10.06.2022 Views

The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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and spr<strong>in</strong>g is soon.<br />

<strong>the</strong> breath<strong>in</strong>g is<br />

difficult at times<br />

from syllable <strong>in</strong>to l<strong>in</strong>e.<br />

2) i am sent to <strong>the</strong> fields<br />

to labor one more time.<br />

<strong>the</strong> breath<strong>in</strong>g will not<br />

discover <strong>the</strong> l<strong>in</strong>e.<br />

my land races visions<br />

before my eyes<br />

–tunes <strong>the</strong>se senses i possess<br />

to smell and taste and touch<br />

yet <strong>the</strong> solidity of<br />

a sandstone boulder<br />

will not be pa<strong>in</strong>ted without a brush.<br />

my pen is frozen<br />

<strong>in</strong> some ancient mold,<br />

<strong>the</strong> image lost wants only to hide<br />

<strong>in</strong> my palette’s colors<br />

–will not be found<br />

to mould a l<strong>in</strong>e.<br />

what syllable <strong>the</strong>n can best convey<br />

<strong>the</strong> ochre/umbers of that ground?<br />

and chok<strong>in</strong>g dust that’s <strong>in</strong>terspaced<br />

with sunburst prism<br />

on w<strong>in</strong>dow glass?<br />

i swell with visions<br />

erupt<strong>in</strong>g rocks and clouds<br />

with<strong>in</strong> my m<strong>in</strong>d.<br />

i know this wilderness <strong>in</strong> my blood

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