Theory of Knowledge - Course Companion for Students Marija Uzunova Dang Arvin Singh Uzunov Dang

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related pitfall to avoid is using objects toAideas symbolically. In exploring, forrepresentprompt 6 “How does the way thatexample,organize or classify knowledge affect whatweknow?” you might offer an image of awemirror to symbolize the fragmentationbrokenknowledge into separate disciplines. Thisofbe a mistake.wouldis tempting to engage with objectsItbecause we can attributesymbolicallyto any object and gain approval.meaningexhibition is intended to engage withThein their own right—with their originobjectsuniqueness, purpose and meaningsstories,those you personally give them.beyondprompt 6 still in mind, consider FigureWithan image of The Siku Quanshu, the 18thcentury12.5,encyclopedia of Chinese knowledge.79,000 chapters and 800 million words,AtSiku Quanshu is a compendium of a bodyTheknowledge so large in volume that it hasofbeen surpassed by Wikipedia, and thatonlysummary, the objects in your exhibitionInmeet these criteria.shouldThey should be pre-existing, not created for•purposes of your exhibition.theThey need to represent themselves, not•ideas.abstractonly happened recently. It is organizedhasto traditional classification intoaccordingBranches ( 部 ): (a) the Classics ( 經 ), (b) the“4( 史 ), (c) the Masters ( 子 ), and (d)HistoriesAnthologies ( 集 )”. This complex systemtheover the course of 15 centuriesdevelopeddoes not neatly map onto the domainsandknowledge in Western thought. IncludingofSiku Quanshu in your exhibition allowsTheto engage with its specific historical andyoumeanings and make compellingculturalto both the prompt and the world.connectionscan explore how applying categoriesYouas “literature” and “philosophy” tosuchthought prior to the 18th centuryChineseor distorts our understanding of them.limitsyou can consider limitations andIndeed,that occur when we apply one waydistortionsorganizing knowledge to an intellectualofthat organizes knowledge differently.traditionThe Siku Quanshu, the 18th-century encyclopediaorder to make your objects relevant to theInyou need a good understanding ofprompt,specific origins and histories. It is helpfultheirdraw on objects you are already familiartoor committed to finding out morewith,in order to avoid misrepresentations,about,and generalizations.oversimplificationsin this exhibition with objectsWorkingin the real world keeps youcontextualizedfor the claims you make aboutaccountableI. THE EXHIBITION12Figure 12.5of Chinese knowledge consisting of 79,000 chapters• They should be specific, not generic.363

I. THE EXHIBITIONyou describe them, what you claimthem—howhow they fit in the world and how youaboutwhen referring to objects comingEspeciallymaterial cultures you are not familiarfromyou should be respectful of thewith,traditions they are embeddedknowledgeand the limitations of your owninOne of the prompts (14) evenunderstanding.“Does some knowledge belong only toaskscommunities of knowers?” Whenparticularobjects, consider what is your roleselectingintention in having this object represented.andthe story of the Ma-taatua Wharenui, aLetMaori meeting house (figure 12.6),carvedas a lesson. In the 1870s, it wasserveand packed onto a steamshipdisassembledfrom what is now known as Newtravellingto the British Empire Exhibition inZealandtrains across multiple destinationsandthe Empire, and was even trimmed toininside museum buildings. It would befit100years before this meeting houseanotherreturned home. On its first stopultimatelySydney, the Ma-taatua was reassembledinthe intricate carvings facing the outside,withfull view of the visitors, but also in fullinof Maori protocol. By way of thisdisregardthe Mataatua went from beingtransformation,culturally significant gathering site to beingaethnological curiosity for strange people“anlook at the wrong way and in the wrongto(Te Runanga o Ngati Awa 1990). Don’tplace”like the British Empire. In the exhibition thebeto represent objects is inseparableopportunitythe responsibility to do it well andfromaccurately.terms: Mataatua VisitorSearchHistoryCentre12explain their relationship to the prompt.Sydney. The Ma-taatua was hauled on shipsMataatua Wharenui in Sydney 1879. Notice how the entire structure has been reassembled so that the interior carvings are nowFigure 12.6on the exterior.364

related pitfall to avoid is using objects to

A

ideas symbolically. In exploring, for

represent

prompt 6 “How does the way that

example,

organize or classify knowledge affect what

we

know?” you might offer an image of a

we

mirror to symbolize the fragmentation

broken

knowledge into separate disciplines. This

of

be a mistake.

would

is tempting to engage with objects

It

because we can attribute

symbolically

to any object and gain approval.

meaning

exhibition is intended to engage with

The

in their own right—with their origin

objects

uniqueness, purpose and meanings

stories,

those you personally give them.

beyond

prompt 6 still in mind, consider Figure

With

an image of The Siku Quanshu, the 18thcentury

12.5,

encyclopedia of Chinese knowledge.

79,000 chapters and 800 million words,

At

Siku Quanshu is a compendium of a body

The

knowledge so large in volume that it has

of

been surpassed by Wikipedia, and that

only

summary, the objects in your exhibition

In

meet these criteria.

should

They should be pre-existing, not created for

purposes of your exhibition.

the

They need to represent themselves, not

ideas.

abstract

only happened recently. It is organized

has

to traditional classification into

according

Branches ( 部 ): (a) the Classics ( 經 ), (b) the

“4

( 史 ), (c) the Masters ( 子 ), and (d)

Histories

Anthologies ( 集 )”. This complex system

the

over the course of 15 centuries

developed

does not neatly map onto the domains

and

knowledge in Western thought. Including

of

Siku Quanshu in your exhibition allows

The

to engage with its specific historical and

you

meanings and make compelling

cultural

to both the prompt and the world.

connections

can explore how applying categories

You

as “literature” and “philosophy” to

such

thought prior to the 18th century

Chinese

or distorts our understanding of them.

limits

you can consider limitations and

Indeed,

that occur when we apply one way

distortions

organizing knowledge to an intellectual

of

that organizes knowledge differently.

tradition

The Siku Quanshu, the 18th-century encyclopedia

order to make your objects relevant to the

In

you need a good understanding of

prompt,

specific origins and histories. It is helpful

their

draw on objects you are already familiar

to

or committed to finding out more

with,

in order to avoid misrepresentations,

about,

and generalizations.

oversimplifications

in this exhibition with objects

Working

in the real world keeps you

contextualized

for the claims you make about

accountable

I. THE EXHIBITION

12

Figure 12.5

of Chinese knowledge consisting of 79,000 chapters

• They should be specific, not generic.

363

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