Theory of Knowledge - Course Companion for Students Marija Uzunova Dang Arvin Singh Uzunov Dang

artists, and art institutions, define as
select
The philosopher George Dickie expanded
art.
this idea by defining supplementary
upon
roles such as critic, teacher, director
artworld
curator, among others. But, as Dr Sarah
and
argues, Dickie and Danto failed to
Hegenbart
for the massive influence that the art
account
and wealth, was asserting onthe art
market,
Increasingly, key artworks are being
world.
as investments, raising eye-watering
seen
in specialist sales and sitting in the
prices
and bank vaults of the super-rich. This
homes
of “art as investment” has the potential
view
redefine what art is and what it is for.
to
do we decide on the “value” of an
How
when art institutions and experts
artwork
it differently from the market? What
value
it mean to label those art institutions
would
are trying to resist higher valuations
that
“conservative”? What would it mean to
as
economic theory, the free market, in the
In
of state intervention and market
absence
arrives at the “right” price for a given
failures,
If the art market appears to be failing in
good.
What are some of the tensions between
1.
members in the art world
different
artists, art critics, curators, art
(audiences,
art teachers and students, art
historians,
art uniquely well placed to express the
Is
and unspeakable? Can it be thought
unspoken
as a language that does what other languages
of
cannot?
function, why might this be, and what
that
for valuing art exist? Some
alternatives
have cautioned, for example, that
observers
art is used to transfer money out of
expensive
without paying tax, a practice
countries
as money laundering. This is greatly
known
by the anonymity of art work
facilitated
and the inherent difficulties of
transactions
art as opposed to, for example, a
valuing
Follow the link for one analysis by the
house.
terms: Has art market
Search
partner in crime
unwitting
(2019) suggests that curators, being
Hegenbart
removed from the “capitalist spectacle”
more
high art (as opposed to artists, dealers and
of
institutions), function as more neutral or
art
gatekeepers, ensuring that works are
objective
for artistic, rather than monetary,
displayed
By virtue of their position as curators
value.
may also be better placed to influence,
they
than merely reflect, the financial and
rather
values of their time.
artistic
art communities and so on) with
digital
to access to art?
regards
Whose perspective has weight and should
2.
on the value of art? How would you
matter
What are the different responsibilities of
3.
members of the art world with
different
have an abundance of artworks produced in
We
context of a problematic past. The painter
the
sculptor Titus Kaphar works at the
and
of art and history, reclaiming
intersection
into new narratives. In the linked
artworks
talk, Kaphar paints over a replica of a
TED
II. Perspectives
II. Perspectives
New York Times
NYTimes
describe the art market as “commodified”?
For ref lection
The art world as a knowledge
community
decide?
dealers, gallery owners, art magazines,
respect to knowledge?
II.3 Art as unspoken and unspeakable
truths
17th-century painting that invokes the racial
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