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OU_214051 UNIVERSA - Osmania University

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184 MAINLY MAIGRKT<br />

Having found it, she plunged straight into the middle of it,<br />

reading out:<br />

"... and I am beginning to think that you're fonder of your<br />

wife than of me. I'm beginning to be jealous of her, to hate her. . . .<br />

Otherwise, why do you refuse to take me away at once? ..."<br />

All this was translated into French, of which the farmer did not<br />

understand a word, but his attention was riveted so closely on<br />

what she was reading that he seemed to guess the sense.<br />

Madame Popinga swallowed, then picked up another sheet. Her<br />

voice was firmer as she went on:<br />

" I've heard it said that Cor was more in love with Madame<br />

Popinga than with me. Indeed, they seem to hit it off perfectly<br />

together. ... If only things could develop along those lines!<br />

Wouldn't that be a magnificent solution? Our consciences would<br />

be clear ..."<br />

The sheet of paper slipped from her hand, gliding down to rest<br />

on the floor at Any's feet.<br />

The latter stared at it vacantly, and once more there was a silence<br />

in the room. Madame Popinga was not weeping. She was none the<br />

less a tragic figure, tragic with controlled suffering, with dignity<br />

purchased at the price of intense effort—made tragic too by the high<br />

feelings which governed her.<br />

She was defending her husband's good name. She waited for a<br />

further attack, bracing herself to meet it.<br />

" When did you discover those letters? " asked Maigret, not<br />

without embarrassment.<br />

" The day after he was . .."<br />

She choked. She opened her mouth to gasp. Her eyelids swelled.<br />

"The day after..."<br />

" Yes, I understand."<br />

Maigret looked at her with pity. She was not beautiful, though<br />

she had quite good features, without any of the blemishes that<br />

ruined Any's looks.<br />

She was tall, full in the figure without being stout. A fine head<br />

of hair framed the face that, like so many Dutch women, was high<br />

in colour.<br />

But many an ugly face had more charm, more piquancy. For all<br />

over her face an immense dullness was written. In it was no trace

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