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PQ.<strong>02</strong><br />
10.22
OCTOBER 22<br />
01<br />
Fotofocus<br />
Susan Ferrari Rowley<br />
ARTIVIST<br />
featuring Vince Fraser<br />
Fotofocus<br />
Billy Colbert<br />
09<br />
10<br />
<strong>02</strong><br />
11<br />
03<br />
12<br />
04<br />
05<br />
06<br />
Artist Talk<br />
6:30 - 8:30pm<br />
14<br />
07<br />
ARTIVIST featuring Vince Fraser<br />
October 13 - 16th, 10am - 3pm at Studeo PAR-<br />
TH<br />
13<br />
FRI<br />
Opening Reception<br />
7- 10pm at Studeo PAR-<br />
SAT<br />
08<br />
15 16<br />
FRI SAT SUN<br />
17 18 19 20 21 22<br />
Susan Ferrari Rowley<br />
artist talk at Studeo PAR-<br />
Content:<br />
03<br />
“JAM”<br />
PQ.<strong>02</strong><br />
04 05<br />
Your Art<br />
Here<br />
Susan<br />
Ferrari<br />
Rowley<br />
07<br />
A Word<br />
from<br />
Jonathan<br />
Studio Views<br />
Billy Colbert<br />
Vince Fraser<br />
Susan Ferrari Rowley<br />
10<br />
Live from<br />
the ish<br />
Stage<br />
Designed by: Henry M. Lindeman<br />
henrymlindeman.com<br />
NOV.<br />
29<br />
23 24 25 26 27 28 SAT 30 31<br />
Save The Date<br />
Studio Views Reception<br />
SAT<br />
19<br />
DECEMBER?
Featured Artist Spotlight<br />
Words by Henry Lindeman<br />
Susan<br />
Ferrari<br />
Rowley<br />
Using welded<br />
aluminum and hand<br />
sewn fabrics, Susan<br />
Ferrari Rowley<br />
explores lines, space, form, and human emotion.<br />
Since the start of her career, Rowley — who<br />
acquired her MST and MFA at Rochester<br />
Institute of Technology in New York — has<br />
pushed boundaries and has played a major role<br />
in promoting the use of fabric in the world of<br />
fine art. Her work raises questions about the<br />
standards for what is considered a proper<br />
medium for sculpture.<br />
Susan Ferrari Rowley<br />
Alterations In Dystopia<br />
[Studio Views]<br />
Photos on fabric, stretched<br />
over aluminum frames<br />
Inspired by cultural <strong>issue</strong>s she experiences in her<br />
own life, her sculptures play with the balance of<br />
positive and negative space to create forms that<br />
seem to defy gravity.<br />
Susan Ferrari Rowley has won best in show at<br />
The International Art Competition and she has<br />
been accepted into the prestigious OK Harrison<br />
Gallery in Manhattan.<br />
Her national recognition is especially impressive<br />
when considering that only 5-7% of work in<br />
galleries was done by a woman. Even less create<br />
large sculptural pieces like Rowley does.<br />
Her latest work for Photofocus combines<br />
photography with her signature metal and fabric<br />
sculptures. Rowley continues to push boundaries<br />
and surpass expectations with her beautiful and<br />
unique sculptures.<br />
photo credit:<br />
Kristen Kampo Fine Art
photo: Scott Beseler<br />
“JAM” was a 7-week juried multi-media<br />
exhibition of 15 regional artists.<br />
Erika Nj Allen, Scott Beseler, Monte Briganza,<br />
Benjamin Britton, Stephen Childres,<br />
Yvonne Van Eijden, Devon Horton, Iman Jabrah,<br />
Tom Kinsel, Rachel Linneman, Carol McConnell,<br />
Mary Barr Rhodes, Kate Rowekamp,<br />
Matthew Shelton, and Doug Sovonick<br />
We are now accepting applications for our Open Call for Proposals for solo<br />
exhibitions during our 2<strong>02</strong>3/2<strong>02</strong>4 season at The Gallery at Studeo PAR-<br />
Visit our website or the following link for more information.<br />
https://bit.ly/<strong>par</strong>2<strong>02</strong>3solo
Collisions – sometimes aggressive and<br />
oftentimes unnoticed – can signify a<br />
change in current, but maybe more<br />
importantly can result in increased<br />
amplitude. This goes for social efforts,<br />
oceanic, and auditorial. The more<br />
wavelengths we find ourselves around<br />
oftentimes translates to increased<br />
levels of opportunity.<br />
A Word from Jonathan<br />
photo: Wade McMillan<br />
I lead with this as we find ourselves<br />
amongst some colliding energies, over on<br />
Hoffner Street. And while some are tough<br />
to deal with, all at least seemed to be<br />
lined with silver. This is one reason why I’d<br />
like to publically share some of the things<br />
we’re battling through.<br />
If you’re familiar with our journey, you<br />
probaly already know that it’s one built<br />
on adversity. We often get knocked back<br />
a step or two before powering ahead, two<br />
The win here is<br />
that more time<br />
can be spent<br />
building...<br />
or three paces. Our work is akin to an NFL<br />
offensive line. We must protect our quarterback<br />
– our mission to empower diverse<br />
communities of people who believe in<br />
the arts – while creating room for impactful<br />
runs, like the opening of new exhibitions.<br />
Still, long gains like the creation of our new<br />
facility remain in the mix.<br />
In the coming months, I plan to do a more<br />
reflective dive on the status of PAR-. But<br />
for the sake of time, I’d like to simply s<strong>par</strong>k<br />
some curiosity. Questions later.<br />
What’s ap<strong>par</strong>ent to our team is that this<br />
should be our third PAR-Quarterly, but it’s<br />
only our second. Growing pains are real.<br />
Since launching PQ, we’ve lost our leader of<br />
Development, so a number of our communication<br />
efforts are on the struggle bus. But<br />
in the same breath, we gained our first ever<br />
design intern. The win here is that more time<br />
can be spent building and growing relationships,<br />
while small yet time-consuming design<br />
projects can be handled by others. But again,<br />
on the other side of the coin, items like our<br />
IOBY campaign completely stalled as that<br />
was a development-based effort …but don’t<br />
worry, we’re still pushing.<br />
Pushing, pushing, pushing.<br />
But before rambling on, “THANK YOU!!”<br />
to all of you who wrote letters to our state<br />
representatives to support the $350,000<br />
funding recommendation we received from<br />
Hamilton County!!<br />
Sadly, without a proper lobbyist in place,<br />
we were cut from the state budget in the<br />
final hours. Ouch... “Maybe next time is<br />
what they say.” New levels of pain were<br />
felt in that moment. But again, from<br />
unexpected corners, a number of donors<br />
and organizations like The Greater Cincinnati<br />
Foundation helped us raise close<br />
to $50,000 in less than two months. And<br />
while nowhere near $350K, this catalyzed<br />
two extremely important things. 1) It<br />
reminded us that we are not alone in our<br />
mission to bring more equality to the arts
...to give our<br />
humble, Blackled<br />
organization<br />
a bit of your<br />
time.<br />
…and 2) It brought our capital campaign dollars<br />
to the $300,000 mark, which green-lighted<br />
our $150,000 funding match from The Carol<br />
Ann and Ralph V. Haile Jr. Foundation.<br />
Wait, what? …so you’re fully funded?!?<br />
I’m sharing these notes to remind folks that the<br />
PAR- train rolls on. In today’s case, we’re more<br />
of a boat getting splashed around as the tide<br />
continues to do as it chooses. But ultimately, as<br />
we look to close out another year, the most important<br />
takeaway is that we are alive and well.<br />
We’re still continuing to fundraise on both IOBY<br />
and via our website. We’re still hosting events<br />
and planning for next year. We’re still working<br />
with Team B Architecture & Design, and a few<br />
others, on the full redesign of our Northside<br />
Headquarters. Studeo PAR- continues to grow<br />
and create opportunities for local and visiting<br />
artists alike.<br />
So frankly, if you haven’t plugged back into<br />
PAR- since the onset of COVID, maybe it’s time<br />
to give our humble, Black-led organization a bit<br />
of your time. Schedule a call. Schedule a lunch.<br />
Schedule a visit to our growing campus. We’re<br />
here to build, but can only build something<br />
great when your voice becomes <strong>par</strong>t of the<br />
conversation.<br />
Onward we flow,<br />
Jonathan<br />
fresh music was<br />
LIVE from<br />
The ish Stage.<br />
On Saturday<br />
August 27th<br />
Special thanks to:<br />
DJ Pillo,<br />
The Chaya Jones Experience<br />
Patterns of Chaos<br />
Siri Imani w/ Jess Lamb and The Factory,<br />
PAR- hosted its first major fundraiser since the<br />
advent of the Covid-19 pandemic in March of<br />
2<strong>02</strong>0.OUR- Block Party was a neighborhood<br />
extravaganza that inclued an Outdoor Art Market<br />
along Hoffner Street, LIVE Music on the ish Festival<br />
Stage, as well as a Beer & Cocktail Garden<br />
sponsored by the good folks at Rhinegeist<br />
Brewery and Pour Mobile Wine Bar.<br />
With dozens of <strong>par</strong>ticipating vendors and<br />
organizations and hundreds of attendees, OUR-<br />
Block Party is sure to become a summer staple<br />
on Hoffner Street.<br />
photos: Scott Beseler
Henry’s<br />
Corner<br />
Canary by Lieko Shiga<br />
https://www.liekoshiga.com/works/canary/<br />
Quiet, Pull The Strings! by Suis la Lune<br />
https://www.youtube.com/watch?v=sAFW6YlB7LA&ab_channel=stephentm<br />
World of Tomorrow by Don Hertzfeldt<br />
https://www.youtube.com/watch?v=4PUIxEWmsvI&list=WL&index=3&ab_channel=donhertzfeldt<br />
Pizza Movie by Vewn<br />
https://www.youtube.com/watch?v=8qqqXthPpWI&ab_channel=vewn<br />
Illustrations by Ochiai Shohei<br />
http://ochiaishohei.com/drawing/