ESTETICA Magazine USA (3/2022)
Estetica Magazine is the world's leading hairdressing magazine. Founded in Italy in 1946 and published today in over 60 countries around the world, it is a global reference point for professionals working in the hair and beauty industry. Techniques, fashion, education and trends are at the core of every issue of Estetica Magazine. Further information about both the printed and digital versions of the magazine is available at magazines.esteticanetwork.com Estetica Magazine is the world's leading hairdressing magazine. Founded in Italy in 1946 and published today in over 60 countries around the world, it is a global reference point for professionals working in the hair and beauty industry. Techniques, fashion, education and trends are at the core of every issue of Estetica Magazine. Further information about both the printed and digital versions of the magazine is available at magazines.esteticanetwork.com
Getty Images Hair & styling: Mirza Batanovic, Eufora Style Director - Photo: Mark Short Then&NOW: updating classics We can’t rewrite history, but in the hair world, updating is expected! Tweaks, either dramatic or simple, can make a silhouette look fresh for today’s client. Some of Estetica’s favorite artists have made iconic shapes more contemporary. Maggie Mulhern Certain actresses come to mind when you say pixie (Mia Farrow) or rock stars when you think shag (Joan Jett) or mullet (David Bowie). French twist? Audrey Hepburn, of course. Do those big names (or the hairdressers who created their styles) own those designs? Not if hair artists today have anything to say about it. Famed haircutter Stephen Moody, Artistic Director, John Paul Mitchell Systems and former Sassoon Salon and Academy Director and Educator, says that updating a classic look can be as simple as changing a part or altering a fringe. “The 2022 shag is styled with a center part and is much more layered than the original ‘Coupe Sauvage’. The finish is now heavily styled and less raw,” Moody says. When it comes to the wedge of today, Moody adds that graduation makes the difference. “This time it’s a little longer and layered.” 18 trends
Sometimes just switching the tool used to cut the hair will re-energize the shape. “Many of the newer versions of iconic looks are more undone and effortless than in the past,” says Jacob Khan, Goldwell Brand Ambassador. “Switching from a scissor to a razor will soften angles so they aren’t so sharp.” TECHNIQUES AND TOOLS FOR MODERN TEXTURES Sam Villa, Co-founder and Chief Creative Officer of Sam Villa and Global Artistic Ambassador for Redken, says that today’s looks are “inspired by the past yet shaken up with inspiration from modern techniques.” Villa uses zig zag sections and overdirection to create disconnection and fractured layers while switching between a scissor and razor to cut the hair. By using a variety of tools, Villa is able to work with multiple textures to create the new shag. “Using the appropriate tool on any texture can result in something more refined or dramatic.” Working with texture and creating dramatic results is something expected from Shirley Gordon who readily admits she likes to start with basic looks before elevating to edgy. The afro has been her “go-to” silhouette throughout her 42 years of hairdressing. “When I do photo work I always use some type of afro texture, even if I’m just using it for padding,” says Gordon, a salon owner and Wella artist. To make the classic afro current, Gordon adds an interesting touch, even something like a zipper, turning that “then” into a “now.” Adds Gordon, “It also makes it fun.” Shirley Gordon adds a zipper to update the Afro while Sam Villa celebrates minimal styling effort for the new shag. Hair: Shirley Gordon, Wella Top Stylist - Photo: Roberto Ligresti Getty Images Hair: Sam Villa Photo: Nico Norsdström Getty Images
- Page 1: USA the HairMagazine HAIR-VOLUTION
- Page 7 and 8: Estetica n. 3/2022 contents PUBLISH
- Page 9 and 10: PEACOCK Natural iridescence To help
- Page 11 and 12: MULTI-DIMENSIONAL BLONDE This image
- Page 13 and 14: MESMERISING FINISH This is such a c
- Page 15 and 16: SCULPTED TEXTURE When creating this
- Page 17 and 18: NEW SHADES before 1 after 2 before
- Page 19: Viva la Vulve © Emilie Martin © R
- Page 23 and 24: The beehive is perhaps the most fun
- Page 25 and 26: absorbing any oils or sweat through
- Page 27 and 28: Best of USA “Yellow anyone? Chamo
- Page 29 and 30: Best of USA Timeless looks with cla
- Page 31 and 32: Best of USA “Nothing nostalgic ab
- Page 33: Best of USA Color placement and opt
- Page 36 and 37: NEWDIVAS From the Golden Age of Hol
- Page 38 and 39: Hair: Diego Comandulli @ Kemon Phot
- Page 40 and 41: Hair: Viktoriia Vradii Photo: Pasca
- Page 42 and 43: Greta Garbo-1931 Photo Getty Images
- Page 44 and 45: A must-have hair accessory for any
- Page 46 and 47: Hair: Ann Marie Young @ Jingles Pho
- Page 48 and 49: Photo Getty Images Diana Ross-1968
- Page 50 and 51: Hair & make-up: Beata Bourillon Pho
- Page 52 and 53: Photo Getty Images Kirsten Stewart-
- Page 54 and 55: NEWDIVAS Betty George-1956 Zsa Zsa
- Page 56 and 57: Hair: Andis Fluid V3
- Page 58 and 59: Hair: Darren Ambrose Colour: D&J Ar
- Page 60 and 61: Hair: Team Eric Zemmour Photo: Sté
- Page 62 and 63: Photo Getty Images NEWDIVAS Hair: I
- Page 64 and 65: Photo Getty Images Hair: Joseph Fer
- Page 66 and 67: Hair & make-up: Salons 1609 Pau et
- Page 68 and 69: Photo Getty Images Billie Eilish-20
Sometimes just switching the tool used to cut the hair will re-energize the shape. “Many of the newer<br />
versions of iconic looks are more undone and effortless than in the past,” says Jacob Khan, Goldwell<br />
Brand Ambassador. “Switching from a scissor to a razor will soften angles so they aren’t so sharp.”<br />
TECHNIQUES AND TOOLS FOR MODERN TEXTURES<br />
Sam Villa, Co-founder and Chief Creative Officer of Sam Villa and Global Artistic Ambassador for<br />
Redken, says that today’s looks are “inspired by the past yet shaken up with inspiration from modern<br />
techniques.” Villa uses zig zag sections and overdirection to create disconnection and fractured layers<br />
while switching between a scissor and razor to cut the hair. By using a variety of tools, Villa is able<br />
to work with multiple textures to create the new shag. “Using the appropriate tool on any texture can<br />
result in something more refined or dramatic.”<br />
Working with texture and creating dramatic results is something expected from Shirley Gordon who<br />
readily admits she likes to start with basic looks before elevating to edgy. The afro has been her “go-to”<br />
silhouette throughout her 42 years of hairdressing. “When I do photo work I always use some type of<br />
afro texture, even if I’m just using it for padding,” says Gordon, a salon owner and Wella artist. To make<br />
the classic afro current, Gordon adds an interesting touch, even something like a zipper, turning that<br />
“then” into a “now.” Adds Gordon, “It also makes it fun.”<br />
Shirley Gordon<br />
adds a zipper to<br />
update the Afro<br />
while Sam Villa<br />
celebrates minimal<br />
styling effort for<br />
the new shag.<br />
Hair: Shirley Gordon, Wella Top Stylist - Photo: Roberto Ligresti<br />
Getty Images<br />
Hair: Sam Villa Photo: Nico Norsdström<br />
Getty Images