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Music - MYP 4 and 5 - Samuel Wright - Hodder 2020

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What do you ? hear

1

2 What do you about all the different parts?

think

What does it make you about the story?

wonder

3

10 How can strings become psycho? 279

How can a melody or rhythm be

reinterpreted for storytelling?

In this section, we are going to use our ears to deconstruct musical ideas aurally.

Rhythms, melodies and chords are all very important; however, the ability to tell a

story and capture this in music is the ultimate aim of any film composer.

SEE–THINK–WONDER

to the track ‘Home Fires’ (2015) by composer

Listen

lyrics are obscured by the fact that there are

“The

different lines being sung at once, but that’s

several

Samuel Sim on the playlist or via Sim’s Soundcloud at

of the point. Ultimately they [the protagonists]

part

strength in their unity with others… The

found

https://soundcloud.com/samuel77/home-fires-main-theme.

has a very circular structure and I think the

music

certainly helps…”

repetition

Now in your portfolio

use

the writing prompts below

Samuel Sims

as well as the acronym

IDEA

to answer the following

questions:

As we look to the next activity, bear in mind that if

you write music for films, games or media, you are a

storyteller.

Figure 10.21 Ostinato and initial harmony from Home Fires

AND TRANSFORMING

IMAGINING

2011, a very special short film was developed by a

masterful work. In a rather unusual twist, Hunter was asked

In

company called Moonbot Studios. This animation, and

to collaborate with the directors, making sure his music

subsequent children’s book called

The Fantastic Flying Books

assisted in the storytelling project. In the end he wrote ‘only’

of Mr Morris Lessmore, has been described as a powerful

17 minutes of music, but it was the approach he took that

example of storytelling. However, before we step into our

we will now explore.

musical activities, let’s take a few moments to watch the

“It was a very unconventional way of working but it

animation here: https://youtu.be/Ad3CMri3hOs

really helped tailor the music like no other method”

The composer of this animation, John Hunter from

John Hunter

www.breed-music.com, was nominated for an Oscar for his

Figure 10.22 ‘Pop Goes the Weasel’

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