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A Memoir of Jane Austen

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76

Character and Tastes

I believe that all this nonsense was nearly extempore, and that

the fancy of drawing the images from America arose at the

moment from the obvious rhyme which presented itself in the

first stanza.

The following extracts are from letters addressed to a niece

who was at that time amusing herself by attempting a novel,°

probably never finished, certainly never published, and of which I

know nothing but what these extracts tell. They show the goodnatured

sympathy and encouragement which the aunt, then herself

occupied in writing ‘Emma,’ could give to the less matured

powers of the niece. They bring out incidentally some of her

opinions concerning compositions of that kind:––

Extracts

‘Chawton, Aug. 10, 1814.°

‘Your aunt C. does not like desultory novels, and is rather

fearful that yours will be too much so; that there will be too

frequent a change from one set of people to another, and that

circumstances will be sometimes introduced, of apparent consequence,

which will lead to nothing. It will not be so great an

objection to me. I allow much more latitude than she does, and

think nature and spirit cover many sins of a wandering story. And

people in general do not care much about it, for your comfort. . . .’

‘Sept. 9.°

‘You are now collecting your people delightfully, getting them

exactly into such a spot as is the delight of my life. Three or four

families in a country village is the very thing to work on; and I

hope you will write a great deal more, and make full use of them

while they are so very favourably arranged.’

‘Sept. 28.°

‘Devereux Forrester being ruined by his vanity is very good:

but I wish you would not let him plunge into a “vortex of dissipation.”

I do not object to the thing, but I cannot bear the

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