10.06.2022 Views

The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

caused myth to be regarded as “a wholly fictitious story” as <strong>the</strong><br />

Oxford English Dictionary puts it or, as <strong>in</strong> <strong>the</strong> standard French<br />

Dictionary of Littre, “that which has no real existence.”<br />

In <strong>the</strong> culture and literature of <strong>Indian</strong> America, <strong>the</strong> mean<strong>in</strong>g of<br />

myth may be discovered, not as speculation about primitive<br />

long-dead ancestral societies but <strong>in</strong> terms of what is real, actual,<br />

and viable <strong>in</strong> liv<strong>in</strong>g cultures <strong>in</strong> America. Myth abounds <strong>in</strong> all of<br />

its forms; from <strong>the</strong> most sacred stories to <strong>the</strong> most trivial, mythic<br />

vision <strong>in</strong>forms <strong>the</strong> prose and poetry of <strong>American</strong> <strong>Indian</strong>s <strong>in</strong> <strong>the</strong><br />

United States as well as <strong>the</strong> rest of <strong>the</strong> Americas.<br />

An <strong>American</strong> <strong>Indian</strong> myth is a story that relies preem<strong>in</strong>ently on<br />

symbol for its articulation. It generally relates a series of events<br />

and uses supernatural, heroic figures as <strong>the</strong> agents of both <strong>the</strong><br />

events and <strong>the</strong> symbols. As a story, it demands <strong>the</strong> immediate,<br />

direct participation of <strong>the</strong> listener.<br />

<strong>American</strong> <strong>Indian</strong> myths depend for <strong>the</strong>ir magic on relationship<br />

and participation. Detached, analytical, distanced observation of<br />

myth will not allow <strong>the</strong> listener mythopoeic vision.<br />

Consequently, <strong>the</strong>se myths cannot be understood more than<br />

peripherally by <strong>the</strong> add<strong>in</strong>g-mach<strong>in</strong>e m<strong>in</strong>d; for when a myth is<br />

removed from its special and necessary context, it is no longer<br />

myth; it is a dead or dy<strong>in</strong>g curiosity. It is ak<strong>in</strong>, <strong>in</strong> that state, to <strong>the</strong><br />

postcard depictions of <strong>American</strong> <strong>Indian</strong> people that abound <strong>in</strong><br />

<strong>the</strong> southwestern United States.<br />

Only a participant <strong>in</strong> mythic magic can relate to <strong>the</strong> myth, can<br />

enter <strong>in</strong>to its mean<strong>in</strong>g on its own terms. This is not to say that<br />

only a devout Oglala can comprehend <strong>the</strong> Myth of White Buffalo<br />

Woman or that only a practic<strong>in</strong>g Cheyenne can comprehend <strong>the</strong><br />

presence of Sweet Medic<strong>in</strong>e. It does mean that only those who<br />

experientially accept <strong>the</strong> nonmaterial or nonord<strong>in</strong>ary reality of<br />

existence can hope to comprehend ei<strong>the</strong>r figure <strong>in</strong> <strong>the</strong>ir own<br />

terms; all o<strong>the</strong>rs are, of necessity, excluded.<br />

I have said that an <strong>American</strong> <strong>Indian</strong> myth is a particular k<strong>in</strong>d

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!