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NZPhotographer Issue 59, September 2022

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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MAKEUP & COSTUME<br />

I have always been fascinated with makeup,<br />

and over the past few years have discovered<br />

that simple vs elaborate makeup and face paints<br />

photograph best.<br />

When I am running a workshop, I will often start<br />

out with very little makeup and costume on my<br />

model and change it up as the day moves on,<br />

usually finishing with elaborate makeup at the end<br />

of the day. By making slight changes to makeup,<br />

attire, and props, combined with post-processing<br />

techniques after the event, you can change a look<br />

quite dramatically.<br />

In my Pirate series, I started the shoot with a simple,<br />

purposefully uneven, white face paint. Using Prosaide<br />

cream adhesive (an adhesive for prosthetics),<br />

I glued the eye patch in place and then tied a<br />

black band around it to keep it in place. The first<br />

look was just with the eye patch. Then I added the<br />

twig crown and some tulle took those shots, and<br />

finally added the hair pieces and some gold paint.<br />

Through the power of post-processing, we can<br />

really alter the final outcome of an image and it<br />

is often not what you visualise in your mind at the<br />

time. I find a lot of my creative process is done<br />

in-post. I love the use of textures as I feel it adds<br />

another dimension to the image and also helps<br />

push it towards fine art as opposed to portrait.<br />

In the image titled ‘The Landing’ I glued the<br />

butterflies to the model’s face and shot against a<br />

tea-coloured backdrop. In-post, using the select<br />

subject tool in Photoshop, I removed her from the<br />

background, allowing me to change it to better suit<br />

the image. Not very often do I leave texture layers<br />

on the skin, but I felt this particular image suited it. It<br />

is all personal preference when it comes to creating<br />

our art - if the final image doesn’t make me<br />

happy, how will it ever make anyone else happy?<br />

My advice is to always follow your intuition when<br />

creating your art - don’t just do it to please other<br />

people or you will never develop your own unique<br />

style.<br />

I don’t necessarily enjoy the makeup application<br />

process, but for me, it is a way to bring extra<br />

meaning and uniqueness to my photography. If<br />

you are unable to do the makeup yourself, use<br />

the Facebook link I mentioned earlier, where you<br />

can find makeup artists for paid or TFP (trade for<br />

promotion), to assist you with your vision.<br />

The costume is also an important factor to consider<br />

when creating a compelling story. Do try to keep<br />

all elements within the period you are trying to<br />

recreate.<br />

The Landing<br />

Nikon D810 @ F4, 1/200s, ISO640, 60mm

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