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Building the Essentials: Ferne Jacobs

The Craft in America Center is pleased to present the first ever retrospective of Los Angeles artist Ferne Jacobs. Since the 1960s, Ferne Jacobs has been at the forefront of the revolution in fiber art. She has pioneered ways to create a new category of sculpture. Transforming materials and pushing boundaries, she builds solid structures with coiled, twined, and knotted thread. This exhibition is the first to survey more than fifty years of Jacobs’ pivotal and timeless work through the present. Jacobs’ intimate drawings and collage diaries, which have never been publicly displayed before now, provide an additional lens into her vision, inspiration, and philosophical perspective.

The Craft in America Center is pleased to present the first ever retrospective of Los Angeles artist Ferne Jacobs. Since the 1960s, Ferne Jacobs has been at the forefront of the revolution in fiber art. She has pioneered ways to create a new category of sculpture. Transforming materials and pushing boundaries, she builds solid structures with coiled, twined, and knotted thread. This exhibition is the first to survey more than fifty years of Jacobs’ pivotal and timeless work through the present. Jacobs’ intimate drawings and collage diaries, which have never been publicly displayed before now, provide an additional lens into her vision, inspiration, and philosophical perspective.

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contained bundle of shavings from the sun. She has focused on

a consideration of the larger, complex systems beyond human

control that keep everything running. “There are processes in

the world that will always be there whether we are there or not.”

She constructed her most recent piece, the skeletal Whispering

Whale (fig. 18), during the height of the pandemic, out of

increased concern about the environment and species loss. In

particular, she wanted to speak to the critical problems she felt

are being ignored. “The work is not about issues in the world per

se, but of course, I am affected by them. The work has more to

do with a mystery that I relate with when I am working, and just

hoping that when each piece is complete, that it feels alive, that

it has ‘breath’.”

The exhibition includes Jacobs’ intimate drawings (figs. 15 and

16) and collage diaries (fig. 17), which have never been publicly

displayed before. This imagery provides an additional revelatory

lens into her vision, inspiration, and philosophical perspective.

Jacobs creates psychological drawings, depicting her subconscious,

and they are filled with Jungian symbolism. The serpent

or snake, bird, and fish are central figures that fill these pages,

forming narratives that sometimes extend for several pages.

Whereas her drawing books are more personal and often stem

from her dreams and subconsciousness, collage is an outlet

through which Jacobs witnesses and charts time. She depicts

her worldview and her responses to what is happening in society.

Jacobs is recognized for her technical mastery of material and

process. Reinventing and advancing traditional techniques used

for basketry, and inventing countless other methods along the

way, Jacobs has generated an entirely fresh format for sculptural

art. Her acute sense of color melded with her poetic and

intuitive approach are characteristic traits. Each piece begins

CONNECTED CELLS, BREATHING FORMS 25

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