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Music - MYP 4 and 5 - Samuel Wright - Hodder 2020

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a solid structure, introducing moments of interest.

creating

to the song ‘Father and Son’ by Cat Stevens (released

Listen

1970); listen in particular to the opening guitar chords.

in

you hear the shift from G to C in the very beginning?

Can

1 Does the next note climb upwards or downwards?

2 Is the leap large or small?

3 Does the second note leap upwards or downwards?

4 Is the leap larger than the first one?

you will hear that the intervals are based on

recording,

and then C-A (a perfect 5th and then a major 6th).

C-G

! Take action

What makes it clever is that the arpeggio’s

measures.

is maintained despite our ears hearing a change in

shape

Stevens loops two well-used chords but provides

Cat

variation on top using major intervals. Clever!

subtle

other works that use two chords, such as

Investigate

Rigby’ or ‘Paperback Writer’ by The Beatles (C-E

‘Eleanor

‘Something In The Way’ by Nirvana (D-F#m), ‘Lively

minor),

Yourself’ by Bob Marley (D-G) or ‘Family Affair’ by

Up

J. Blige (Am-Em). Learning to play and then hearing

Mary

changes between chords is a very useful skill.

the

ACTIVITY: Two-chord wonders

ATL In the Bach ‘Cello Suite no.1 in G Major BWV 1007’, an

arpeggio pattern is

outlined

in the first and second

thinking skills: Making guesses, asking

Creative

if’ questions and generating testable

‘what

hypotheses

any other layer.

Figure 3.51 Cat Stevens’ opening to ‘Father and Son’, with Bach added

chords moving in is a common technique for

parallel

Two

There are also four notes directly after the move from G to

our listening skills, we are going to these

Using

identify

C.

four notes with some targeted questions:

◆■ Assessment opportunities

this activity you have practised skills that are

In

using Criterion B: Developing skills and

assessed

If you

use

an instrument, or sing the melody from the

Criterion C: Thinking creatively.

! Find out how changes in musical thought and practice result in the

generation of new approaches for music-making.

! Explore moments of change that become catalysts for popular and

contemporary styles.

! Transform original ideas and choose creative presentation tools to identify

and perform music in different contexts.

! Being able to express our emotions is a powerful element of live

Organise a concert or series of performances aimed at

performance.

awareness for a community need or cause.

raising

3 When does music change direction? 85

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