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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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Where I Come from Is Like This<br />

I<br />

Modern <strong>American</strong> <strong>Indian</strong> women, like <strong>the</strong>ir non-<strong>Indian</strong> sisters,<br />

are deeply engaged <strong>in</strong> <strong>the</strong> struggle to redef<strong>in</strong>e <strong>the</strong>mselves. In<br />

<strong>the</strong>ir struggle <strong>the</strong>y must reconcile traditional tribal def<strong>in</strong>itions of<br />

women with <strong>in</strong>dustrial and post<strong>in</strong>dustrial non-<strong>Indian</strong> def<strong>in</strong>itions.<br />

Yet while <strong>the</strong>se def<strong>in</strong>itions seem to be more or less mutually<br />

exclusive, <strong>Indian</strong> women must somehow harmonize and <strong>in</strong>tegrate<br />

both <strong>in</strong> <strong>the</strong>ir own lives.<br />

An <strong>American</strong> <strong>Indian</strong> woman is primarily def<strong>in</strong>ed by her tribal<br />

identity. In her eyes, her dest<strong>in</strong>y is necessarily that of her people,<br />

and her sense of herself as a woman is first and foremost<br />

prescribed by her tribe. <strong>The</strong> def<strong>in</strong>itions of woman’s roles are as<br />

diverse as tribal cultures <strong>in</strong> <strong>the</strong> Americas. In some she is<br />

devalued, <strong>in</strong> o<strong>the</strong>rs she wields considerable power. In some she<br />

is a familial/clan adjunct, <strong>in</strong> some she is as close to autonomous<br />

as her economic circumstances and psychological traits permit.<br />

But <strong>in</strong> no tribal def<strong>in</strong>itions is she perceived <strong>in</strong> <strong>the</strong> same way as<br />

are women <strong>in</strong> western <strong>in</strong>dustrial and post<strong>in</strong>dustrial cultures.<br />

In <strong>the</strong> west, few images of women form part of <strong>the</strong> cultural<br />

mythos, and <strong>the</strong>se are largely sexually charged. Among<br />

Christians, <strong>the</strong> madonna is <strong>the</strong> female prototype, and she is<br />

portrayed as essentially passive: her contribution is simply that<br />

of birth<strong>in</strong>g. Little else is attributed to her and she certa<strong>in</strong>ly<br />

possesses few of <strong>the</strong> characteristics that are attributed to mythic<br />

figures among <strong>Indian</strong> tribes. This image is countered (ra<strong>the</strong>r than<br />

balanced) by <strong>the</strong> witch-goddess/whore characteristics designed<br />

to re<strong>in</strong>force cultural beliefs about women, as well as western

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