Theory of Knowledge - Course Companion for Students Marija Uzunova Dang Arvin Singh Uzunov Dang

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terms: GuardianSearchmy PicassoMindon what you know aboutDependingand exclusive art collections,billionairesmight be surprised to learnyoumany famous works of finethatare housed on superyachts,artfloating mansions of thetherich. Some of theseextremelyhave made the newsartworkssurprising reasons, such asforJean-Michel Basquiat paintingawas damaged by breakfastthatafter an unnamedcerealchildren threwbillionaire’sat it “because theycornflakesit was scary” (Mather-thoughtquoted in Neate 2019).Leeswe do not know exactlyWhilepainting it was, a Basquiatwhichof a crazed skull-shapedpaintingsold at auction forfacemillion in 2017. The$110.5crew made the damageyachts’when they tried to wipeworsethe cornflakes.offto Pandora Mather-Accordingan art historian andLees,some of theseconservator,have “bettersuperyachtsthan some nationalcollectionsand the owners “wantmuseums”,of art is a complex topic, andOwnershipcan perform a variety of roles includingownersprotector, benefactor and investor ofsteward,artworks. Part of that complexity issignificantguests come on board” (Mather-Leeswhenin Neate 2019). However, yachts mayquotedless secure than museums and, even if theybenot, private collectors are free to do whatareplease with works of art. A painting by thetheyartist Takashi Murakami, for example,modernreportedly cut into three pieces on thewasof its owner to make it fitrequestto the jet skis at the back of thenextyacht.Mansour bin ZayedSheikhowner of the UK’sal-Nahyan,City Football ClubManchesterof 2020) and Deputy Prime(asof the United ArabMinisteris known to have severalEmirates,works of art on hishundredmillion superyacht Topaz.$440To what extent should access to1.cultural and artistic heritagethehumanity be guaranteed forofeveryone?What is lost when great2.that are privatelyartworksWho should be accountable for3.loss, and to whom?theLoew by Gustav KlimtGertais reportedly held on board the Aviva, a(1902)includes paintings such as Triptych 1974–1977itFrancis Bacon and works by Matisse andbyfor people earning an average incomeexpensiveafford to own the kinds of prized artworkstotrade at auction. Perhaps financial andthatinnovations could partly solve thistechnologicalII. PerspectivesII. PerspectivesFor reflection and discussionSuperyacht art collectionssuperyachtartowned get damaged?Figure 10.6$250 million super yacht owned by the billionaireJoe Lewis. Lewis describes his onboardcollection as one of the largest in the world, andPicasso.to show off their art collectionproblem.the issue of access to ownership, as it can be too293

II. Perspectivesterms: CNN BusinessSearchSingapore Owing aInnovate:Singapore-based start-up is usingAtechnology to enable individualsblockchainbuy “shares” in an artwork. This couldtoartists to maintain partial ownershipallowtheir work, and enable smaller investorsofwould be unable to afford an entirewhoThe shares can be bought and sold bywork.more easily, which may allow theinvestorsto realize the true value of a workmarketefficiently. Fractional ownership enablesmoreto own parts of an artwork just likepeopleof corporations. While this opens uppartsto art ownership, it does not directlyaccessaccess to art in general. In fact, itimproveeven reduce access to art, if the multiplemaycannot agree to display it publicly theyownersdecide to store it in a secure, restrictedmayaway from the public.areacan access art in various ways, as anWeas students, as owners and so on.audience,related concern is access to platforms forAWhich art forms are considered art,artists.specifically good art, valued enough to beandClues to the answer are found atexhibited?do you respond to the phenomenon ofHowthat sells for millions of dollars? Whatartworkwould you use to define the monetarycriteriaand price tag, of art?value,Danto, the philosopher and artArthurchallenged aesthetics and art pricecritic,in his influential 1964 essay “Thevaluationswhich suggested an answer toArtworld”,eternal question of “what is art”. Andythehad just created an exhibition ofWarholBrillo Boxes, which were replicas of ordinaryFor the purpose of knowledge, what kind1.access to art is more important—as anofTo whom should the benefits of the value of2.artwork accrue?anApart from using blockchains, how can3.retain partial ownership of theirartistsof an Artist (Pool with Two Figures)PortraitDavid Hockney broke records in 2018 when it sold forbycomplicated intersection between the arttheand the art market. Below, we considerworldrole of art institutions in deciding art statustheart value, in the context of our presentandmoment, described by some as lateculturalstagecapitalism.cartons of soap, stacked high assupermarketin a warehouse. Interested readers can lookifWarhol’s intentions and explanations ofupexhibition. Here we are concerned withhisinterrogation of this phenomena, ofDanto’sobjects that could be conceived ofordinaryart. He concluded that “what in the endasthe difference between a Brillo boxmakesa work of art consisting of a Brillo boxanda certain theory of art” (Danto 1964). Moreis10For reflection and discussionBitcoin artaudience or as owners?Warholwork?Figure 10.7$90 million. None of the money from that sale went toHockney, as he had sold the original in 1972 for $18,000.Box 10.3: The artworld and the art marketspecifically, Danto argued that art is what294

II. Perspectives

terms: CNN Business

Search

Singapore Owing a

Innovate:

Singapore-based start-up is using

A

technology to enable individuals

blockchain

buy “shares” in an artwork. This could

to

artists to maintain partial ownership

allow

their work, and enable smaller investors

of

would be unable to afford an entire

who

The shares can be bought and sold by

work.

more easily, which may allow the

investors

to realize the true value of a work

market

efficiently. Fractional ownership enables

more

to own parts of an artwork just like

people

of corporations. While this opens up

parts

to art ownership, it does not directly

access

access to art in general. In fact, it

improve

even reduce access to art, if the multiple

may

cannot agree to display it publicly they

owners

decide to store it in a secure, restricted

may

away from the public.

area

can access art in various ways, as an

We

as students, as owners and so on.

audience,

related concern is access to platforms for

A

Which art forms are considered art,

artists.

specifically good art, valued enough to be

and

Clues to the answer are found at

exhibited?

do you respond to the phenomenon of

How

that sells for millions of dollars? What

artwork

would you use to define the monetary

criteria

and price tag, of art?

value,

Danto, the philosopher and art

Arthur

challenged aesthetics and art price

critic,

in his influential 1964 essay “The

valuations

which suggested an answer to

Artworld”,

eternal question of “what is art”. Andy

the

had just created an exhibition of

Warhol

Brillo Boxes, which were replicas of ordinary

For the purpose of knowledge, what kind

1.

access to art is more important—as an

of

To whom should the benefits of the value of

2.

artwork accrue?

an

Apart from using blockchains, how can

3.

retain partial ownership of their

artists

of an Artist (Pool with Two Figures)

Portrait

David Hockney broke records in 2018 when it sold for

by

complicated intersection between the art

the

and the art market. Below, we consider

world

role of art institutions in deciding art status

the

art value, in the context of our present

and

moment, described by some as late

cultural

stagecapitalism.

cartons of soap, stacked high as

supermarket

in a warehouse. Interested readers can look

if

Warhol’s intentions and explanations of

up

exhibition. Here we are concerned with

his

interrogation of this phenomena, of

Danto’s

objects that could be conceived of

ordinary

art. He concluded that “what in the end

as

the difference between a Brillo box

makes

a work of art consisting of a Brillo box

and

a certain theory of art” (Danto 1964). More

is

10

For reflection and discussion

Bitcoin art

audience or as owners?

Warhol

work?

Figure 10.7

$90 million. None of the money from that sale went to

Hockney, as he had sold the original in 1972 for $18,000.

Box 10.3: The artworld and the art market

specifically, Danto argued that art is what

294

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