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A first draft of PQ, Issue 2.

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PQ.<strong>02</strong><br />

10.22


OCTOBER 22<br />

01<br />

Fotofocus<br />

Susan Ferrari Rowley<br />

ARTIVIST<br />

featuring Vince Fraser<br />

Fotofocus<br />

Billy Colbert<br />

09<br />

10<br />

<strong>02</strong><br />

11<br />

03<br />

12<br />

04<br />

05<br />

06<br />

Artist Talk<br />

6:30 - 8:30pm<br />

14<br />

07<br />

ARTIVIST featuring Vince Fraser<br />

October 13 - 16th, 10am - 3pm at Studeo PAR-<br />

TH<br />

13<br />

FRI<br />

Opening Reception<br />

7- 10pm at Studeo PAR-<br />

SAT<br />

08<br />

15 16<br />

FRI SAT SUN<br />

17 18 19 20 21 22<br />

Susan Ferrari Rowley<br />

artist talk at Studeo PAR-<br />

Content:<br />

03<br />

“JAM”<br />

PQ.<strong>02</strong><br />

04 05<br />

Your Art<br />

Here<br />

Susan<br />

Ferrari<br />

Rowley<br />

07<br />

A Word<br />

from<br />

Jonathan<br />

Studio Views<br />

Billy Colbert<br />

Vince Fraser<br />

Susan Ferrari Rowley<br />

10<br />

Live from<br />

the ish<br />

Stage<br />

Designed by: Henry M. Lindeman<br />

henrymlindeman.com<br />

NOV.<br />

29<br />

23 24 25 26 27 28 SAT 30 31<br />

Save The Date<br />

Studio Views Reception<br />

SAT<br />

19<br />

DECEMBER?


Featured Artist Spotlight<br />

Words by Henry Lindeman<br />

Susan<br />

Ferrari<br />

Rowley<br />

Using welded<br />

aluminum and hand<br />

sewn fabrics, Susan<br />

Ferrari Rowley<br />

explores lines, space, form, and human emotion.<br />

Since the start of her career, Rowley — who<br />

acquired her MST and MFA at Rochester<br />

Institute of Technology in New York — has<br />

pushed boundaries and has played a major role<br />

in promoting the use of fabric in the world of<br />

fine art. Her work raises questions about the<br />

standards for what is considered a proper<br />

medium for sculpture.<br />

Susan Ferrari Rowley<br />

Alterations In Dystopia<br />

[Studio Views]<br />

Photos on fabric, stretched<br />

over aluminum frames<br />

Inspired by cultural <strong>issue</strong>s she experiences in her<br />

own life, her sculptures play with the balance of<br />

positive and negative space to create forms that<br />

seem to defy gravity.<br />

Susan Ferrari Rowley has won best in show at<br />

The International Art Competition and she has<br />

been accepted into the prestigious OK Harrison<br />

Gallery in Manhattan.<br />

Her national recognition is especially impressive<br />

when considering that only 5-7% of work in<br />

galleries was done by a woman. Even less create<br />

large sculptural pieces like Rowley does.<br />

Her latest work for Photofocus combines<br />

photography with her signature metal and fabric<br />

sculptures. Rowley continues to push boundaries<br />

and surpass expectations with her beautiful and<br />

unique sculptures.<br />

photo credit:<br />

Kristen Kampo Fine Art


photo: Scott Beseler<br />

“JAM” was a 7-week juried multi-media<br />

exhibition of 15 regional artists.<br />

Erika Nj Allen, Scott Beseler, Monte Briganza,<br />

Benjamin Britton, Stephen Childres,<br />

Yvonne Van Eijden, Devon Horton, Iman Jabrah,<br />

Tom Kinsel, Rachel Linneman, Carol McConnell,<br />

Mary Barr Rhodes, Kate Rowekamp,<br />

Matthew Shelton, and Doug Sovonick<br />

We are now accepting applications for our Open Call for Proposals for solo<br />

exhibitions during our 2<strong>02</strong>3/2<strong>02</strong>4 season at The Gallery at Studeo PAR-<br />

Visit our website or the following link for more information.<br />

https://bit.ly/<strong>par</strong>2<strong>02</strong>3solo


Collisions – sometimes aggressive and<br />

oftentimes unnoticed – can signify a<br />

change in current, but maybe more<br />

importantly can result in increased<br />

amplitude. This goes for social efforts,<br />

oceanic, and auditorial. The more<br />

wavelengths we find ourselves around<br />

oftentimes translates to increased<br />

levels of opportunity.<br />

A Word from Jonathan<br />

photo: Wade McMillan<br />

I lead with this as we find ourselves<br />

amongst some colliding energies, over on<br />

Hoffner Street. And while some are tough<br />

to deal with, all at least seemed to be<br />

lined with silver. This is one reason why I’d<br />

like to publically share some of the things<br />

we’re battling through.<br />

If you’re familiar with our journey, you<br />

probaly already know that it’s one built<br />

on adversity. We often get knocked back<br />

a step or two before powering ahead, two<br />

The win here is<br />

that more time<br />

can be spent<br />

building...<br />

or three paces. Our work is akin to an NFL<br />

offensive line. We must protect our quarterback<br />

– our mission to empower diverse<br />

communities of people who believe in<br />

the arts – while creating room for impactful<br />

runs, like the opening of new exhibitions.<br />

Still, long gains like the creation of our new<br />

facility remain in the mix.<br />

In the coming months, I plan to do a more<br />

reflective dive on the status of PAR-. But<br />

for the sake of time, I’d like to simply s<strong>par</strong>k<br />

some curiosity. Questions later.<br />

What’s ap<strong>par</strong>ent to our team is that this<br />

should be our third PAR-Quarterly, but it’s<br />

only our second. Growing pains are real.<br />

Since launching PQ, we’ve lost our leader of<br />

Development, so a number of our communication<br />

efforts are on the struggle bus. But<br />

in the same breath, we gained our first ever<br />

design intern. The win here is that more time<br />

can be spent building and growing relationships,<br />

while small yet time-consuming design<br />

projects can be handled by others. But again,<br />

on the other side of the coin, items like our<br />

IOBY campaign completely stalled as that<br />

was a development-based effort …but don’t<br />

worry, we’re still pushing.<br />

Pushing, pushing, pushing.<br />

But before rambling on, “THANK YOU!!”<br />

to all of you who wrote letters to our state<br />

representatives to support the $350,000<br />

funding recommendation we received from<br />

Hamilton County!!<br />

Sadly, without a proper lobbyist in place,<br />

we were cut from the state budget in the<br />

final hours. Ouch... “Maybe next time is<br />

what they say.” New levels of pain were<br />

felt in that moment. But again, from<br />

unexpected corners, a number of donors<br />

and organizations like The Greater Cincinnati<br />

Foundation helped us raise close<br />

to $50,000 in less than two months. And<br />

while nowhere near $350K, this catalyzed<br />

two extremely important things. 1) It<br />

reminded us that we are not alone in our<br />

mission to bring more equality to the arts


...to give our<br />

humble, Blackled<br />

organization<br />

a bit of your<br />

time.<br />

…and 2) It brought our capital campaign dollars<br />

to the $300,000 mark, which green-lighted<br />

our $150,000 funding match from The Carol<br />

Ann and Ralph V. Haile Jr. Foundation.<br />

Wait, what? …so you’re fully funded?!?<br />

I’m sharing these notes to remind folks that the<br />

PAR- train rolls on. In today’s case, we’re more<br />

of a boat getting splashed around as the tide<br />

continues to do as it chooses. But ultimately, as<br />

we look to close out another year, the most important<br />

takeaway is that we are alive and well.<br />

We’re still continuing to fundraise on both IOBY<br />

and via our website. We’re still hosting events<br />

and planning for next year. We’re still working<br />

with Team B Architecture & Design, and a few<br />

others, on the full redesign of our Northside<br />

Headquarters. Studeo PAR- continues to grow<br />

and create opportunities for local and visiting<br />

artists alike.<br />

So frankly, if you haven’t plugged back into<br />

PAR- since the onset of COVID, maybe it’s time<br />

to give our humble, Black-led organization a bit<br />

of your time. Schedule a call. Schedule a lunch.<br />

Schedule a visit to our growing campus. We’re<br />

here to build, but can only build something<br />

great when your voice becomes <strong>par</strong>t of the<br />

conversation.<br />

Onward we flow,<br />

Jonathan<br />

fresh music was<br />

LIVE from<br />

The ish Stage.<br />

On Saturday<br />

August 27th<br />

Special thanks to:<br />

DJ Pillo,<br />

The Chaya Jones Experience<br />

Patterns of Chaos<br />

Siri Imani w/ Jess Lamb and The Factory,<br />

PAR- hosted its first major fundraiser since the<br />

advent of the Covid-19 pandemic in March of<br />

2<strong>02</strong>0.OUR- Block Party was a neighborhood<br />

extravaganza that inclued an Outdoor Art Market<br />

along Hoffner Street, LIVE Music on the ish Festival<br />

Stage, as well as a Beer & Cocktail Garden<br />

sponsored by the good folks at Rhinegeist<br />

Brewery and Pour Mobile Wine Bar.<br />

With dozens of <strong>par</strong>ticipating vendors and<br />

organizations and hundreds of attendees, OUR-<br />

Block Party is sure to become a summer staple<br />

on Hoffner Street.<br />

photos: Scott Beseler


Henry’s<br />

Corner<br />

Canary by Lieko Shiga<br />

https://www.liekoshiga.com/works/canary/<br />

Quiet, Pull The Strings! by Suis la Lune<br />

https://www.youtube.com/watch?v=sAFW6YlB7LA&ab_channel=stephentm<br />

World of Tomorrow by Don Hertzfeldt<br />

https://www.youtube.com/watch?v=4PUIxEWmsvI&list=WL&index=3&ab_channel=donhertzfeldt<br />

Pizza Movie by Vewn<br />

https://www.youtube.com/watch?v=8qqqXthPpWI&ab_channel=vewn<br />

Illustrations by Ochiai Shohei<br />

http://ochiaishohei.com/drawing/

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