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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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As shamans, <strong>the</strong> women <strong>in</strong> many tribes function <strong>in</strong> all ways<br />

that male shamans are known to. <strong>The</strong>y perform heal<strong>in</strong>gs, hunt<strong>in</strong>g<br />

ceremonies, vision quests and <strong>the</strong> guidance for <strong>the</strong>m, acts of<br />

psychok<strong>in</strong>esis, teleportation, wea<strong>the</strong>r direction, and more. In <strong>the</strong><br />

various tribes accord<strong>in</strong>g to each one’s customs, <strong>the</strong> shaman also<br />

creates certa<strong>in</strong> artifacts—cloth<strong>in</strong>g, baskets, ornaments, objects to<br />

be worn <strong>in</strong> pouches or under skirts or sewed <strong>in</strong>to belts. She<br />

officiates at burials, births, child nam<strong>in</strong>g and welcom<strong>in</strong>g <strong>in</strong>to this<br />

world, menstrual and pregnancy rituals and rites, psychic<br />

manipulation of animals, metamorphoses or transformations. She<br />

does much of this through danc<strong>in</strong>g and chant<strong>in</strong>g, and a large part<br />

of <strong>the</strong> method, symbols, significances, and effects of her<br />

shamanic efforts are recorded <strong>in</strong> <strong>the</strong> stories she tells, <strong>the</strong> songs<br />

she s<strong>in</strong>gs, and <strong>the</strong> knowledge she possesses. Much of this<br />

knowledge she transmits to o<strong>the</strong>rs <strong>in</strong> ways that will be of use to<br />

<strong>the</strong>m, and much of it she keeps to herself, teaches <strong>in</strong> formal<br />

sett<strong>in</strong>gs to her apprentices, or shares with o<strong>the</strong>r shamans.<br />

One of <strong>the</strong> primary functions of <strong>the</strong> shaman is her effect on<br />

tribal understand<strong>in</strong>gs of “women’s roles,” which <strong>in</strong> large part<br />

are traditional <strong>in</strong> Mrs. McCabe’s sense of <strong>the</strong> word. It is <strong>the</strong><br />

shaman’s connection to <strong>the</strong> spirit world that <strong>Indian</strong> women<br />

writers reflect most strongly <strong>in</strong> our poetry and fiction. If <strong>the</strong>re is<br />

any <strong>Indian</strong> woman’s tradition that <strong>in</strong>forms our work, it is <strong>the</strong><br />

spiritual understand<strong>in</strong>g of womanhood as an expression of spirit.<br />

That understand<strong>in</strong>g is formed on <strong>the</strong> recognition that everyth<strong>in</strong>g<br />

is alive, that <strong>the</strong> spirit people are part of our daily world, that all<br />

life lives <strong>in</strong> harmony and k<strong>in</strong>ship with and to all o<strong>the</strong>r life, and<br />

that sickness of all k<strong>in</strong>ds and of all orders comes about because<br />

of our resistance to surrender<strong>in</strong>g to <strong>the</strong> complexity and multidimensionality<br />

of existence.<br />

So we acknowledge that <strong>the</strong> violation of <strong>the</strong> Mo<strong>the</strong>rs’ and<br />

Grandmo<strong>the</strong>rs’ laws of k<strong>in</strong>ship, respect, balance, and harmony<br />

br<strong>in</strong>gs about social, planetary, and personal illness and that

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