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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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foundations. 13 Long ignored by white and <strong>Indian</strong> writers alike,<br />

<strong>the</strong>se traditions are <strong>the</strong> basis for much of tribal society <strong>in</strong> <strong>the</strong><br />

Americas. My choice is not surpris<strong>in</strong>g: as a daughter of Laguna,<br />

a Keres pueblo, I was raised with a gynocratic perspective, one<br />

not unmixed with patriarchal views, however.<br />

As already mentioned, women’s rituals are traditionally<br />

centered on cont<strong>in</strong>uance. While women experience<br />

transformations accompanied by danger, blood, and death, <strong>the</strong>y<br />

also create life from <strong>the</strong>ir own flesh. <strong>The</strong> transformative phases<br />

of a woman’s life alter <strong>the</strong> degree of power (<strong>in</strong> <strong>the</strong> medic<strong>in</strong>e or<br />

sacred sense) that she possesses, br<strong>in</strong>g<strong>in</strong>g to her <strong>in</strong>creased<br />

power with each of <strong>the</strong> four female life phases. 14<br />

<strong>The</strong> Keres conceptualize <strong>the</strong> supreme be<strong>in</strong>g as a puzzl<strong>in</strong>g<br />

figure commonly referred to as Old Spider, Grandmo<strong>the</strong>r Spider,<br />

or Spider Woman. Spider Woman’s Keres name is translated as<br />

Thought Woman (it can be better understood if translated as<br />

Creat<strong>in</strong>g-through-Th<strong>in</strong>k<strong>in</strong>g Woman). She is <strong>the</strong> Dreamer, <strong>the</strong><br />

ritual center, who sang her sister goddesses Uretsete and<br />

Naotsete <strong>in</strong>to life and taught <strong>the</strong>m <strong>the</strong> rituals <strong>the</strong>y used to s<strong>in</strong>g<br />

everyth<strong>in</strong>g <strong>in</strong> <strong>the</strong>ir baskets, <strong>the</strong>ir medic<strong>in</strong>e bundles, <strong>in</strong>to be<strong>in</strong>g.<br />

Among <strong>the</strong> th<strong>in</strong>gs <strong>in</strong> <strong>the</strong>ir baskets were <strong>the</strong> heavens, <strong>the</strong> waters,<br />

<strong>the</strong> mounta<strong>in</strong>s, <strong>the</strong> earth, <strong>the</strong> kats<strong>in</strong>a (spirit messengers and<br />

protectors), <strong>the</strong> creatures, and <strong>the</strong> plants. In ensu<strong>in</strong>g times <strong>the</strong>y<br />

change: Uretsete becomes Iyatiku and as such is <strong>the</strong> Mo<strong>the</strong>r of<br />

<strong>the</strong> people, <strong>the</strong> gods, and <strong>the</strong> animals. She, like her agricultural<br />

analogue <strong>the</strong> corn, is <strong>the</strong> power of self-generation and<br />

regeneration. It is this power or force that b<strong>in</strong>ds <strong>the</strong> people<br />

toge<strong>the</strong>r, that empowers <strong>the</strong>ir rituals and customs and provides<br />

<strong>the</strong>m with social systems, village plans, sustenance, and all else<br />

<strong>the</strong>y might need to live <strong>in</strong> harmony and reasonable plenty on<br />

earth. Eventually Uretsete leaves <strong>the</strong> people and goes to Shipap,<br />

<strong>the</strong> ceremonial or dream/vision center of <strong>the</strong> tribe’s ritual life,<br />

from whence she guides <strong>the</strong> people, aided by <strong>the</strong> cacique and

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