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OU_214051 UNIVERSA - Osmania University

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A CRIME IN HOLLAND 131<br />

word " farm " had another meaning here than the one he was<br />

accustomed to. For him the word had always implied a thatched<br />

roof, a manure heap, the clucking of hens, and cackle of geese.<br />

The one he now came to was a fine new building surrounded<br />

by a large garden blooming with flowers. Everything trim, quiet,<br />

and peaceful. On the canal just opposite the house, a graceful<br />

rowing-boat built of mahogany. By the gate, a lady's bicycle<br />

nickel-plated all over.<br />

He looked in vain for a bell, called, but got no answer. A dog<br />

began barking.<br />

To the left of the house was a long building with regular<br />

windows, which, however, had no curtains. You would have taken<br />

it for a shed had it not been so spick and span, and so obviously<br />

painted with an eye to colour effect.<br />

A noise of mooing came from within, and Maigret, walking round<br />

the flower-beds, found himself looking through a wide-open door.<br />

The building was in fact a cowshed, though clean as any house.<br />

Red tiles everywhere, which gave a warm glow and even a feeling<br />

of sumptuousness. Gutters everywhere to provide drainage. An<br />

ingenious mechanism controlled the fodder in the mangers. A pulley<br />

at the back of each stall, whose use Maigret only found out later.<br />

They were to hold up the cows' tails during milking and prevent<br />

dirt being flicked into the milk.<br />

The light inside was dim. All the cows were out except for one<br />

lying on its side in the first stall.<br />

A young girl came up to the visitor and began speaking to him<br />

in Dutch.<br />

" Mademoiselle Liewens? . . ."<br />

" Yes. . . . Are you French? "<br />

While she spoke she looked towards the cow. There was something<br />

a little ironical about her smile which Maigret did not understand<br />

at once.<br />

Another thing which clashed with his preconceived ideas was<br />

that Beetje Liewens wore black rubber boots, which gave her the<br />

air of a horsewoman.<br />

She was wearing a green silk dress, though it was almost entirely<br />

concealed by a white overall like that of a hospital nurse.<br />

A ruddy face, perhaps too ruddy. A healthy sunny smile, but<br />

which lacked subtlety. Big china-blue eyes and red hair.<br />

At first she seemed to have some difficulty in finding her words<br />

in French, but she soon got into her stride.

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