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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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After Tayo completes <strong>the</strong> first steps of <strong>the</strong> ceremony, he is<br />

ready to enter <strong>in</strong>to <strong>the</strong> central rituals connected with a ceremony<br />

of cosmic significance, for only a cosmic ceremony can<br />

simultaneously heal a wounded man, a stricken landscape, and a<br />

disorganized, discouraged society.<br />

He becomes a warrior, thus dissociat<strong>in</strong>g himself from <strong>the</strong><br />

people. A warrior <strong>in</strong> a peace-centered culture must experience<br />

total separation from <strong>the</strong> tribe. He has been prepared for his role<br />

by <strong>the</strong> circumstances of his birth and upbr<strong>in</strong>g<strong>in</strong>g: Auntie was<br />

especially forceful <strong>in</strong> propell<strong>in</strong>g him away from <strong>the</strong> heart of<br />

what he was. By virtue of his status as an outcast who, at <strong>the</strong><br />

same time, is one of <strong>the</strong> Laguna people <strong>in</strong> his heart, he is able to<br />

suffer <strong>the</strong> ritual of war and dissolution. Only total annihilation of<br />

<strong>the</strong> mundane self could produce a magic man of sufficient power<br />

to carry off <strong>the</strong> ceremony that Tayo is embroiled <strong>in</strong>.<br />

At <strong>the</strong> open<strong>in</strong>g of <strong>the</strong> story, Tayo is still experienc<strong>in</strong>g this<br />

stage of <strong>the</strong> ceremony. He is formless, for his be<strong>in</strong>g is as yet<br />

unshaped, undist<strong>in</strong>guished from <strong>the</strong> mass it sprang from. Like<br />

ra<strong>in</strong>less clouds, he seeks fulfillment—a ceremony, a story about<br />

his life that will make him whole. He has <strong>the</strong> idea that if he had<br />

died <strong>in</strong>stead of Rocky or Josiah, <strong>the</strong> land would be full of ra<strong>in</strong>.<br />

This “story” of his is <strong>in</strong>appropriate. Perhaps because of his<br />

status as an outcast, he does not understand <strong>the</strong> nature of death,<br />

nor does he know that it is not <strong>in</strong> <strong>the</strong> deaths of two <strong>in</strong>dividuals<br />

that <strong>the</strong> prosperity or <strong>the</strong> suffer<strong>in</strong>g of <strong>the</strong> people rests. Perhaps<br />

no one has told him that <strong>the</strong> departed souls are always with<strong>in</strong><br />

and part of <strong>the</strong> people on earth, that <strong>the</strong>y are still obligated to<br />

those liv<strong>in</strong>g on earth and come back <strong>in</strong> <strong>the</strong> form of ra<strong>in</strong> regularly<br />

(when all is well), so that death is a bless<strong>in</strong>g on <strong>the</strong> people, not<br />

<strong>the</strong>ir destruction. What Tayo and <strong>the</strong> people need is a story that<br />

will take <strong>the</strong> entire situation <strong>in</strong>to account, that will bless life<br />

with a certa<strong>in</strong> k<strong>in</strong>d of <strong>in</strong>tegrity where spirit, creatures, and land<br />

can occupy a unified whole. That k<strong>in</strong>d of story is, of course, a

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