NZPhotographer Issue 59, September 2022
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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Creating Compelling Portraits by Shelley Harvey Hard at Play – Scene from a workshop. When capturing and creating a compelling portrait, emotion plays an integral role. For centuries art has been about evoking emotion and we should always ask ourselves, how do we want the viewer to feel and how do we want to feel? Are we reaching into the depths of our own past/present experiences and touching on emotion that is within us that we need to share to heal or empower ourselves? Often when I find myself in an emotionally dark place, my work comes through as light and happy, yet when life’s worries no longer weigh on my mind, my work tends to err on the dark side. Without psychoanalysing this emotional work pattern, I guess I am trying to lift my spirits when I am feeling vulnerable by making my work light and bright and then feel emotionally safe to visit darker emotions in my images when I am in a happy place. Themes and storytelling can assist in conveying emotion. Dark and grungy themes tend to evoke anger, oppression and suffering and sorrow, whereas light and playful themes will bring about contentment, happiness and joy. By putting thought into your theme or storyline you will result in a more emotionally charged image. PLANNING THE SHOOT Inspiration for a storyline can be found all around you. I brainstorm and write down ideas and concepts before going into a photo session - anything that comes to mind, and then build on that idea or emotion. I find keeping a diary on hand a great asset, so when I come across something that sparks my imagination (it could be a colour, prop, costume, makeup, hairstyle, or theme) I write it down. I find different styles provoke different emotions. A story can spiral from just one word or object. By writing it down, I can come back to it and begin to plan it into an upcoming session. This way, when I book a model, I have a reference of numerous ideas we can put into action on the day. NZPhotographer September 2022 45
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- Page 5 and 6: CAROLE, REMIND US WHO YOU ARE... I
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- Page 13 and 14: Protors Beach Canon 5DMKIV, 24-70mm
- Page 15 and 16: Misty Morning Canon 5DMKIV, 70-300m
- Page 17 and 18: Ruakaka Beach Canon 5D MKIV, 70-200
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- Page 25 and 26: Click here for more informaition NZ
- Page 28 and 29: CHERIE ENGELBRECHT
- Page 32 and 33: KELVIN WRIGHT
- Page 36 and 37: PAUL JOHNSTON
- Page 40 and 41: TULIPA BRIGGS
- Page 46 and 47: Millie Nikon D810 @ F2.8, 1/200s, I
- Page 48 and 49: MAKEUP & COSTUME I have always been
- Page 50 and 51: Marauding Millicent Nikon D810 @ F2
- Page 52 and 53: Taking Stock Nikon D810 @ F2.8, 1/4
- Page 54 and 55: 54 September 2022 NZPhotographer
- Page 56 and 57: THE CAMERA BAG Having a well-organi
- Page 58 and 59: Lenses I’ve always been a fan of
- Page 60 and 61: SHOT 2 - NIKON 50MM F/1.8 G AF-S So
- Page 62 and 63: Creative Studio Spaces by Fairlie A
- Page 64 and 65: THE DIY HOME STUDIO WITH EMMA MONAG
- Page 66 and 67: 66 September 2022 NZPhotographer
- Page 68 and 69: Stephen Milner and the Volcanic Aot
- Page 70 and 71: The explosion of White Island in 20
- Page 72 and 73: “If I were to say the word ‘vol
- Page 74 and 75: From the Road: Ho Chi Minh City by
- Page 76 and 77: Bac (uncle) Ho as he was affectiona
- Page 78 and 79: Also in District One, you’ll find
- Page 80 and 81: The neighborhood streets of Saigon
- Page 82 and 83: BINH THANH DISTRICT This district h
- Page 84 and 85: ROADS READERS' SUBMISSIONS Whether
- Page 86 and 87: BUDDING PONGA TREE Image descriptio
- Page 88 and 89: DIETES BICOLOR Also known as the Af
- Page 90 and 91: SPRING AND TUIS - A MATCH MADE IN H
Creating Compelling Portraits<br />
by Shelley Harvey<br />
Hard at Play – Scene from a workshop.<br />
When capturing and creating a compelling portrait,<br />
emotion plays an integral role. For centuries art has<br />
been about evoking emotion and we should always<br />
ask ourselves, how do we want the viewer to feel<br />
and how do we want to feel? Are we reaching into<br />
the depths of our own past/present experiences and<br />
touching on emotion that is within us that we need to<br />
share to heal or empower ourselves?<br />
Often when I find myself in an emotionally dark place,<br />
my work comes through as light and happy, yet when<br />
life’s worries no longer weigh on my mind, my work tends<br />
to err on the dark side. Without psychoanalysing this<br />
emotional work pattern, I guess I am trying to lift my spirits<br />
when I am feeling vulnerable by making my work light<br />
and bright and then feel emotionally safe to visit darker<br />
emotions in my images when I am in a happy place.<br />
Themes and storytelling can assist in conveying<br />
emotion. Dark and grungy themes tend to evoke<br />
anger, oppression and suffering and sorrow, whereas<br />
light and playful themes will bring about contentment,<br />
happiness and joy. By putting thought into your<br />
theme or storyline you will result in a more emotionally<br />
charged image.<br />
PLANNING THE SHOOT<br />
Inspiration for a storyline can be found all around you. I<br />
brainstorm and write down ideas and concepts before<br />
going into a photo session - anything that comes to<br />
mind, and then build on that idea or emotion. I find<br />
keeping a diary on hand a great asset, so when I<br />
come across something that sparks my imagination (it<br />
could be a colour, prop, costume, makeup, hairstyle,<br />
or theme) I write it down. I find different styles provoke<br />
different emotions. A story can spiral from just one word<br />
or object. By writing it down, I can come back to it and<br />
begin to plan it into an upcoming session. This way,<br />
when I book a model, I have a reference of numerous<br />
ideas we can put into action on the day.<br />
<strong>NZPhotographer</strong><br />
<strong>September</strong> <strong>2022</strong><br />
45