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Theory of Knowledge - Course Companion for Students Marija Uzunova Dang Arvin Singh Uzunov Dang

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II. Perspectives

are found in the brushstrokes, ink blobs,

Clues

and any writing on the canvas.

shadows

authenticity is judged by small details.

Sometimes

imagine that an expert, or multiple experts,

But

that the ink on a drawing is pooling

conclude

a way that is unmistakably Leonardo. Is this

in

convincing, or would an art collector

sufficiently

to hear more to be convinced to spend $15

need

Who can disagree with expert aesthetic

million?

In art, questions of authenticity and

judgments?

are often the exclusive domain of experts

value

highly specialized knowledge. It raises the

with

of whether non-experts are confined to

question

legitimate claims about matters of taste,

making

experts may have considerable training

Art

experience, but even the best among

and

have been fooled by forgers. Partly, this

them

explained by their fallible human senses

is

the question: to what extent is

Consider

possible in the arts?

certainty

What argument, in relation to art, can you

1.

to answer this question?

construct

What evidence or examples can you offer in

2.

of your argument?

support

Try to incorporate the van Meegeren

3.

from the case study above into

example

evaluation, either as further support

your

as a counterexample. How does it fit into

or

this book we consider the

Throughout

decisions, structures and

judgments,

that influence access to knowledge.

communities

the arts, how is access to artistic knowledge

In

enabled or obstructed? By looking at

facilitated,

in art, what would you conclude about

access

the greatest art piece or performance

Consider

have experienced. How was it made

you

perception; and partly by the high stakes

of

of big money, which pit art experts

incentives

expert forgers. Forensic science has

against

used to resolve disputes among art experts

been

the authenticity of an artwork. Forensic

about

may suggest the work is more recent

evidence

is claimed, through carbon dating or the

than

in the pigments. Forensic science

compounds

thus assist art experts, especially in falsifying

can

to authenticity, as opposed to verifying

claims

as we discuss in Chapter 7. But forensic

them,

should not be considered foolproof.

methods

terms of discerning the particular technique,

In

or intent of an artist, scientific tools are not

style

a substitute for the trained, if fallible, and

yet

if subjective, aesthetic judgments

experienced,

art experts. In the art market, these

of

are the basis for decisions to spend

judgments

may be tempting to tailor your evidence or

It

your examples in such a way that more

present

supports your argument. Remember,

directly

that the world of knowledge is messy

however,

complex, with many nuances and caveats,

and

that prove the rule, examples that

exceptions

the pattern and things that are not what

break

seem. It will strengthen your essay if

they

can invite compelling examples into your

you

and especially if you can demonstrate

analysis,

awareness of their real-world

nuanced

complexity.

to you? Was access easy and open, or

accessible

to the few? And what does that reveal

afforded

your ability to access “great” art? Is there

about

about knowledge in art that is about

something

and status? Is there something in it that

power

about privilege? This is a commonly invoked

is

but points towards an important

stereotype,

about access to art, which has been

concern

in recent years by rising economic

affected

inequality.

10

and not matters of fact

millions of dollars every year.

Practising skills: Constructing arguments and analysing claims

your analysis?

II.2 Art and access

whom knowledge in art is for?

292

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