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NETHERLANDS GUIDE

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The revival of Dutch Delftware artworks

TEXT: LAUREN WALKER | PHOTOS: PALEIS HET LOO/BART BRUSSEE

In the heart of the Netherlands stands a

palace constructed in the 17th century

by the House of Orange, called Paleis

Het Loo. It was later transformed into

a museum in 1984, and since 2016, it

has become home to one of the country’s

national treasures: a collection of

Delftware garden vases. Now, in a

unique collaboration with Amsterdam

Airport Schiphol, some of these stunning

garden vases are surprising travellers

at the country’s largest airport,

bringing Dutch Delftware vases to the

foreground and back in the public eye

once again.

During the restoration of the gardens

which came to an end three years ago,

Paleis Het Loo decided to bring the

grounds back to how they looked during

the Baroque period, when the palace was

home to the Orange family. Because they

found remains of Delftware vases in the

gardens, Paleis Het Loo decided these artefacts

should once again adorn the gardens

and be the cornerstone of the renovation

project. Three original royal vases

were found at various places in Europe –

at Erddig Hall in Wales, at Schloss Favorite

in Baden-Württemberg in Germany and in

France. The French vase was bought by

Paleis Het Loo in 2010. All three vases

served as examples for the manufacturing

of the new vases in the palace gardens.

Tradition and innovation

For the regeneration project, traditional

craft was combined with innovation.

Collaborating with the Industrial Design

faculty of the Technical University Delft,

experts used the latest technologies to

scan the extant garden vases for the

moulds. Production and hand-painting

of the vases has been undertaken by

Royal Tichelaar Makkum, using highquality

17th-century tin-glazing techniques.

In this way, innovation and craftsmanship

was combined. The production

was very labour-intensive: it takes

five days to paint just one vase! All 45

extraordinary replicate Delftware vases

produced for this project were moulded.

However, the surfaces were handpainted

and the 17th-century artisan

tin glaze applied by Royal Tichelaar

Makkum. The first inhabitants of the palace,

King William III and Queen Mary,

52 | Issue 71 | November 2019

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