OU_214051 UNIVERSA - Osmania University

OU_214051 UNIVERSA - Osmania University OU_214051 UNIVERSA - Osmania University

oudl.osmania.ac.in
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72 MAINLY MAIGRET and never notice nothing, even if the meat's burning to a cinder. Of course he's that wrapped up in his studies he don't notice things like we do. ..." Elie accepted the compliment with a modest smile, and sat down again. " You must find it dull here, Monsieur Elie." " Not in the least, I assure you." " Still, it's very different from what you're used to, isn't it? From what you told me, you had such a gay life at home. Really I can't understand why you don't go out a bit. When I look at you and Antoinette I sometimes think that she's the boy and you're the girl—if you see what I mean." He was quite prepared, if she asked him, to do anything: to peel potatoes, even to scour the saucepans. Only one thing mattered: to be allowed to stay here, in this snug little kitchen with the whiteenamelled walls, whose atmosphere and odours were already more familiar to him than those of his far-away home. " Antoinette! " Madame Baron shouted. " Don't forget to bring the scuttles down with you." Elie hadn't seen Antoinette so far that morning, and there was more than curiosity in his eyes when she appeared in the doorway. But she deliberately ignored him, and, carrying the scuttles, walked straight across the room towards the scullery. Her mother scowled at her. " Well, can't you wish Monsieur Elie ' Good morning'? " " Good morning." " Want to be smacked, do you? " " Oh, please don't scold her! " Elie protested. " I can't abide manners like that. Especially as you're always so nice and polite to her." Antoinette gave Elie a long stare with her red-flecked eyes; a stare that seemed to say: " I'll pay you out for that, my man! " And Elie quailed before her, and shrank back still farther into the armchair, which for some moments had been giving him a queer impression of penning him in, like a wickerwork cage.... • The mural decoration of the Merryland was nothing if not modern. The artist had begun by painting a series of wavy blue lines to suggest the sea. Between these were inserted shoals of pink,

THE LODGER 73 gold, and vividly green fishes, hovering in the same translucent medium as a fishing-boat and a larger craft resembling a Noah's Ark. In the foreground was a broad band of yellow, presumably a beach, on which reclined a bevy of bathing beauties in skilfully seductive poses. The general effect was colourful, if crude, and, the room being comparatively small, only a few people were needed to create an atmosphere of gaiety. The lights changed colour frequently, which added to the illusion of an escape from drab reality. The night was young, and so far hardly anybody had arrived. The band was playing only for the second time, and the professional dancers were turning up, singly or in pairs, shouting greetings to each other and, as they passed the bar, shaking the barman's hand. After that they gathered round a corner table, in front of empty champagne glasses, and waited. ... In a recess behind a pillar Sylvie was sitting beside the young man with the flowing tie; he had been coming regularly for the last three evenings. " I can see you're worried about something," he said. " I do wish you'd tell me what it is. Or are you feeling ill? " She gazed at him with unseeing eyes and answered absentmindedly: " I'm quite all right, dear." He squeezed her hand, which he was holding under the table, and said beseechingly: " Do please confide in me. You know there's nothing in the world I wouldn't do for you." Smiling, she stroked his hair, which he wore romantically long, but all the time she was watching the door and her thoughts were elsewhere. When Jacqueline appeared, in a moleskin coat, she rose with ill-concealed eagerness, saying to the young man : " You'll excuse me for a moment, won't you? I've something to say to the girl who's just come in." The cloakroom attendant helped Jacqueline out of her coat; after which Sylvie led her to the bar. " Well? " " So far all's gone well. But, as I was coming in, I thought I saw a fellow snooping round the entrance. I asked Joseph if he'd noticed him, and he said * Yes '; the man had been standing there for an hour or so." The cabaret was still almost empty. The manager, in evening-

72 MAINLY MAIGRET<br />

and never notice nothing, even if the meat's burning to a cinder.<br />

Of course he's that wrapped up in his studies he don't notice things<br />

like we do. ..."<br />

Elie accepted the compliment with a modest smile, and sat down<br />

again.<br />

" You must find it dull here, Monsieur Elie."<br />

" Not in the least, I assure you."<br />

" Still, it's very different from what you're used to, isn't it?<br />

From what you told me, you had such a gay life at home. Really<br />

I can't understand why you don't go out a bit. When I look at you<br />

and Antoinette I sometimes think that she's the boy and you're<br />

the girl—if you see what I mean."<br />

He was quite prepared, if she asked him, to do anything: to peel<br />

potatoes, even to scour the saucepans. Only one thing mattered:<br />

to be allowed to stay here, in this snug little kitchen with the whiteenamelled<br />

walls, whose atmosphere and odours were already more<br />

familiar to him than those of his far-away home.<br />

" Antoinette! " Madame Baron shouted. " Don't forget to bring<br />

the scuttles down with you."<br />

Elie hadn't seen Antoinette so far that morning, and there was<br />

more than curiosity in his eyes when she appeared in the doorway.<br />

But she deliberately ignored him, and, carrying the scuttles, walked<br />

straight across the room towards the scullery. Her mother scowled<br />

at her.<br />

" Well, can't you wish Monsieur Elie ' Good morning'? "<br />

" Good morning."<br />

" Want to be smacked, do you? "<br />

" Oh, please don't scold her! " Elie protested.<br />

" I can't abide manners like that. Especially as you're always so<br />

nice and polite to her."<br />

Antoinette gave Elie a long stare with her red-flecked eyes; a<br />

stare that seemed to say: " I'll pay you out for that, my man! "<br />

And Elie quailed before her, and shrank back still farther into<br />

the armchair, which for some moments had been giving him a<br />

queer impression of penning him in, like a wickerwork cage....<br />

•<br />

The mural decoration of the Merryland was nothing if not<br />

modern. The artist had begun by painting a series of wavy blue<br />

lines to suggest the sea. Between these were inserted shoals of pink,

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