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The College Record 2022

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NEWS FROM THE FELLOWSHIP<br />

Links to full lists of Fellows’ publications can be found on their profile pages on the<br />

<strong>College</strong>’s website.<br />

Josu Aurrekoetxea (Physics)<br />

In my first year as Beecroft and extraordinary Junior<br />

Research Fellow, I have been pioneering the use of<br />

numerical techniques to explore Einstein’s theory of general<br />

relativity in regimes where the gravitational force is strong:<br />

at early times in the universe’s history and near black holes.<br />

We have computed the observable signatures expected<br />

from theories that go beyond the current standard model of<br />

cosmology and aim to explain the exotic forms of matter and energy that we usually<br />

refer to as “dark”. Our work has set the groundwork for the (very exciting) upcoming<br />

academic year, when gravitational-wave detectors are restarting after an upgrade<br />

in sensitivity, and we thus expect to detect many more black hole collisions and<br />

hopefully, some signals that cannot be explained without the use of new physics,<br />

going beyond our current understanding of the universe.<br />

Reports and <strong>College</strong> Activities<br />

This year I have also had the pleasure to engage in the vibrant <strong>College</strong> life, teaching<br />

special and general relativity tutorials to third-year physics students, as well as taking<br />

part as a panellist in one of the Queen’s <strong>College</strong> Symposium discussions.<br />

Rebecca Beasley (English)<br />

With two terms of research leave, I’ve been able to<br />

undertake substantial work on two books I began<br />

last year: a co-edited anthology of modernist art and<br />

literature by the so-called ‘Whitechapel Boys’ and their<br />

circle (Whitechapel Moderns: An Anthology of Modernist<br />

Culture in London’s Jewish East End, forthcoming from<br />

Edinburgh University Press), and a scholarly edition<br />

of Wyndham Lewis’s Men Without Art for the Oxford University Press edition of<br />

Lewis’s writings. I was awarded British Academy funding for the latter project,<br />

which enabled me to visit the archives of Lewis’s papers held at Buffalo and Cornell<br />

in the spring. Earlier in the year, I spent some time in the research collections at<br />

New Zealand’s national museum, Te Papa Tongarewa, where I was looking at<br />

the papers of influential ornithologists for my long-range project on ornithology in<br />

modern literature and culture. On my return from research leave in Trinity, I began<br />

work on two collaborative projects funded by <strong>The</strong> Oxford Research Centre in the<br />

<strong>College</strong> <strong>Record</strong> <strong>2022</strong> | <strong>The</strong> Queen’s <strong>College</strong> 13

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