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A Memoir of Jane Austen

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232

Explanatory Notes

novels–– by Marianne Dashwood, in S&S, ch. 3, where his ‘beautiful

lines . . . have frequently almost driven me wild’; and by Fanny Price, in

MP, chs. 6 and 45; JA mentions her father reading ‘Cowper to us in the

evening’, in Letters, 27.

71 a sister novelist: a reference to Fanny Burney, for whom see note to p. 20

above.

fancy being Mrs. Crabbe: see JA’s letter to Cassandra, 21 October 1813:

‘No; I have never seen the death of Mrs Crabbe. I have only just been

making out from one of his prefaces that he probably was married. It is

almost ridiculous. Poor woman! I will comfort him as well as I can, but I

do not undertake to be good to her children’ (Letters, 243). Sarah Crabbe

had died on 21 September 1813. On her recent stay in London (September

1813) JA had joked about hoping to catch sight of Crabbe, known to

be there too.

72 Scott’s poetry . . . merits of ‘Waverley’: Walter Scott (1771–1832), poet and

novelist. Scott’s medievalized verse tales were huge bestsellers between

1805 and 1815, setting a fashion for historical romance and extravagant

adventure which would be continued in his novels, the first of which was

Waverley, appearing in 1814, the same year as MP. In MP, ch. 9, Fanny

Price quotes from Scott’s poem The Lay of the Last Minstrel (1805), and

in P, ch. 11, Anne Elliot and Captain Benwick argue the relative merits of

Scott’s two most successful poems, Marmion (1808) and The Lady of the

Lake (1810). In both instances, JA uses an enthusiasm for Scott’s poetry

to signal the sensitivity and melancholy romanticism of the characters,

and, more critically, to suggest their disinclination to reality. JA in fact

lived to see five of Scott’s novels published, not three: Waverley (1814),

Guy Mannering (1815), The Antiquary (1816), The Black Dwarf (1816),

and Old Mortality (1816), the last two appearing together as Tales of My

Landlord. In 1816 Scott provided JA with her first major critical appraisal

when he reviewed E for the Quarterly Review (see Ch. 8 below). From her

letter to JEAL of 16–17 December 1816, it is clear that JA has read The

Antiquary (Letters, 323).

no business to write novels: an extract from a letter of 28 September 1814,

to Anna Austen (she became Lefroy in the November), no. 108 in Letters.

Unlike his poetry, Scott’s novels were published anonymously; hence

JA’s ready attribution of Waverley to him is interesting. How did she

know? The novel appeared in a first edition in July 1814 and quickly went

through three more editions before the end of the year. A notice of

publication in the Edinburgh Review, 23 (Sept. 1814), 509, listed MP and

Waverley together, which may possibly account for JA’s jealous reference

in this letter.

Mrs. —— ’s: JA wrote ‘M rs West’s Alicia de Lacy’ (Letters, 277). The

novelist was Jane West (1758–1852), a moral and conservative writer, and

this her latest work was also published in 1814 and listed in the same

notice in the Edinburgh Review as Waverley and MP.

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