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Discover Benelux | Top Art & Culture Spots in the Netherlands in 2019 | The Ultimate Destination

used the powerful machine for clamping

down protests. The parts Van Hove picks

out to recreate always carry a history with

them, they always have something beastly.”

His reproduction of the D9T consists

of 290 separate parts in 46 different materials.

No less than 41 artisans contributed

to completing this magnificent treat of

engineering.

Direct impact on the world

Yet, aesthetics are not Van Hove’s priority.

As a contemporary, conceptual artist,

his focus lies on telling a story to his audience.

“With their big size and incredible

details, his works are, of course, beautiful

and attractive. But for him, they have to

transcend that. They have to have content.”

With his art rooted on both sides of

the Strait of Gibraltar, he is making art for

a very diverse audience as well. Not only

do the levels of taste and style vary broadly,

but also the way we consume art is

different. “Here in Europe, we expose his

work in the sacred, nearly sterile environ-

ment of a museum. A place where people

take their time to observe it without any

distraction. In Africa, you hardly find any

museums. There, art is simply enjoyed on

the streets. That immediately gives meaning

to his pieces, since they also have a

direct impact on the world outside the

walls of cultural temples.”

This impact is very noticeable with his

work ‘The Mahjouba Initiative’, a social

art-project in which Van Hove and his

team create a handmade, electric motorcycle

for the Moroccan market. In his

characteristic crafty and collective way,

he and an army of artisans join forces to

create five prototypes which will eventually

lead to the design of one ultimate

Moroccan bike that will be manufactured

manually on a big scale.

The Fryske Motor

“Throughout the next year, while he exhibits

in the Fries Museum, Van Hove will also

work on a piece inspired by our region:

Friesland. This has always been a district

of artisans and farmers. Nowadays, however,

we only perform crafts for the sake

of nostalgia. We manufacture the objects

our ancestors have been producing for

centuries, but we don’t innovate anymore.”

That is why Van Hove will create

The Fryske Motor (The Frisian Engine), a

handmade replica of a forest harvester’s

engine as they are used by the local farmers.

Besides Frisian craftsmen, Moroccan,

Swedish and Indonesian artisans will

create pieces for it as well. “All of them

perform the same endangered art form:

crafts. That connects them, whether they

do it in Marrakesh or here in Leeuwarden.”

Explore Eric Van Hove’s work

yourself from 2 February 2019 to 5

January 2020 at the Fries Museum in

Leeuwarden, the Netherlands.

Web: www.friesmuseum.nl

D9T.

Mahjouba. Photo: © Meriem Abid

Photo: © Ruben van Vliet

Dorigin. Photo: © Eric Van Hove

Issue 62 | February 2019 | 59

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