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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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are <strong>in</strong>extricably <strong>in</strong>terwoven with fem<strong>in</strong><strong>in</strong>e power) with<strong>in</strong> <strong>the</strong><br />

secure psychic power-generat<strong>in</strong>g and protective “battery” of <strong>the</strong><br />

circle of Grandmo<strong>the</strong>rs, and <strong>the</strong> <strong>Sacred</strong> Pipe way of <strong>the</strong> Lakota<br />

comes to <strong>the</strong>m from <strong>the</strong> spirit White Buffalo Woman.<br />

In <strong>the</strong>se and many o<strong>the</strong>r tribal systems, <strong>the</strong> oral tradition <strong>in</strong> its<br />

ceremonial and ritual aspects rests on female power; shamanism,<br />

which is accorded to certa<strong>in</strong> persons, <strong>in</strong>clud<strong>in</strong>g gays and<br />

lesbians, derives from <strong>the</strong> power of dream/vision and <strong>the</strong> liv<strong>in</strong>g<br />

presence of <strong>the</strong> Dreamer among <strong>the</strong> people.<br />

In ano<strong>the</strong>r film, Pomo Shaman, Mrs. Parrish demonstrates a<br />

heal<strong>in</strong>g ritual, <strong>in</strong> which she uses water and water power,<br />

captured and focused through her motions, words, and use of<br />

material water, to heal a patient. She demonstrates <strong>the</strong> means of<br />

heal<strong>in</strong>g, and <strong>in</strong> <strong>the</strong> short narrative segments, she repeats <strong>in</strong><br />

English some of <strong>the</strong> ritual. It is about creation and creat<strong>in</strong>g and<br />

signifies <strong>the</strong> basic understand<strong>in</strong>g <strong>the</strong> tribal peoples generally<br />

have about how sickness comes about and how its effects can be<br />

assuaged, relieved, and perhaps even removed.<br />

<strong>The</strong> mental health practitioner Phyllis Old Dog Cross alludes<br />

to this belief when she quotes anthropologist Peggy Sanday:<br />

“‘Where men are <strong>in</strong> harmony with <strong>the</strong>ir environment rape is<br />

usually absent.’” 13 That is, rape or o<strong>the</strong>r acts of political or<br />

power-based violence result from a disorder <strong>in</strong> <strong>the</strong> relationship<br />

between person and cosmos.<br />

Traditional <strong>American</strong> <strong>Indian</strong> systems depended on basic<br />

concepts that are at present be<strong>in</strong>g reformulated and to some<br />

extent practiced by western fem<strong>in</strong>ists, <strong>in</strong>clud<strong>in</strong>g cooperation (but<br />

by that traditional <strong>Indian</strong>s generally meant someth<strong>in</strong>g o<strong>the</strong>r than<br />

noncompetitiveness or passivity), harmony (aga<strong>in</strong>, this did not<br />

necessarily mean absence of conflict), balance, k<strong>in</strong>ship, and<br />

respect. <strong>The</strong>ir material, social, and ritual systems were<br />

predicated on <strong>the</strong>se essential values, which might be seen as<br />

objectives, parameters, norms, or pr<strong>in</strong>ciples depend<strong>in</strong>g on how

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