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A Memoir of Jane Austen

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Explanatory Notes

108 ‘as tiresome in fiction as in real society’: the three preceding references are

to Walter Scott’s anonymous review, in the Quarterly Review, 14 (Oct.

1815), 188–201, at pp. 194, and 200. Of Elizabeth Bennet’s change of

heart, he wrote: ‘The lady . . . does not perceive that she has done a

foolish thing until she accidentally visits a very handsome seat and

grounds belonging to her admirer.’

Wilkie’s pictures: the Scottish painter, Sir David Wilkie (1785–1841),

noted like the Dutch painters of the Delft School for the high degree of

realism in his domestic representations.

109 ‘. . . full maturity and flavour without them’: closing a long quotation from

Whately’s review, Quarterly Review, 24 (Jan. 1821), 352–76, at pp. 362–3.

110 Southey . . . to Sir Egerton Brydges: Robert Southey (1774–1843), poet

and biographer, whose early revolutionary sympathies soon gave way to

political and social conservatism. He was made Poet Laureate in 1813. In

view of the comparison JEAL has already set up between JA and Charlotte

Brontë, Southey’s opinion of Austen’s novels might be compared

with the well-known advice he gave Brontë when she applied to him

about publishing her writings: ‘Literature cannot be the business of a

woman’s life, and it ought not to be’ (included in Gaskell’s Life, ch. 8).

Southey records his views on JA in a letter of 8 April 1830, in Brydges,

Autobiography (1834), ii. 269. For Brydges and his connection with the

Austen family, see note to p. 44 above.

A friend of hers . . . Rev. Herbert Hill: JA’s friend Catherine Bigg (see note

to p. 54) had married Herbert Hill (1749–1828) in October 1808. Hill was

Chaplain to the British factory or trading settlement in Oporto (not

Lisbon), Portugal, between 1774 and 1801. Southey visited his uncle Hill

there in 1775. Some of JA’s later letters mention visits to Catherine at

Streatham, where Hill became rector in 1810 (e.g. Letters, 274).

S. T. Coleridge: the poet and critic Samuel Taylor Coleridge (1772–1834).

His opinion of JA’s novels, to be found in Specimens of the Table Talk of

Samuel Taylor Coleridge, ed. Henry Nelson Coleridge (2nd edn., 1836)

(in Collected Works, 14 (2), ed. Carl Woodring (1990), 80 n.), is all the

more remarkable in view of his open contempt for the modern female

novelist. In Lecture 11 of his 1818 Lectures on European Literature he

notes that ‘Women are good novelists . . . because they rarely or never

thoroughly distinguish between fact and fiction. In the jumble of the two

lies the secret of the modern novel . . . ’ (Collected Works, 5 (2), ed. R. A.

Foakes (1987), 193).

Miss Mitford: see note to p. 13 above.

Sir J. Mackintosh: Sir James Mackintosh (1760/5–1832), political and

moral philosopher and historian, author of Vindiciae Gallicae (1791),

History of England (1830), and Progress of Ethical Philosophy (1830).

111 Madame de Staël: (1766–1817), born in Paris Anne Louise Germaine

Necker, the daughter of a Swiss banker Jacques Necker, Louis XIV’s

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