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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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that enter our eyes.<br />

At night <strong>the</strong>re are reflections of sk<strong>in</strong><br />

filled with muscle, lung,<br />

nerve, that flash of dark and light sk<strong>in</strong>,<br />

shadows we love<br />

that belong to us all.<br />

Daughters, <strong>the</strong> women are speak<strong>in</strong>g.<br />

<strong>The</strong>y arrive<br />

over <strong>the</strong> wise distances<br />

on perfect feet.<br />

Daughters, I love you. 11<br />

Out of a Dark and Different Time:<br />

Mary TallMounta<strong>in</strong><br />

<strong>The</strong> work of Mary TallMounta<strong>in</strong> (Athabascan) reveals a<br />

deeply spiritualized sensibility. Her tribal consciousness is<br />

tempered with a mystical Roman Catholic perspective, and this<br />

makes for a difficult and uneasy alliance between <strong>the</strong> pagan<br />

awareness that characterizes tribal thought and <strong>the</strong> less earthy,<br />

more judgmental view of medieval Christianity. Yet at times her<br />

purely <strong>Indian</strong> awareness and <strong>the</strong> unity of thought that<br />

dist<strong>in</strong>guishes it from that of more secularized political<br />

consciousness overwhelms her Christianized sensibility. <strong>The</strong><br />

poem titled “<strong>The</strong> Last Wolf” is based on <strong>the</strong> appearance of a<br />

spirit wolf who saw her through a time of deep personal<br />

difficulty and serious illness. Along with that poem, she has also<br />

recorded <strong>in</strong>cidents of tribal consciousness, as <strong>in</strong> <strong>the</strong> follow<strong>in</strong>g<br />

synopsis I’ve made of a personal memoir she wrote <strong>in</strong> 1980,<br />

titled “<strong>The</strong>re Is No Word for Good-Bye.” TallMounta<strong>in</strong> had

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