ENGL 3860: Metaphysical Graffiti Slide Deck

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You get down and immediately “lose yourself” in the music. Clichéd as it may be, this phrase bears out a kind of truth, for we do indeed lose our selves as delimited spaces. We lose our selves as an enclosedbordered subject. The music moves you, in spite of your wishes or desires. Edbauer | (meta)Physical <strong>Graffiti</strong> | 142
The sensation of such a relation, moreover, is what we might call the encounter of affect. It is the experience generated by relations—by your body-in-relation. We find that the rhetorical context that “calls” writing into being is always first a scene of affect’s experience. This is the primary cull to writing, which marks a relay between rhetorical context and the affective body. Edbauer | (meta)Physical <strong>Graffiti</strong> | 142
Page 1 and 2: P#UB$LICS@ metaPhysical &# Graffiti
Page 3 and 4: The public A public Discursive Publ
Page 5 and 6: Zines are a perfect example of this
Page 7 and 8: Roman Graffiti from Pompeii, c. 70
Page 9 and 10: Yet, what Trimbur’s model does no
Page 11 and 12: Using graffiti as an unruly exempla
Page 13: S@OME# SPINOZA@ This primacy of aff
Page 17 and 18: Style is that which opens sites for
Page 19 and 20: A writing’s impact may not have t
Page 21 and 22: Style is more than the genre, voice

ENGL 3860: Metaphysical Graffiti Slide Deck

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