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The Spy Who Loved Us_ The Vietnam War and Pham Xuan An's Dangerous Game ( PDFDrive )

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234 THOMAS A. BASS

the Communists, but his family honor was saved. An’s words

bring tears to Franchini’s eyes.

Franchini is a métis, a mixed-race Eurasian with a Corsican

father and Vietnamese mother. “In Vietnam, no one trusts

métis,” he says. “They know too much. They pass for Europeans

while staring at the world through Asian eyes. They are

spies in the houses of their fathers and mothers. They are useful

but treacherous.”

Pham Xuan An is also a métis, a cross between Vietnam and

America. He too is a spy in the houses of his mother and father,

a fish swimming in all the waters of the world. If the history of

Vietnam is one long story of treachery and ambivalence, the

métis incarnates this history in his skin, with Franchini and An

being exhibits A and B.

Today Franchini works as one of France’s busiest nègres, a

ghostwriter who pens the books of politicians and TV personalities.

When Franchini launches into a story, it is so richly embroidered

that I imagine him working it up later that evening

into a book chapter or screenplay. “I would never dare to write

about Pham Xuan An,” he tells me. “He lived in a world where

nothing was the way it appeared. You can’t just write the facts

of his life. The interest is psychological, and with the Vietnamese

there is always something ambiguous, something mysterious.

It’s a country that could have been created by Salvador

Dali. You know his surreal painting of les montres molles, the

soft watches? Everything in this painting, called La persistencia

de la memoria, is twisted, deformed, pliable. Time and

space melt into each other, and everything is surrounded with

an air of mystery. This is Vietnam. It is an ambiguous world, just

like the one imagined by Salvador Dali.”

Four-star general Mai Chi Tho, An’s former boss, emerged

after the war as one of Vietnam’s most powerful figures,

serving as head of the Party committee governing South Vietnam

and as minister of the interior. At Tho’s villa in central Saigon—

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