NZPhotographer Issue 59, September 2022
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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MAKEUP & COSTUME<br />
I have always been fascinated with makeup,<br />
and over the past few years have discovered<br />
that simple vs elaborate makeup and face paints<br />
photograph best.<br />
When I am running a workshop, I will often start<br />
out with very little makeup and costume on my<br />
model and change it up as the day moves on,<br />
usually finishing with elaborate makeup at the end<br />
of the day. By making slight changes to makeup,<br />
attire, and props, combined with post-processing<br />
techniques after the event, you can change a look<br />
quite dramatically.<br />
In my Pirate series, I started the shoot with a simple,<br />
purposefully uneven, white face paint. Using Prosaide<br />
cream adhesive (an adhesive for prosthetics),<br />
I glued the eye patch in place and then tied a<br />
black band around it to keep it in place. The first<br />
look was just with the eye patch. Then I added the<br />
twig crown and some tulle took those shots, and<br />
finally added the hair pieces and some gold paint.<br />
Through the power of post-processing, we can<br />
really alter the final outcome of an image and it<br />
is often not what you visualise in your mind at the<br />
time. I find a lot of my creative process is done<br />
in-post. I love the use of textures as I feel it adds<br />
another dimension to the image and also helps<br />
push it towards fine art as opposed to portrait.<br />
In the image titled ‘The Landing’ I glued the<br />
butterflies to the model’s face and shot against a<br />
tea-coloured backdrop. In-post, using the select<br />
subject tool in Photoshop, I removed her from the<br />
background, allowing me to change it to better suit<br />
the image. Not very often do I leave texture layers<br />
on the skin, but I felt this particular image suited it. It<br />
is all personal preference when it comes to creating<br />
our art - if the final image doesn’t make me<br />
happy, how will it ever make anyone else happy?<br />
My advice is to always follow your intuition when<br />
creating your art - don’t just do it to please other<br />
people or you will never develop your own unique<br />
style.<br />
I don’t necessarily enjoy the makeup application<br />
process, but for me, it is a way to bring extra<br />
meaning and uniqueness to my photography. If<br />
you are unable to do the makeup yourself, use<br />
the Facebook link I mentioned earlier, where you<br />
can find makeup artists for paid or TFP (trade for<br />
promotion), to assist you with your vision.<br />
The costume is also an important factor to consider<br />
when creating a compelling story. Do try to keep<br />
all elements within the period you are trying to<br />
recreate.<br />
The Landing<br />
Nikon D810 @ F4, 1/200s, ISO640, 60mm