The Communications of the TEX Users Group Volume 29 ... - TUG
The Communications of the TEX Users Group Volume 29 ... - TUG
The Communications of the TEX Users Group Volume 29 ... - TUG
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Table 1 shows <strong>the</strong> MOS scores for individual words<br />
<strong>of</strong> each font and <strong>the</strong> total average.<br />
Table 1: MOS results for each font.<br />
<strong>The</strong> results clearly show an increased comfort<br />
with <strong>the</strong> parameterized font with respect to <strong>the</strong> o<strong>the</strong>r<br />
popularly used fonts. One feature clearly distinguishing<br />
<strong>the</strong> different fonts is kerning. This is very evident<br />
in words 1, 3, 5, 6, 9, 11, 13, and 14 which had kerning<br />
applied. <strong>The</strong> addition <strong>of</strong> smooth kashīdas for<br />
extension also results in a large difference in scores<br />
as with words 7, 10, and especially 12 which contains<br />
a long kashīda. <strong>The</strong> results <strong>of</strong> word 15 show that <strong>the</strong><br />
use <strong>of</strong> complex ligatures is also an important feature<br />
for <strong>the</strong> comfort <strong>of</strong> readers. We believe that more<br />
work and collaboration with calligraphers can yield<br />
even better results.<br />
Meta-designing parameterized Arabic fonts for AlQalam<br />
6 Conclusion<br />
<strong>The</strong> work covered in this paper is just a small step<br />
towards <strong>the</strong> realization <strong>of</strong> a system to produce output<br />
comparable to that created by Arabic calligraphers,<br />
and much more work is still needed. We need to complete<br />
our design and finish all <strong>the</strong> required shapes.<br />
<strong>The</strong>re is a strong need for non-engineering research<br />
on <strong>the</strong> readability and legibility <strong>of</strong> <strong>the</strong> different<br />
kinds <strong>of</strong> Arabic fonts comparable to <strong>the</strong> many studies<br />
conducted on Latin letters. It is important to<br />
categorize <strong>the</strong> different calligraphers’ writing styles<br />
as well as <strong>the</strong> regular computer typefaces: are <strong>the</strong>y<br />
easy and fast to read in long texts, or not? Which<br />
are better to use in titles or o<strong>the</strong>r ‘isolated’ materials,<br />
and which are better for <strong>the</strong> running text?<br />
By presenting our effort, we hope to open <strong>the</strong><br />
door for future exciting work from many researchers.<br />
References<br />
[1] <strong>The</strong> Holy Qur’an. King Fahd Complex for<br />
Printing <strong>the</strong> Holy Qur’an, Madinah, KSA,<br />
1986.<br />
[2] Fawzy Salem Afify. ta‘leem al-khatt al-‘arabi<br />
[Teaching Arabic calligraphy]. Dar Ussama,<br />
Tanta, Egypt, 1998.<br />
[3] Mohamed Jamal Eddine Benatia, Mohamed<br />
Elyaakoubi, and Azzeddine Lazrek. Arabic text<br />
justification. <strong>TUG</strong>boat, 27(2), January 2007.<br />
[4] Donald E. Knuth. Computer Modern Typefaces,<br />
volume E <strong>of</strong> Computers and Typesetting.<br />
Addison-Wesley, Reading, MA, USA, 1986.<br />
[5] Mahdy Elsayyed Mahmoud. al-khatt al-‘arabi,<br />
dirasah tafsiliya muwassa‘a [Arabic calligraphy,<br />
a broad detailed study]. Maktabat al-Qur’an,<br />
Cairo, Egypt, 1995.<br />
[6] Thomas Milo. Arabic script and typography:<br />
A brief historical overview. In John D. Berry,<br />
editor, Language Culture Type: International<br />
Type Design in <strong>the</strong> Age <strong>of</strong> Unicode, pages<br />
112–127. Graphis, November 2002.<br />
[7] Ameer M. Sherif and Hossam A. H. Fahmy.<br />
Parameterized Arabic font development for<br />
AlQalam. <strong>TUG</strong>boat, <strong>29</strong>(1), January 2008.<br />
[8] Ahmad Sabry Zayed. ahdath al-turuq leta‘leem<br />
al-khotot al-‘arabiya [New methods for learning<br />
Arabic calligraphy]. Maktabat ibn-Sina, Cairo,<br />
Egypt, 1990.<br />
<strong>TUG</strong>boat, <strong>Volume</strong> <strong>29</strong> (2008), No. 3 — Proceedings <strong>of</strong> <strong>the</strong> 2008 Annual Meeting 443