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Origin: A Genetic History of the Americas

by Jennifer Raff

by Jennifer Raff

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Chapter 4<br />

Twenty years ago I took my shoes <strong>of</strong>f and stepped into <strong>the</strong> Mayan<br />

underworld.<br />

The darkness in <strong>the</strong> cave rendered my peripheral vision useless—<strong>the</strong><br />

only objects I could see were those directly illuminated by <strong>the</strong> narrow cone<br />

<strong>of</strong> light from my headlamp, giving me only piecemeal images <strong>of</strong> <strong>the</strong> huge<br />

cavern. The archaeologists who were guiding us and supervising our<br />

training called this room <strong>the</strong> main chamber. Seeing a world through a<br />

headlamp is like looking through <strong>the</strong> cardboard tube at <strong>the</strong> center <strong>of</strong> a paper<br />

towel roll; you focus on one object, shift your head, take in something else,<br />

shift again. I felt like I was piecing toge<strong>the</strong>r <strong>the</strong> entire cavernous chamber in<br />

a hundred spotlit gazes.<br />

Against one wall was a cluster <strong>of</strong> beautiful white columns made up <strong>of</strong><br />

fused stalactites and stalagmites. Over thousands <strong>of</strong> years, <strong>the</strong> drip <strong>of</strong> water<br />

from <strong>the</strong> limestone ceiling formed <strong>the</strong> flowstone deposits that glittered in<br />

<strong>the</strong> light <strong>of</strong> my headlamp.<br />

As I turned my head slightly to <strong>the</strong> right <strong>of</strong> <strong>the</strong> columns, my light<br />

revealed something much younger resting against <strong>the</strong> wall: a manos and<br />

metate—stones <strong>the</strong> ancient Maya had used to grind corn.<br />

I shined my headlight down to my feet, clad only in wet woolen socks.<br />

In order to protect both <strong>the</strong> artifacts and <strong>the</strong> cave formations, we had left<br />

our shoes outside, and now I was standing in <strong>the</strong> dark with <strong>the</strong> o<strong>the</strong>r<br />

students, my toes hanging <strong>of</strong>f <strong>of</strong> <strong>the</strong> lip <strong>of</strong> one <strong>of</strong> countless small travertine<br />

dams that extended outward from <strong>the</strong> entrance <strong>of</strong> <strong>the</strong> main chamber to its<br />

back wall. Each dam was a ledge <strong>of</strong> calcite encircling small indentations in<br />

<strong>the</strong> ground, caused by <strong>the</strong> water that had once dripped from <strong>the</strong> countless<br />

stone icicles hanging from <strong>the</strong> ceiling.<br />

The pools were dry now, but <strong>the</strong>y hadn’t been when <strong>the</strong> ancient Maya<br />

last visited this room, over a thousand years ago. In <strong>the</strong>se pools, on <strong>the</strong>

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