Ultimate Game Design : Building game worlds

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FIGURE E-5 Wireframe model, flat-shaded model, fully textured model A P P E N D I X E sessions to draw from a library of previously existing common motions (like walking and running). There is, of course, no guarantee that you’ll be able to find each of the motions you require for your game in any standard library. Many motion capture facilities offer libraries of stock motion for purchase. These tend to vary greatly in quality and usability. FIGURE E-6 Dynamic fielder 327 Ultimate Baseball Online Gallery
Building Game Worlds 328 U L T I M A T E G A M E D E S I G N The Motion Capture Process Here are a few photos taken from the motion capture sessions for UBO. Figure E-7 shows Major League Baseball All-Star Darrell Evans (center) directing Derek, a motion capture actor. The three digital cameras in view overhead bounce LED light off the reflective balls attached to the actor to record his motion details. Collaboration with an All-Star like Darrell is an obvious advantage and offers game developers unprecedented real-world knowledge and insight into the game of baseball. Figure E-8 shows Darrell Evans posing with the motion capture actors. Pictured from left to right are Derek, Darrell, and Tom. In this picture, you can clearly see the light-reflective balls attached to the actors’ performance suits. Finally, Figure E-9 shows the motion capture team conducting a motion capture session. Most game developers rely on experienced motion capture studios and capture teams for collaboration with motion details. From this control center setup, the capture team can monitor and process all of the motion data being generated by the actors on the capture stage. FIGURE E-7 Motion capture direction
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A BOUT THE AUTHOR Tom Meigs is a ga
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Brandon A. Nordin Scott Rogers Wend
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Building Game Worlds x U L T I M A
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Building Game Worlds xviii U L T I
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2 THE game design process begins by
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Building Game Worlds 4 U L T I M A
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24 AFTER you’ve completed your pr
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54 FOR a game to be competitive the
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86 YOU now understand the developme
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Building Game Worlds 100 U L T I M
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108 UP to this point, we’ve cover
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130 Building Game Worlds 130 U L T
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136 SCRIPTING in games gives develo
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166 ONCE your game environment has
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Building Game Worlds 174 174 U L T
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188 A whole new avenue for games ha
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216 ANOTHER new content horizon for
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238 THERE is a wide and growing ran
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266 AT some point in your skills gr
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274 Building Game Worlds U L T I M
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Page 299 and 300: Building Game Worlds 278 FIGURE 11-
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Page 307 and 308: 286 THIS appendix includes useful r
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Page 317 and 318: 296 MANY types of software tools we
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