Ultimate Game Design : Building game worlds

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C O N T E N T S 8 Design Considerations for Massively Multiplayer Online Games 187 MMOG Production Challenges, 188 Defining Titles, 189 How Is the MMOG Player Different from the Console Player?, 189 Saturation Concerns for the MMOG, 190 Pure Production Risks for the MMOG, 190 Cost and Support Considerations for the MMOG, 191 MMOG Construction Factors and Solutions, 194 General MMOG Structures, 194 MMOG Design Factors, 197 Latency, 197 Modularity, 198 Monitoring, 198 Tools Support, 198 Special Events, 198 Pace and Balance, 198 Player Dropout/Lost Connections, 199 MMOG Play Mechanics, 199 MMOGs and Design Orientation, 200 MMOG Genre Growth, 201 NPCs and Familiars, 201 Isolating MMOG Strengths, 201 MMOG Player Categories, 202 Deep Social Factors, 202 Current Challenges, 203 Sports Fans or Groups and MMOGs, 203 MMOG Opportunities, 205 Case Study Comments on Challenges for UBO, 206 Mega Tips, 212 9 Cell Phones and Wireless Gaming 215 The Impending Boom, 217 Global Competition, 219 Development Considerations, 220 Design Issues for Cell Phones, 222 Multiplay Cell Phone Gaming, 226 Wireless Toy Networks, 226 xiii
Building Game Worlds xiv U L T I M A T E G A M E D E S I G N Building the Cell Phone Gaming Market, 228 Opportunities in Wireless, 229 Case Study Comments on Development Factors in the Infancy of Wireless, 230 Mega Tips, 234 10 Getting Started in Game Development 237 Why Diversify?, 239 Role Definition for Game Designers, 240 Growth Areas and New Opportunities, 244 Microsoft, Mattel, Intel, and LeapFrog, 244 Challenges for PC Toys, 245 Advergames, 246 Interesting Trends for the Near Future, 247 Web Game Entertainment with Physical Counterparts, 248 Toys and Card Games Go Online, 249 The Importance of New Opportunities for Developers, 250 Anecdotes from the Game Development Frontlines, 250 Think Fish, 251 Sacking Sanka, 252 Case Study Comments on Final Thoughts for Designers, 253 Creating Your Perspective and Maintaining Your Passion, 257 Mega Tips, 264 11 Game Development Career Choices 265 Programming, 266 Game Programming as a Career Choice, 267 Art, 268 Game Artist as a Career Choice, 269 Design, 270 Game Designer as a Career Choice, 271 Production, 271 Production as a Career Choice, 272 Audio, 273 Audio Composer and Engineer as a Career Choice, 273 Quality Assurance, 274 QA as a Career Choice, 274 Opening an Independent Game Studio , 274 Joining a Game Developer, 276 Industry Economics, 276
Page 3 and 4: A BOUT THE AUTHOR Tom Meigs is a ga
Page 5 and 6: Brandon A. Nordin Scott Rogers Wend
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Page 11 and 12: Building Game Worlds x U L T I M A
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Page 23 and 24: 2 THE game design process begins by
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Page 45 and 46: 24 AFTER you’ve completed your pr
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Building Game Worlds 44 U L T I M A
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54 FOR a game to be competitive the
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86 YOU now understand the developme
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108 UP to this point, we’ve cover
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130 Building Game Worlds 130 U L T
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136 SCRIPTING in games gives develo
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166 ONCE your game environment has
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Building Game Worlds 174 174 U L T
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188 A whole new avenue for games ha
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216 ANOTHER new content horizon for
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238 THERE is a wide and growing ran
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266 AT some point in your skills gr
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274 Building Game Worlds U L T I M
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Building Game Worlds 278 FIGURE 11-
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286 THIS appendix includes useful r
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296 MANY types of software tools we
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304 TO assist you to further define
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310 I’VE gathered together a few
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322 AS a point of reference and as
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Building Game Worlds 336 Baseball s
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Building Game Worlds 346 crowd, 146
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