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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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exchange of dom<strong>in</strong>ance, and thus each portion of <strong>the</strong> community<br />

takes responsibility <strong>in</strong> turn for <strong>the</strong> prosperity and well-be<strong>in</strong>g of<br />

<strong>the</strong> people.<br />

A Keres is of course aware that balance and harmony are two<br />

primary assumptions of Keres society and will not approach <strong>the</strong><br />

narrative wonder<strong>in</strong>g whe<strong>the</strong>r <strong>the</strong> handsome Mioch<strong>in</strong> will w<strong>in</strong> <strong>the</strong><br />

hand of <strong>the</strong> unhappy wife and triumph over <strong>the</strong> enemy, <strong>the</strong>reby<br />

heroically sav<strong>in</strong>g <strong>the</strong> people from disaster. <strong>The</strong> triumph of<br />

handsome youth over ugly age or of virile liberality over<br />

wi<strong>the</strong>red tyranny doesn’t make sense <strong>in</strong> a Keres context because<br />

such views contradict central Keres values.<br />

A traditional Keres is satisfied by <strong>the</strong> story because it<br />

reaffirms a Keres sense of Tightness, of propriety. It is a tale that<br />

affirms ritual understand<strong>in</strong>gs, and <strong>the</strong> Keres reader can visualize<br />

<strong>the</strong> ritual itself when read<strong>in</strong>g Gunn’s story. Such a reader is<br />

likely to be puzzled by <strong>the</strong> references to rulers and by <strong>the</strong> tone of<br />

heroic romance but will be reasonably satisfied by <strong>the</strong> account<br />

because <strong>in</strong> spite of its westernized changes, it still ends happily<br />

with <strong>the</strong> orderly transfer of focality between <strong>the</strong> moieties and<br />

seasons accomplished <strong>in</strong> seasonal splendor as w<strong>in</strong>ter <strong>in</strong> New<br />

Mexico blusters and sleets its way north and summer s<strong>in</strong>gs and<br />

warms its way home. In <strong>the</strong> end, <strong>the</strong> primary Keres values of<br />

harmony, balance, and <strong>the</strong> centrality of woman to ma<strong>in</strong>ta<strong>in</strong> <strong>the</strong>m<br />

have been validated, and <strong>the</strong> fundamental Keres pr<strong>in</strong>cipal of<br />

proper order is celebrated and affirmed once aga<strong>in</strong>.<br />

A Modern Fem<strong>in</strong>ist Interpretation<br />

A non-Keres fem<strong>in</strong>ist, read<strong>in</strong>g this tale, is likely to wrongly<br />

suppose that this narrative is about <strong>the</strong> importance of men and<br />

<strong>the</strong> use of a passive female figure as a pawn <strong>in</strong> <strong>the</strong>ir bid for<br />

power. And, given <strong>the</strong> way Gunn renders <strong>the</strong> story, a modern

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