Hoover House Reading Book Reduced
We added the “River Room” for the great view ofthe Colorado and sunsets against the “Old Iron Bridge”A deliberative and highly creative builder, Tommy needs no blueprint nor scaled elevational drawings to guide hisknack for reimagining living spaces.“People say he has an artist’s vision, a sort of third eye that sees what others can’t,” lauds Judi. “After we’ve restored ahouse, that looked like a tear down in the beginning, people would ask, ‘how were you able to see what that couldbecome?’”“Or,” Tommy quipped, “they’d say that looks like a Hoover project because it’ssomething nobody else would want to touch.”The Hoovers are careful when taking on workers and contractors and have developed lasting relationships with many.Fortunately, the local community yielded craftsmen at skill levels and a work ethic the Hoovers sought.First, there were Roy Juarez and Charlie Pacheco, “old-school” carpenters, whoseabilities paired well with Tommy during the early years. Then came Raymond Ramon and Andrew Gonzales whospent 20 busy years with the Hoovers. More recently, John Ray awed Tommy with his building skills.“John was the kind of guy, who with the slightest bit of direction could make ithappen,” Tommy recalls.“We were fortunate to find a few talented craftsmen who loved to work, were conscientious and truly cared abouthistorical materials and structures,” adds Judi.
- Page 2 and 3: Humble BeginingsJudi, one of three
- Page 4 and 5: 703 Farm St wasour first home inBas
- Page 6 and 7: 809 Main St.The 1832 TavernTheir
- Page 8 and 9: Shortly after we bpight the Taverm
- Page 10 and 11: All of the trees and plant were pla
- Page 12 and 13: Paul Goebel’s General StoreFront
- Page 14 and 15: Dave Garcia HouseCollege St Bastrop
- Page 16 and 17: The Infamous “Club 71”On TX Hwy
- Page 18 and 19: Ealry Texas HomeOn Farm St, Bastrop
- Page 20 and 21: “People say he has an artist’s
- Page 24: One of Billy Reid’s treasuresfoun
- Page 28 and 29: These were the original doors on th
- Page 30 and 31: We added this room with windows for
- Page 32 and 33: This small building was a part of
- Page 35 and 36: This 1860’s house was moved from
- Page 37 and 38: Surprisingly, the interior paint is
- Page 39 and 40: This restaurant was made from two b
- Page 41 and 42: Like a giant puzzle, carefully piec
- Page 43 and 44: Behind the paired rooms of the orig
- Page 45: We moved this house to a lot that h
- Page 51 and 52: The unusually tall 10ft hand-made l
- Page 53: The kitchen and back bedroom floors
- Page 60: The perimeter beams are live oak, l
- Page 63 and 64: The front part of the house was a b
- Page 65: Originally an 1941 Army Barracks fr
- Page 68 and 69: These beautiful doors were given to
We added the “River Room” for the great view of
the Colorado and sunsets against the “Old Iron Bridge”
A deliberative and highly creative builder, Tommy needs no blueprint nor scaled elevational drawings to guide his
knack for reimagining living spaces.
“People say he has an artist’s vision, a sort of third eye that sees what others can’t,” lauds Judi. “After we’ve restored a
house, that looked like a tear down in the beginning, people would ask, ‘how were you able to see what that could
become?’”
“Or,” Tommy quipped, “they’d say that looks like a Hoover project because it’s
something nobody else would want to touch.”
The Hoovers are careful when taking on workers and contractors and have developed lasting relationships with many.
Fortunately, the local community yielded craftsmen at skill levels and a work ethic the Hoovers sought.
First, there were Roy Juarez and Charlie Pacheco, “old-school” carpenters, whose
abilities paired well with Tommy during the early years. Then came Raymond Ramon and Andrew Gonzales who
spent 20 busy years with the Hoovers. More recently, John Ray awed Tommy with his building skills.
“John was the kind of guy, who with the slightest bit of direction could make it
happen,” Tommy recalls.
“We were fortunate to find a few talented craftsmen who loved to work, were conscientious and truly cared about
historical materials and structures,” adds Judi.