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The College Record 2022

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Together with Margit Dirscherl, I organized a conference on ‘<strong>The</strong> Heritage of<br />

Humanism and Enlightenment in Exile Literature’. held at St Hugh’s on 24-25 March,<br />

and on 19-22 April I attended a conference in Munich on the Enlightenment, where<br />

I gave the keynote address: ‘Zwei neuere Aufklärungskonzepte aus Großbritannien:<br />

Keith Thomas und David Wootton’.<br />

I have published a paper, originally given as the keynote at a conference of graduate<br />

historians: ‘Epilogue: Some Problems in Historical and Literary Periodization’,<br />

in Lucian George and Jade McGlynn (eds.), Rethinking Period Boundaries (Berlin:<br />

de Gruyter, <strong>2022</strong>), pp. 231-52, and contributed two articles, ‘Johann Wolfgang von<br />

Goethe’ and ‘Heinrich Heine’, to the fourth edition of the <strong>The</strong> Oxford Dictionary<br />

of the Christian Church (Oxford: Oxford University Press, <strong>2022</strong>). I also provided<br />

the introduction and notes to Allan Blunden’s new translation of Johann Peter<br />

Eckermann’s Conversations with Goethe, published in June <strong>2022</strong> in the Penguin<br />

Classics series.<br />

Reports and <strong>College</strong> Activities<br />

Christopher Rowland (<strong>The</strong>ology, Emeritus)<br />

A collection of published articles and essays was published<br />

earlier this year: ‘By Immediate Revelation’: the Nature and<br />

History of Apocalypticism, Tübingen: Mohr Siebeck, <strong>2022</strong>.<br />

Credit: John Cairns<br />

Macs Smith (French)<br />

<strong>The</strong> end of last year saw the publication of my first book,<br />

Paris and the Parasite (MIT Press). Much of this year was<br />

devoted to articles and talks connected to it. That included<br />

a foray into medieval Italian literature: I contributed a chapter<br />

on Dante Alighieri and street art to Dante Alive (Routledge)<br />

a forthcoming volume examining the poet’s impact on<br />

popular culture 700 years after his death. In November, I<br />

took part in the Dante After Hours event at the Ashmolean, giving a lecture and leading<br />

a stencil art workshop at which visitors could paint their own portrait of Dante. More<br />

recently, I completed an article on “Parkour Fails,” a genre of YouTube videos centred<br />

on a French urban extreme sport. I also gave my first public lecture in France in March,<br />

at the Deutsches Forum für Kunstgeschichte (DFK) in Paris.<br />

<strong>College</strong> <strong>Record</strong> <strong>2022</strong> | <strong>The</strong> Queen’s <strong>College</strong> 23

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