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D I S C O V E R :<br />
P u b l i c A r t<br />
i n C a n b e r r a<br />
S y m p o s i u m<br />
2 0 2 2
<strong>Symposium</strong> program
W E L C O M E T O C O U N T R Y<br />
P A U L H O U S E
PROGRAM HIGHLIGHTS<br />
ONE CITY<br />
250+EVENTS<br />
2-20 NOVEMBER 2022<br />
DESIGNCANBERRAFESTIVAL.COM.AU
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D I S C O V E R : P U B L I C A R T I N C A N B E R R A S Y M P O S I U M 2 0 2 2<br />
Marking the final weekend of the Canberra <strong>Art</strong> Biennale and the opening weekend of DESIGN Canberra comes a<br />
major symposium that brings together diverse voices of artists, curators, designers and creative producers all<br />
working at that powerful but complex intersection of art in public space.<br />
If you are an artist, designer, project manager or fabricator keen to understand more about building your<br />
practice in this area, the symposium will offer insights into the possibilities, considerations and practicalities and<br />
include some of the additional considerations related to Canberra’s role as the National Capital.
D I S C O V E R :<br />
P u b l i c A r t i n <br />
C a n b e r r a<br />
2 0 2 2<br />
FIRST NATIONS<br />
LEGACY OF PUBLIC ART IN CANBERRA<br />
ROLE OF MENTORING IN PUBLIC ART<br />
Neil Hobbs Virginia Rigney Jodie Cunningham<br />
Canberra <strong>Art</strong><br />
Biennial<br />
Canberra Museum<br />
and Gallery<br />
SATURDAY 29th October 2022 1-5 pm<br />
Craft ACT: Craft +<br />
Design Centre<br />
d e s i g n c a n b e r r a f e s t i v a l . c o m . a u
FACILITATORS<br />
JODIE CUNNINGHAM<br />
Jodie Cunningham is CEO + <strong>Art</strong>istic Director of Craft ACT: Craft + Design Centre, one of Australia’s leading creative centres for the development of visual<br />
art, craft and design. She is the public face of the organisation, curating a vibrant program of exhibitions, residencies and cross-disciplinary<br />
collaborations including the DESIGN Canberra Festival. She is a highly creative arts leader, visual artist and educator with extensive experience in<br />
developing and delivering innovative exhibitions, public programs in museums, galleries and art contexts. She also has an extensive background in visual<br />
art and design education and a commitment to mentoring developing artists and fostering collaboration. Jodie advocates for the power of creativity, the<br />
arts and cultural activity to provide hope to our communities, strengthen our local and national cultural identities, and facilitate social change.<br />
NEIL HOBBS<br />
Neil Hobbs is a landscape architect and director Canberra <strong>Art</strong> Biennial, previously Contour 556. The Canberra <strong>Art</strong> Biennial is now in its fourth year and<br />
has expanded to include the National Arboretum (contour 656), the University of Canberra (contour 606) as well as maintaining and building further on<br />
our presence in North and South Canberra, centred on contour 556, the height above sea level of Lake Burley Griffin. Neil is committed to the<br />
development of the ACT and regions visual arts sector through philanthropic activities such as the Canberra Grammar School Small Sculpture Prize, and<br />
the annual ANU School of <strong>Art</strong> and Design Harris Hobbs materials award to a post graduate student.<br />
VIRGINIA RIGNEY<br />
Virginia Rigney is Senior Curator Visual <strong>Art</strong> at the Canberra Museum + Gallery. She is a curator, writer and creative producer who has developed<br />
exhibitions, publications, digital platforms, installations, short films and public programs within museums. She is also a commissioned writer for industry,<br />
peer reviewed and popular journals and a producer of short films and public art projects. FFollowing studies at ANU and Sydney University, she began<br />
her curatorial career at the PowerHouse. She worked on large temporary exhibition projects in several major galleries before joining Glasgow Museums.<br />
While senior curator at Gold Coast City Gallery, she developed an extensive program of inclusive programming exploring new perspectives on Gold<br />
Coast character and culture. A major element of Virginia’s curatorial practice has been to work with Aboriginal and Torres Strait Islander artists. She<br />
also has a close interest in public art and was chair of the art+place curatorial panel for a $14million <strong>Art</strong>s Queensland fund for public art. She has been a<br />
recipient of a Queensland Government Smithsonian Fellowship.
Introduction<br />
Welcome to Country with Paul House<br />
Jodie Cunningham<br />
Neil Hobbs<br />
1:00 pm<br />
D I S C O V E R : P U B L I C A R T I N<br />
C A N B E R R A S Y M P O S I U M 2 0 2 2<br />
Session One: First Nations in <strong>Public</strong> <strong>Art</strong><br />
1:40 pm<br />
Paul House<br />
Kauri Hawkins<br />
Afternoon tea in foyer, Kambri<br />
2:30 pm<br />
Session Two: Context and Contemporaneity<br />
3:00 pm<br />
Chair: Virinia Rigney<br />
Cassie Plate<br />
Brett Stone<br />
Sonia Van der Harr<br />
Session Three: The Role of Mentoring in <strong>Public</strong> <strong>Art</strong><br />
4:00 pm<br />
Chair: Jodie Cunningham<br />
Dr Jennifer McFarlane<br />
Annie Trevilian<br />
Rose Armstrong<br />
Moraig McKenna<br />
Drinks in the foyer, Kambri<br />
5:00 pm
Session one<br />
First Nations <strong>Art</strong>ists in <strong>Public</strong> <strong>Art</strong><br />
First Nations artists have been redefining the way that we understand Country and public art is particularly powerful – Paul House<br />
discusses his scar tree installations (right in the heart of the capital) and Kauri Hawkins discusses his art practice in Aotearoa New Zealand<br />
PAUL HOUSE<br />
Paul House is a Ngambri-Ngunnawal custodian with multiple local Aboriginal ancestries from the Canberra region, however identifies as a<br />
descendant of Ngambri – Walgulu man Henry ‘Black Harry’ Williams and Ngunnawal – Wallaballoa man ‘Murjinille’ aka William Lane (‘Billy the<br />
Bull’), including Wiradjuri ancestries. Paul began his public service career in the Commonwealth Department of Aboriginal Affairs and has<br />
since occupied various positions across both New South Wales and Commonwealth public sector agencies.<br />
KAURI HAWKINS<br />
Kauri Hawkins was born in Palmerston North and raised in Turanganui-a-Kiwa Gisborne in the far east of the North Island of Aotearoa New<br />
Zealand. His heritage is Māori, Pākehā and Rarotongan. Although defined by his ancestry in life and art, he is keenly aware that culture is in<br />
a constant state of evolving as is cultural wisdom and understanding. He looks to celebrate and make visible this cultural legacy. He aims<br />
to make culture highly visible and to unite people in a collective sense of pride but also to sit in tune with their environment: the natural<br />
environment that surrounds them and reverberates under foot. Kauri utilises high key colours across his works and gives prominence to the<br />
red, black and white central to Māori creation stories. Significantly, these colours also form the basis of give way and stop signs<br />
internationally.
Afternoon tea: 2:30-3:00pm
Session Two<br />
Context and contemporaneity: legacy artworks and how they mark the city<br />
Canberra has an important legacy of mid-century public art and we are especially fortunate to have the work of significant women artists<br />
Margel Hinder Margo Lewers and Barbara Hepworth as part of our everyday streetscape at the Rex Hotel, Woden Town Centre and<br />
Commonwealth Park. Curators Virginia Rigney Cassie Plate and Elanor Clayton discuss the significance of those works.<br />
Brett Stone and Sonja Van der Harr artists who have made new work in response to the legacies of this period for both festivals will discuss<br />
their work.<br />
CASSI PLATE<br />
Cassi Plate is a curator, writer and former ABC broadcaster. As the daughter of artists Carl and Jocelyn Plate, she grew up around a circle<br />
of modern artists in Sydney that included Frank and Margel Hinder and Gerald and Margo Lewers. She has contributed an essay to the<br />
recent publication Margo Lewers No Limits 2022, and in 2015 she curated SYDNEY 6: Hinders, Lewers, Plates. Abstract <strong>Art</strong>ists, Friends,<br />
Partners, Siblings 1940s-1970s' for Newcastle <strong>Art</strong> Gallery.<br />
BRETT STONE<br />
Brett Stone became a potter after years of representing ceramic artists in his other life as an art dealer. Focussing on the bowl, he<br />
incorporates these into stacks and massed groupings. His interest in the raw materials in clay and glazes often shape his interpretation of<br />
landscape and interiors. Each bowl is like a potted history from our personal narrative and experiences.vBrett is based in Sydney and is<br />
represented by Utopia <strong>Art</strong>. He is a founder and director of Claypool, a large communal ceramic studio in Sydney and has exhibited for over<br />
20 years.<br />
SONIA VAN DER HARR<br />
Painting brutalist buildings is a purely hypothetical exercise, a playful imagining of an act I would in reality find hard to support.<br />
Applying paint to off-form concrete (an ephemeral coating over an extremely durable surface) goes against my thinking about<br />
materials in architecture. Yet, the temptation of these monolithic structures with their impervious façades and bold geometry was<br />
impossible to resist. Now middle-aged, not of heritage status, and no longer novel, brutalist buildings across the country are ripe for<br />
transformation.
Session Three<br />
How to succeed in public art: Knowledge transfer and role of mentors<br />
There are few “how to” templates to build knowledge in making public art. The third session explores how to succeed in public art and the roles of<br />
knowledge transfer and role of mentors. The DESIGN Canberra DISCOVER: Craft + Design Trail aims to support craft artist and designers to create<br />
work for the public realm. DISCOVER offered participating artists the opportunity to work with an established artistic mentor, as well as significant<br />
financial support to develop and make a work of public art.<br />
Facilitated by Jodie Cunningham (CEO, Craft ACT and visual artist) who has experience in both commissioning and being commissioned to create<br />
public art – this session showcases the work of artists and mentors who have worked on public art projects for both the urban and health<br />
environments. Craft and Design artists Hannah Quinlivan and Rosie Armstrong discuss their experience working with mentors for the DESIGN<br />
Canberra <strong>Discover</strong>: Craft + Design trail (supported by City Renewal Authority.) Textile artist Annie Trevillian and curator Jennifer McFarlane discuss<br />
the complex process of developing work for the Canberra Hospital environment
We Dance Together<br />
Graphic Intervention<br />
Jodie Cunningham<br />
DESIGN Canberra 2017
Canberra Journeys<br />
Jodie Cunningham<br />
Woolley St Dickson<br />
Canberra Futures<br />
Jodie Cunningham<br />
Enlighten 2020
LOCKDOWN
+DISCOVER CRAFT & DESIGN TRAIL, CITY WEST<br />
Supported by the City Renewal Authority and<br />
Canberra <strong>Art</strong> Biennial<br />
DISCOVER: Craft + Design Trail is a Craft ACT members<br />
mentoring project in which six local craftspeople and<br />
designers have participated in this unique experience, been<br />
mentored to reframe their practice for the public context<br />
and share the value of contemporary craft with wider<br />
audiences.<br />
The trail engages audiences in a process of discovery and<br />
delight in City West until 20 November 2022.<br />
Mentors<br />
Nick Stranks -<br />
Casting<br />
Valerie Kirk -<br />
Textiles<br />
Sam Tomkins -<br />
Digital fabrication<br />
Thor Diesendorf -<br />
Wood<br />
<strong>Art</strong>ists<br />
S.A. Adair Rose Armstrong Hannah Quinlivan Lan Nguyen-hoan Sam Sheppard Studio Bud
S.A Adair<br />
Hannah Quinlivin<br />
+DISCOVER ART AND CRAFT TRAIL<br />
CITY WEST<br />
Supported by the City Renewal Authority,<br />
Canberra <strong>Art</strong> Biennial<br />
Graham Humphries and Meredith Hinchliffe<br />
Lan Nguyen-hoan<br />
Studio Bud<br />
Sam Shepherd<br />
Rosie Armstrong
+PUBLIC ART INSTALLATIONS<br />
S.A. Adair Rose Armstrong Hannah Quinlivan
+PUBLIC ART INSTALLATIONS<br />
Supported by Canberra Airport Group
Session Three: Speakers<br />
JENNIFER MCFARLANE<br />
Dr Jennifer McFarlane is an art historian and the inaugural Curator of <strong>Art</strong>s in Health at Canberra Health Services (since 2012) where she has<br />
worked with some of the ACT Regions’ most interesting artists in a range of unique and challenging environments. She is a member of the<br />
National <strong>Art</strong>s in Health Community of Practice (COP) working towards the integration of contemporary arts in health environments,<br />
including through the significant development and implementation of The Australasian Health Facilities Guidelines <strong>Art</strong>s in Heath<br />
Framework. Jenny has worked with diverse public collections in the ACT for many years. Research interests include the work of artists<br />
from the Canberra region and the intersection of arts and health. She is co-author of <strong>Art</strong>s + Health: New Approaches to <strong>Art</strong>s and Robots in<br />
Health Care, International Conference on Human Robot Interaction at the University of Cambridge (2020).<br />
ANNIE TREVILLIAN<br />
Annie Trevillian is an established Canberra based textile designer, artist and screen printer with a professional studio practice<br />
spanning more than 30 years. She is a long-time member of Megalo Print Studio and CraftACT. Previous commissioned work and<br />
projects such as Sydney Harbour YHA (2009), What Still Remains (2012) and Canberra Centenary Community Tapestry Project (2013)<br />
have involved adapting archival materials with historical and cultural research into images and motifs that explore and interpret<br />
heritage sites, places and experiences. Annie is represented in the National Gallery of Australia, artsACT (local government), Canberra<br />
Museum and Gallery, ACT Legislative Assembly, National Library of Australia and State Libraries, Megalo Print Studio Archive, Royal<br />
Automobile Club of Victoria Print Collection as well as private collections in Australia and overseas.<br />
MORAIG MCKENNA<br />
Moraig Mckenna is the <strong>Public</strong> Programs Manager at Craft ACT and develops delivers and evaluates a range of public programs for diverse<br />
audiences including public arts installations, craft and design workshops, creative kids programs, professional development programs for<br />
artists. Moraig is an accomplished ceramic artist and specialises in wood fired and salt glazed pottery. She has a bachelor of Education<br />
from Melbourne University and a Master of <strong>Art</strong>s by research from Southern Cross University. Moraig exhibits regularly both in Australia and<br />
overseas. She has work in private collections in China, The United States, Singapore, Europe and Australia and in the public collection of<br />
the Canberra Museum and Gallery.<br />
ROSIE ARMSTRONG<br />
Rosie Armstrong lives and works on Ngunnawal and Ngambri Country. She graduated with First Class Honours in Visual <strong>Art</strong> (Textiles) at the<br />
ANU School of <strong>Art</strong> and Design in 2021. Her practice has evolved to be an investigation of the nuance and effects of change in response to<br />
growing concern over lack of engagement with climate change. This has employed a range of methods including textile, ceramic and<br />
digital processes such as laser cutting. Rosie has extensive workshop facilitation experience and a passion for community engagement<br />
projects. She has assisted Lucy Irvine and Hannah Quinlivan on large scale public art projects, both who incorporate textiles into public<br />
installation.
Session Three: Panel Discussion
SYMPOSIUM: DESIGN THINKING, LEARNING AND MAKING IN CANBERRA: LEGACIES AND<br />
NEW INITIATIVES<br />
A DESIGN Canberra event in collaboration with Canberra Museum and Gallery and The Australian National University.<br />
Fri 04 Nov 2022<br />
18:00 – 20:00<br />
Canberra Museum & Gallery, London Circuit, Canberra ACT, Australia<br />
$44 – $55<br />
BOOK NOW<br />
+Virginia Rigney - Canberra Museum and Gallery<br />
+Jason Smith – Geelong Gallery Director and CEO<br />
+ Blanche Tilden – Contemporary jeweller<br />
+ Tom Moore – Glass artist<br />
+ Dr Erica Seccombe – Australian National University<br />
+ Jeffery Sarmiento – Senior Lecturer in the School of <strong>Art</strong> and Design at the<br />
Australian National University<br />
+ Bronwyn Sargeson – Glass artist, Glassworks Residency recipient and CMAG<br />
EASS exhibition recipient<br />
+ Jonathon Zalakos – Contemporary jeweller, recipient of the ANU Robert Foster<br />
Jewellery and Object Scholarship<br />
+ Elliot Bastianon – Current ANU SOAD Phd Candidate, Practices in design and<br />
conceptual making<br />
Canberra is now recognised as a place of excellence in making but how did we get here and what is going to<br />
be important for growing this reputation. Join us for a discussion about design thinking, learning and making <br />
in Canberra with artists who are leaders in the fields of glass, jewellery and object design to explore both<br />
recent histories and current practices. Session One focuses on the work of two outstanding artists who are<br />
represented with their major survey exhibitions at CMAG, Blanche Tilden’s Ripple Effect, and Tom Moore’s<br />
Abundant Wonder. Although their practices appear completely different, Tilden and Moore share the<br />
experience of study and making in Canberra. They met in Canberra at the ANU Glass workshop at School of<br />
<strong>Art</strong> & Design (SOAD) in the early 90s’ and have gone on to become critically acclaimed artists and leaders in<br />
their field. In conversation with Jason Smith, Geelong Gallery Director and CEO, Blanche and Tom will reveal<br />
their vision, influences and the inspirations that drive their practice, while reflecting also upon their<br />
experiences of living and working in Canberra during the early part of their careers and the practicalities of<br />
building their practices through different educational and mentoring opportunities. Session Two Chaired by<br />
artist Dr Erica Secombe, brings us into the present with current early career artists Bronwyn Sargeson, Elliot<br />
Bastianon and Jonathan Zalakos recipient of of the 2022 Robert Foster Award with senior glass artist Jeffery<br />
Sarimento Recently joined as Senior Lecturer ANU.
+DESIGN CANBERRA & THE FORAGE | SAT 5 NOVEMBER
+DESIGN CANBERRA DAIRY ROAD MARKET |6 NOVEMBER
+CRAFT + DESIGN AUCTION + CLOSING<br />
PARTY<br />
Supported by Home by Holly
Please join us for drinks in<br />
the foyer<br />
THANKS TO:<br />
LAKE GEORGE WINERY<br />
CAPITAL BREWING<br />
THE PROSECCO CONSORTIUM
D I S C O V E R :<br />
P u b l i c A r t<br />
i n C a n b e r r a<br />
2 0 2 2
Many more DESIGN Canberra Festival<br />
programs and exhibitions at<br />
insert QR code<br />
<br />
The 2022 Festival presents exhibitions <br />
and programs featuring over 90 artists,<br />
craftspeople and designers and<br />
showcases the best of contemporary<br />
craft and design.