buy houses made by a woman. So she

builds this place, and boy did she build it. Local fellahs came in the night and

tried to firebomb the house, and- nothing. They barely left a scratch on the

place. Which, let me tell you, was not how they fared once Ma came after em.

I’ve lived here my whole life. I can’t imagine no other place bein home. This

house is a legacy, my Ma’s legacy, her gift to this family that’ll last for generations.

I’ve raised a family here, watched my kids grow up and start their own

families. Watched my grandkids learn to walk on the same floors as my own

children. All in these same rooms. This house is in my blood. It’s a part of me.

Windward Review: Vol. 19 38

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