Full DOWNLOAD Prints and Drawings of Käthe Kollwitz (Dover Fine Art, History of Art)
Copy Link >> https://getpdf.readbooks.link/yupu/0486221776 "The Weavers," a landmark of class-conscious art, which depicts, in a series of prints, the plight of the worker and his age-long struggle to better his lot. "Death as a Friend," showing a man greeting his death as an old friend, with a hysterical mixture of joy and terror. "The People," in which a mother shields her offspring from phantoms of hate, poverty, and ignorance — and symbolizes woman as creator, b
Copy Link >> https://getpdf.readbooks.link/yupu/0486221776
"The Weavers," a landmark of class-conscious art, which depicts, in a series of prints, the plight of the worker and his age-long struggle to better his lot. "Death as a Friend," showing a man greeting his death as an old friend, with a hysterical mixture of joy and terror. "The People," in which a mother shields her offspring from phantoms of hate, poverty, and ignorance — and symbolizes woman as creator, b
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Prints and Drawings of Käthe Kollwitz (Dover
Fine Art, History of Art)
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Copy Link >> https://getpdf.readbooks.link/yupu/0486221776
"TheWeavers,"a landmark of class-conscious art,
which depicts, in a series of prints, the plight of the worker and
his age-long struggle to better his lot. "Deah as a
Friend,"showing a man greeting his death as an old
friend, with a hysterical mixture of joy and terror.
"ThePeople,"in which a mother shields her offspring
from phantoms of hate, poverty, and ignorance —and
symbolizes woman as creator, begetter of the human race, link
between past and future.These works represent the recurrent
themes which most characterize the work of
KätheKollwitz: social consciousness and a sense of the
suffering of mankind, an urge to voice the basic maternal
attitude, and a preoccupation with death. She has been called
a propagandist, a crusader, yet her art is essentially apolitical.
Her concern was not with partisan causes, but rather with
universal rights.Fundamentally a dramatic artist,
KätheKollwitz (1867�) brought to each of her
works an uncanny ability to evoke human emotions through
subtle gestures and facial expressions. The reactions of her
characters were psychologically true primarily because she
tested them on herself.The present collection contains 83 of
Mrs. Kollwitz's finest works, including the last great print
cycles: "TheWeavers"of 1898 "ThePeasant
War"of 1908 "Warquot of 1925 and
"Deah"of 1935. These selections provide a full
panorama of Mrs. Kollwitz's development as a master of the
graphic techniques of etching, woodcutting and lithography.
Over 69 of the illustrations have been rephotographed from the
original works specially for this edition, and new techniques in
photolithography and a larger format have resulted in
reproductions that are as close as possible to the prints and
drawings themselves.
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