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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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experience of warmth and car<strong>in</strong>g. He thought of those years as<br />

be<strong>in</strong>g “like a dream.” 18 He didn’t remember how she died, did<br />

not even know what happened to her. He did not remember her<br />

name until Kate rem<strong>in</strong>ded him of it years later. But he<br />

remembered certa<strong>in</strong> moments—dr<strong>in</strong>k<strong>in</strong>g hot chocolate, brush<strong>in</strong>g<br />

her hair. She was, he decided, “<strong>the</strong> woman he had tried hardest<br />

to love, throughout <strong>the</strong> years, and now.” 19<br />

Thus, fa<strong>the</strong>rless, mo<strong>the</strong>rless, abandoned by sister and friend,<br />

he grew <strong>in</strong>to an adult who was lonely to <strong>the</strong> core, unable to be<br />

nurtured by anyone. Anomie was his chief characteristic.<br />

In many respects, Jim Loney, Tayo, Abel, and <strong>the</strong> nameless<br />

narrator of W<strong>in</strong>ter <strong>in</strong> <strong>the</strong> Blood are alike. All have been<br />

severely damaged by death, all are parentless except <strong>the</strong> narrator<br />

<strong>in</strong> W<strong>in</strong>ter <strong>in</strong> <strong>the</strong> Blood, whose mo<strong>the</strong>r, though still alive, cannot<br />

communicate love or closeness to her son. Most important, none<br />

of <strong>the</strong>se protagonists has a clear sense of belong<strong>in</strong>g to a people,<br />

a tradition, or a culture.<br />

<strong>The</strong> conflict is resolved variously: <strong>the</strong> southwestern authors,<br />

Momaday and Silko, choose traditional <strong>Indian</strong> modes of<br />

resolution, while <strong>the</strong> nor<strong>the</strong>rn author Welch chooses realism.<br />

<strong>The</strong> difference <strong>in</strong> choice can at least be partly ascribed to <strong>the</strong><br />

differences <strong>in</strong> perception of options among Pueblo, Navajo, or<br />

o<strong>the</strong>r southwestern tribes and those of <strong>the</strong> Pla<strong>in</strong>s or more eastern<br />

tribes. As <strong>the</strong> acculturation processes have been different <strong>in</strong> <strong>the</strong><br />

two regions, <strong>the</strong> degree of alienation, as reflected <strong>in</strong> <strong>the</strong>se<br />

novels, has also been different. In addition, romanticism of<br />

<strong>American</strong> <strong>Indian</strong>s is endemic to <strong>the</strong> Southwest, while<br />

brutalization and degradation of <strong>the</strong>m is common on <strong>the</strong> Pla<strong>in</strong>s.<br />

Thus, it seems that alienation is a political issue. Among<br />

o<strong>the</strong>rs, Silko and Momaday make this po<strong>in</strong>t as part of <strong>the</strong>ir plots.<br />

In House Made of Dawn, police brutality is a significant factor<br />

<strong>in</strong> Abel’s destruction, as is <strong>the</strong> lack of comprehension by liberal<br />

sympathizers like Fr. Olgu<strong>in</strong> and Milly. Beyond <strong>the</strong>se elements,

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