NZPhotographer Issue 59, September 2022
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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Island Goddess<br />
Nikon D810 @ F2.8, 1/500s, ISO200, 70mm<br />
Your model works hard for you, and generally, to get<br />
shape and form through the body, a pose will feel<br />
unnatural and uncomfortable for them. A phrase I<br />
often use is,’ if it’s straight – break it!’ If the model’s<br />
spine is straight, get them to ‘break’ it at the hips, push<br />
the shoulders down and roll them forward slightly to<br />
accentuate the collar bones. If the wrist is straight<br />
when placing hands near the face, get them to break<br />
the lines of the fingers and at the wrist. By doing so we<br />
start to create beautiful soft curved lines. When the<br />
little finger is facing the camera, this is ‘feminine’, if the<br />
thumb is facing the camera, it becomes masculine.<br />
These are just some of the small nuances to be aware<br />
of when posing a model–they can make or break an<br />
image.<br />
By doing the prep work prior to a shoot and having<br />
my original concept mapped out, once I’ve captured<br />
my pre-planned idea, I can then let my mind wander<br />
and try different ideas and scenarios that come up on<br />
the day.<br />
POST-SHOOT<br />
When doing beauty portraits, or any close-up<br />
portraiture where the skin is a strong focal point and<br />
you want a refined finish, you’ll come up against skin<br />
issues as, in the real world, no one’s skin is flawless.<br />
And, from the model’s point of view, when she sees<br />
the finished image, she doesn’t want to see all her<br />
spots and flaws, so I highly recommend learning the<br />
art of skin retouching. There are numerous tutorials<br />
available on YouTube, Creativelive.com etc, that are<br />
invaluable when it comes to the different techniques<br />
used to retouch the skin in-post. (Charlotte E. Johnson<br />
gave tips on retouching in issue 49 which you<br />
might want to check out.) These are all quite timeconsuming<br />
when editing your images and you will<br />
make a few mistakes in the beginning and possibly<br />
push the process too far. But, like anything, practice<br />
makes perfect and is well worth the hours put in to get<br />
a flawless finish on the skin.<br />
I highly suggest always giving your models digital<br />
copies of your finished images. And, if you do post<br />
their images on social media, be sure to tag them.<br />
One of the more special moments on a workshop is<br />
when the model sees the finished images, and they<br />
realise how truly beautiful they are and see the magic<br />
you have created together–again reinforcing the<br />
bond between you. This alone makes photography so<br />
intensely gratifying for me personally.<br />
<strong>NZPhotographer</strong><br />
<strong>September</strong> <strong>2022</strong><br />
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